Inquisição & Tortura

Like the Italians around that same era, the Japanese exploitation cinema industry didn't waste any time, money or effort during the 1970's. "Female Yakuza Tale", the sequel to "Sex and Fury" was released in the very same year as the original. Reiko Ike, the ravishing and slightly exhibitionist lead actress, even appeared in six different films that same year and – according to her filmography - made a total of twenty films in a span of barely eight years (between 1971 and 1979). That's very impressive, to say the least, especially considering the fact these movie don't feel rushed or unfinished at all, like often the case with their European counterparts.

Fortunately enough for us fans, the sequel isn't just a quick and derivative rehash of the original. Like the different entries the righteously acclaimed "Female Prisoner: Scorpion" series, the sequel is a completely new adventure with other themes and – thanks to the change in director from Norifumi Suzuki to Teruo Ishii – there's also another type of stylishness and flamboyance. After extracting vengeance on her father's murderers, and killing a whole bunch of other bastards in the process, you would think our heroine Ochô Inoshika could now finally lead a happy and peaceful life. Think again, because this time around she plots to almost single-handedly bring down a whole network of drugs and prostitution. And these two crimes are really inseparable as the sleazy male gangsters use the prostitutes' gouged vaginae to smuggle the drugs. The modus operandi is integrally and quite graphically illustrated a couple of times and really has to be seen in order to be believed. I swear, only in Japan they can come up with deranged stuff like this and simultaneously find aspiring young actresses to comply. When Ochô is wrongfully mistaken for one of the prostitutes, she's abducted, abused and humiliated. She swears revenge and, with a little help from a mysteriously sexy and praying woman, Ochô gradually mobilizes a whole army (and you make take that literally) of girls to unleash a war.

Although I've yet to check out a lot of acclaimed titles, "Female Yakuza Tale: Inquisition and Torture" is bound to be one of the purest and sub- genre defining Pinky Violence movies out there! It's literally chock- full of gratuitous nudity (during the opening title sequence already), mildly stunning "crotch-gouge" absurdity and sword-wielding splatter. The climax in particular is perplexing, with dozens and dozens of girls stripping off their robes before battling against the other sex. And they're bound to lose, of course, because every single man depicted in this film is perverted, abusive and exaggeratedly chauvinist pig! There's only one "good" male character in the film, and he's a bit of a silly loser who makes jokes like "your pussy is going to catch a cold". I love feminism.

I recall some politician once being advertised as "tan, rested, and ready." Well, Ochô (Reiko Ike) has recovered from her massive wounds sustained in Sex & Fury, and is ready to do battle again.

This time she is involved in the "Crotch-Gouge" murders. Something to do with Chinese drug mules who smuggle the drug up their crotch. Needless to say, the drug gang picked the wrong person to mess with.

Exploring the video nasties of the 70s and the pinky violence of the same period is an adventure in just how wild filmmakers can be. At least the Japanese films are all in glorified color and full of gorgeous beauty. The music is also very upbeat and enjoyable.

There are more breasts than in a chicken processing plant, and the blood flows freely in the final battle. This was not as good as Sex & Fury, but it had a whole lot more skin.

The beautiful Reiko Ike returns in this low-budget sequel to "Sex and Fury". A non-stop, rather confusing tale of gangs, drug running and revenge, "Female Yakuza Tale: Inquisition and Torture" is a wonderfully visual movie with a great '70s score and an excellent cast.

Despite finding the plot a little too convoluted, I enjoyed watching this movie. The scenes of softcore romps with middle-aged men started to exceed their welcome in no time at all but the film has a decent pace and energy that allows it to overcome its limitations. Reiko Ike is a stunning actress and steals every scene. Her willingness to give 100% to the film soon becomes apparent in the opening credits where she manages to full disrobe in the midst of a sword fight with numerous assailants.

Not the most exciting crime thriller I've seen from Japan, "Female Yakuza Tale" is still an entertaining movie from bonkers director Teruo Ishii.

The ravishing Reiko Ike is back, sexy and deadly as ever in this awesomely sleazy sequel to Norifumi Suzuki's "Sex And Fury" (1973). Brought to you by cult-director Teruo Ishii ("Black Cat's Revenge", "The Executioner", "Orgies Of Edo", "Horrors of Malformed Men",...), "Yasagure anego den: sôkatsu rinchi" aka. "Female Yakuza Tale: Inquisition and Torture" of 1973 is yet another great entry to the Japanese 'Pinky Violence' Exploitation sub-genre. The film's great visual style, tons of sleaze and violence, and, above all, genre-goddess Reiko Ike make this a must-see for my fellow Pinky Violence enthusiasts and highly recommended to any fan of cult-cinema.

The sexy and lethal gambling-lady, thief and swords-woman Ochô Inoshika (Reiko Ike) is back, and immediately confronted with lots of new enemies. Among others, she has to struggle with a ring of drug smugglers who smuggle heroin in a very kinky manner... I don't won't give away any more of the story, as I don't wanna spoil any of the fun, but I can assure that my fellow Japanese Exploitation lovers should be more than satisfied. While "Female Yakuza Tale" may not be quite as good story-wise as the foregoing "Sex And Fury", it even surpasses its predecessor in sleaziness. The film is again beautifully shot, with immensely stylish fighting sequences. What makes these (often slow-motion) sword-fights even more memorable is the fact that the ravishing heroine Ochô tends to fight bare-breasted or even completely naked. Also, the ONLY thing that I did not love about "Sex And Fury" namely the romance (Christina Lindberg's voice made me understand why her character in "Thriller, En Grym Film" was mute) is omitted here for good, and even though I might stand alone with this opinion, I liked the fact that Lindberg was not part of this one. There's again a lot of bloodshed, and the sleaze-factor is enormous. I won't go into detail, but Pinky Violence fans will know what to expect, and I assure that their expectations are not going to be disappointed. A great sequel to the brilliant "Sex And Fury", "Female Yakuza Tale" is pure cult-cinema that satisfies in all regards and a must see for every fan of Japanese Exploitation cinema! Highly Recommended!

This "sequel" to "Sex and Fury" is more of a softcore sex romp than the bloody tale of revenge its parent was. Teruo Ishii's direction is a little flat and uneven and it's quite obvious his passion is female flesh, not kinetic action or creating a glorious action/erotic hybrid. Norifumi Suzuki, the director of "Sex and Fury", is a more original, energetic director and brought great artistry and aesthetic brilliance to his work. Ishii's accomplishment is a diverting time filler with too many characters, some intrigue, and mountains of softcore canoodling. The opening fight scene revisits the stylistics of the original film, but quickly dispenses with that style and involves itself in unnecessarily complex plotting. The finale is reasonably bloody, but it never reaches the towering heights of its predecessor because Ishii directs it like he's bored.