A Verdadeira História do Lobisomem

Look, give Earl Owensby some credit... the guy's a tool salesman, had a movie dream and is living it. Sure his pictures suck, but that's part of the charm. This mish mash has Earl (with his Elvis like accent) playing a Colin, a guy who comes back to his hometown in 1910 and becomes sort of a werewolf. There is something compelling about Owensby's movies because it looks like the kind of thing that you or I'd do if we had some rough film stock, a couple of cameras and a weekend to shoot a flick. Considering this, it's not quite as bad as it could have been. The female actresses are quite good, although our pudgy star is very hard to take as the hero. His wooden acting skills, monotone delivery and silly dialogue ruin any chance this film had. On the plus side though, the musical accents are quite effective and some of the shots are set up pretty well. There are far to many continuity mistakes, but Owensby does know a little bit about film making and sets up his shots pretty well. There is, at least, a genesis of what a film should be about here, and Earl clearly enjoys what he's doing. As far as EO Studios in North Carolina, it would appear that it is an adequate film making venture and has been used by some "A" list pictures, including "The Abyss", where the many of the underwater scenes were filmed. The highlights are ruined by bad acting and script problems however. There was just enough atmosphere to keep me watching to see how this train wreck would resolve itself. Owensby's films are unintentionally good in enough areas to keep it going along as a low-budget time filler. Go into this kind of thing with the right attitude and you won't be disappointed. Owensby does know his way around a camera.

A long-absent relative of a cursed family returns home, only to find that he has been chosen by the others to carry the burden of their ancient curse...lycanthropy.

There is a certain naive charm to Earl Owesby's movies...they are schlock, no question, but the obvious earnestness put into them is...uh...cute? That said, WOLFMAN is an altogether watchable piece of poo, and manages to come out at least *looking* like something better than it is...a fairly well shot little horror film with very little attention payed to the details of the Victorian setting in which it takes place. The primary characters are attired in late 19th century costume, but peripheral characters have a laughable "come as you are, but try to look kinda Victorian" style.

Not scary, and not really good-bad, but mildy amusing despite itself. 4/10

Wolfman (1979)

** (out of 4)

After the death of his father, Colin Glasgow (Earl Owensby) returns to the family estate where he begins to learn some dark secrets about his father. One is that his father was actually murdered. Another secret is a mysterious Satan worshiping events. And, finally, there's the fact that he's now turning into a werewolf and killing the locals.

WOLFMAN is a somewhat notorious film but then again everything Owensby did was somewhat legendary or notorious. He basically went from rags to riches and his love of movies had him begin to make them. This film was obviously inspired by the Universal series with Lon Chaney and while it's not a good movie it's certainly a rather interesting one to watch.

I say that because the film is a bit too long for its own good and some of the performances aren't that good. I'd also argue that the direction could have been much better. I could also add that the film has too slow of a pace to make it very entertaining. You could go even further by saying that there's a very non-professional feel about the entire picture. All of this stuff would be true but there's still some charm about the picture.

It has a very regional feel to it and I must say that the old time setting actually works and looks much more believable than you'd see out of your typical Andy Milligan picture. Like Milligan this film like the costume period setting and it looks real at least. I'd also argue that Owensby wasn't a great actor but he does have a certain charm here that leaps off the screen and makes you like his character and performance.

Finally, WOLFMAN does at least succeed whenever the actual werewolf is on the screen. The make-up effects are quite good with a strong resemblance to the Paul Naschy films of the era. The death scenes are more old-fashioned as there's nothing too graphic or gory. Again, there are a lot of warts here but at the same time this is a somewhat interesting take on the familiar story.

Colin Glasgow, a businessman, arrives back in his old hometown when his father passes away, only to find that the man's will prohibits him from leaving for at least a month. Checking the will, Colin finds that it has been forged. But that is not the least of it – his cousins & an evil devil-worshipping priest have maintained a curse over the family's male members, turning them into werewolves. As Colin tries to uncover the mystery over the curse, he slowly becomes a werewolf.

Worth Keeter has made a name for himself, directing many episodes of the inexplicably popular 1990s television craze Mighty Morphin' Power Rangers. He also made a number of slick but really poorly written genre films such as Last Lives & the rather offensive Memorial Day. Wolfman was Keeter's first film & true to form features many of the same qualities that made his later works such laugh riots.

Wolfman is basically a werewolf film done in the old school time-lapse & yak hair face masks that were pioneered back when the werewolf film was a new thing. But the time that the film was made was ready to usher in a whole new breed of transformation effects that were introduced in films such as THE HOWLING & An American Werewolf in London – effects that would make the type of stuff shown here obsolete.

Wolfman also suffers from a lack of narrative drive – indeed for a horror film, the film doesn't go very far with its premise (or more to the point, doesn't get much mileage from its central idea). The film is stuck in the mystery angle that would ironically mar many later Howling sequels. There are also the little things that suggest a mediocre production – the microphone on star Earl Owensby's coat making a tearing sound when he reaches over to kiss his co-star & several slight anachronisms to be seen in the background. Despite being the last film to feature the old type of transformation effects, Wolfman does a fair job in this area & the climax is reasonable for this type of film. If nothing else, Wolfman does a slightly better job of making a werewolf mystery than some of the crass Howling sequels.

Earl is a low-key and likable actor, the storyline is basic and takes some care in introducing the characters before going into the Wolfman scenes. Some over-the-top maniacal laughter on the bad guys part early on is a riot, and shows you where they stand! It must be me but every time I watch it I think it's set in Olde England, until the Sheriff shows up and I realize it's set in the US. The name Colin Glascow doesn't help! It's not going to terrify anyone but few horror films do any more which is why plot and character is important. This gives me the feel of a retro monster mash type flick. Simplicity, the kind of film I'd make if I had a little money. Better to make an effort like this than nothing at all! It's not laughable in an Ed Wood type way, at least not to me. Maybe it's just the anti-Twilight male models, anti-CGI aspect that makes this a nostalgic nice little flick.