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6,5/10
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Adicionar um enredo no seu idiomaA TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.
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Avaliações em destaque
This Japanese film, loosely inspired by POLTERGEIST, has some great scenes of eye-popping horror action, rendered by Dick Smith (of THE EXORCIST fame). The bulk of the film, however, seems to drag tremendously in comparison to these scenes; maybe I'm poisoned by Hollywood pacing, but I don't think so. Worthwhile viewing for fans of Japanese horror, but not a masterpiece.
You can't talk about Kiyoshi Kurosawa's Sweet Home without mentioning that it would later go on to inspire the Resident Evil series and is primarily the reason we have the survival horror genre as we know it today. It's a film whose reputation proceeds it, partly due to the fact it has had no official release since it was VHS, thus has been confined to relative obscurity and infamy because of this. I did manage to track down a Blu-ray release of this although it's only an upscale from a seemingly forgotten DVD source, but it's better than nothing. I get very strong Hausu vibes from Sweet Home with its female perspective at centre stage, with the maternal strength they possess. Despite being an early Kiyoshi Kurosawa picture, he nails the feel of what I can only describe as a Japanese take on The Evil Dead, even if the pacing is a little wonky. But when coupled with the pretty gruesome effects work, makeup and awesome synth score by Masaya Matsuura, Sweet Home has enough visual madness to cut through the muddy picture quality.
I would agree with the other reviewers that this is essentially a Japanese take on POLTERGEIST. Do not let that stop you from seeing it however.
If there was any way to truly describe this film, it would be if Dario Argento (during his heyday in the late 70's) directed a film with Japanese stars. Every shot has the look and the lighting from films like SUSPIRIA, PHENOMENA, TENEBRAE, even down to the tracking shots and steadycam work.
Which brings me to another point: if there is anyone who has a VHS/ laserdisc/ DVD of this film (preferrably with english subtitles), please let us know. I have a copy but it could have better image quality.
Regardless, seek this film out. You will not be disappointed.
If there was any way to truly describe this film, it would be if Dario Argento (during his heyday in the late 70's) directed a film with Japanese stars. Every shot has the look and the lighting from films like SUSPIRIA, PHENOMENA, TENEBRAE, even down to the tracking shots and steadycam work.
Which brings me to another point: if there is anyone who has a VHS/ laserdisc/ DVD of this film (preferrably with english subtitles), please let us know. I have a copy but it could have better image quality.
Regardless, seek this film out. You will not be disappointed.
This is a fun movie directed by Kiyoshi Kurosawa and produced by Juzo Itami, who also appears in his last acting role as an Early Times whiskey-swilling mysterious good 'ol boy alongside wife and frequent star Nobuko Miyamoto. In the doc Building the Inferno from Criterion's 'Jigoku' disc, Kiyoshi Kurosawa mentions that he tried to get Jigoku's production designer Haruyasu Kurosawa to work on Sweet Home.
It's a shame that didn't happen, however it still has fx by Dick Smith and Kazuhiro Tsuji. But don't let those names fool you, it is not an art-house film for the international market but an atmospheric pop flick. They manipulate shadows and use practical fx in a manner that suggests an appreciation for Bava, particularly in one sequence involving a medieval poleaxe and a wheelchair.
The movie was made concurrent to the Famicom game of the same name by Resident Evil/Biohazard game designer Shinji Mikami. This is a key film in the development of the survival horror genre, so why is it only available on unsubbed VHS or crappy DVD-Rs of the old VSoM tape? There were major cuts and reshoots by Itami following the release of Kurosawa's theatrical cut, shaping it into a more commercially viable film. So Toho has that cut locked away, and following Itami's suicide and Kurosawa's relative success as a very different sort of storyteller there is probably little economic motive to release either cut in a restored version.
It's a shame that didn't happen, however it still has fx by Dick Smith and Kazuhiro Tsuji. But don't let those names fool you, it is not an art-house film for the international market but an atmospheric pop flick. They manipulate shadows and use practical fx in a manner that suggests an appreciation for Bava, particularly in one sequence involving a medieval poleaxe and a wheelchair.
The movie was made concurrent to the Famicom game of the same name by Resident Evil/Biohazard game designer Shinji Mikami. This is a key film in the development of the survival horror genre, so why is it only available on unsubbed VHS or crappy DVD-Rs of the old VSoM tape? There were major cuts and reshoots by Itami following the release of Kurosawa's theatrical cut, shaping it into a more commercially viable film. So Toho has that cut locked away, and following Itami's suicide and Kurosawa's relative success as a very different sort of storyteller there is probably little economic motive to release either cut in a restored version.
Not the best horror film. But not everything is bad, production design and shot composition are actually pretty good. And music was good at times and really bad at some others. It was a bit too long for what it was in the end but nonetheless interesting to watch.
Você sabia?
- CuriosidadesThere used to be a debate about which came first, the game or the movie. Further complicating the debate about which came first: Sweet Home's trailer is both an advertisement from the movie, and a sales pitch for the Famicom game. It includes scenes from both. However, it's since been proven that while both came out in 1989, the movie was released in January of that year, while the game came out in December.
- Cenas durante ou pós-créditosAfter credits go over footage of the mansion it fully and spectacularly collapses in the post-credits scene.
- ConexõesFeatured in The J-Horror Virus (2023)
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- How long is Sweet Home?Fornecido pela Alexa
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