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I wasn't a fan of Jackie Susann's books and didn't care for the movies based on them. But I LOVED this movie. It was done in a comedy format rather than totally serious, but it was wonderful. I loved her going to the park and facing up into the sky/tree to talk to God. And the bubbly Miss M brought a lot of excitement and energy to the role. As a wanna be writer, myself, I was impressed with Miss Susann's life story especially starting her writing career later in life and making herself into a best-seller and celebrity (with her husband's and publishers' help.) I am glad that she was able to get her books published and have the fame she craved. Everyone should be able to do that in whatever field they prefer. It is a very good book for writers to watch for education on marketing and publicity for your own books. Watch it. It would be a good movie even if it were based loosely on a real person and life.

Great oneliners by Paul Rudnick and a great turn by Stockard Channing and the always funny and fantastic Bette make this an enjoyable movie. But it doesn't really hold up to much scrutiny. And when is Hollywood going to stop using talented, classically trained Hispanic actresses to play over the top, stereotyped cleaning women?

People have complained about how bad this is. They are right. People have noted how much they enjoyed it. They are right, too. Remember how bad the book and the movie 'Valley of the Dolls' were? Well, here ya go-- It's all in the same vein. They are obviously being over the top, campy, kitschy... If you are looking for Scorcese, this ain't it. But cheesy fun this IS! Unfortunately, because they felt they HAD to make it campy, the 'dramedy' doesn't work. So it goes between melodramatic and wiseacre, with neither hitting the mark. I have to say I enjoyed the movie the same way I would enjoy 'Mommie Dearest' or 'Showgirls'. Just mindless, guilty time-wasting. I'm also a sucker for period pieces when they get it right. The clothing, the celebrities, the zeitgeist of the time are pretty good. I'll take Bette Midler chewing the scenery in this over her deplorable 'Beaches' character any day!

I can't claim to be a fan of Bette Midler, and I bought this DVD solely because of David Hyde Pierce being in it. So I didn't have too high expectations for it. But the movie actually turned out to be quite alright.

The story is about Jacqueline (played by Bette Midler) whose acting career is at a slump when she marries Irving (played by Nathan Lane) and her luck is about to change as he persists to push her forward to achieve more.

What makes the movie good is the combination of good cast, the acting and the storyline. It is a nice warm story that does have some really good moments. And I am glad that there was more focus on the storytelling and the characters than it was on having Bette Midler perform various songs, show tunes and dances.

Now, I said that I bought this movie simply because of David Hyde Pierce, and he delivered the goods. His character was fun and he performed with such elegance and grace. Just a shame that his role wasn't a bigger part in the movie. David Hyde Pierce is just a charming guy and has some impressive on-screen magnetism.

I think that fans of Bette Midler will enjoy this movie tremendously and might actually say "isn't she great" while watching it.

"Isn't She Great", however, is not the type of movie that really warrants more than a single viewing. In my opinion, it just doesn't have the contents to manage more than a single viewing from the audience. But again, if you are a Bette Midler fan, who knows, it might just be able to do so.

ISN'T SHE GREAT (2000) ** Bette Midler, Nathan Lane, Stockard Channing, David Hyde Pierce, John Cleese, Amanda Peet. Before there was Jackie Collins and Amazon.com there was Jacqueline Susann. That is prior to the subgenre of 'trashy romance' novels found in your neighborhood pharmacy and the glut that is now the conglomerate superbookstore –i.e. marketing and focus groups for the masses! – there was Jacqueline Susann, whose bawdy, vulgar and tasteless novels were ultimately candy for the average American reader who gobbled her tomes faster than she could churn them out. In Andrew Bergman's look at the queen of the acquired taste, who else could portray a larger than life figurehead than the estimable Divine Miss M herself, Bette Midler.

Midler gives it her all with her trademark ball-breaking brio as the celebrity craven author whose indefatigable image fashioning was only matched by par by her long-suffering but ever devoted husband and business partner Irving Mansfield (touché Lane, making their onscreen presence a once in a lifetime pairing to appreciative audiences), who used all his show biz savvy – no matter how gauche or seemingly stooping manners of barnstorming the country to every podunk backwater stationery store or spreading the word to a busload of school children – to make Susann a giantess among the mortals in the writing field.

Based on a reminiscence by New Yorker's Michael Korda, the fact that the real Susann was no sweetheart and a real tough cookie with a few sad hurdles – her ongoing bout with cancer and the institutionalization of her only child who suffered from autism – are casually sugar-coated by Bergman (whose impeccable credits include a plethora of the comic pantheon including 'The In-Laws', 'The Freshman' and 'Blazing Saddles') and the sharply sticky screenplay by scathing scribe Paul Rudnick ('In & Out') wisely overlook her obvious flaws and instead center on the unlikely union of two borderline caricatures of the entertainment field, and their questionable romance. But Midler and Lane surpass the film's shortcomings with their theatrical overplaying, which is arguably suitable, as well as the always welcome Channing, one of our most underrated comic actresses, whose succor in her line readings are a stitch (when Susann belabors she doesn't know how to write a book, Channing says with aplomb, 'Talent isn't everything.'); she's like the salt in a margarita.

Also lending able support is Hyde Pierce in another variation of his tv persona from 'Frasier' as Susann's stuffed shirt editor and Cleese as the Nehru jacketed publisher, both in their element here.

The one thing that seems to be missing is it seems outdated and quite a lot to compress in a film that has the dubious distinction of telling the story of a woman who wasn't very nice nor well respected, but then again that hasn't been the case of celebrity history in this country, so I'm not even going to argue that!