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Detective Robert Bryant is out for revenge and he knows exactly what will get the job done. He needs to avenge his pal's death at the hands of a notorious mobster, Riley. So he brings in an Italian hitwoman but the moment he does, he knows he can't afford her. Now he must decide whether to call off the assassination or in turn let her do the job, then whack her. But this woman knows her stuff and won't let anyone stand between her and her money. One by one the Detective's own hitmen suffer a terrible fate and she must know figure out who is trying to kill her. Oh yeah, and all this time she must learn English!

Overall: I recorded this film then didn't watch it for almost 2 years. It isn't really horror but the death scenes are fairly bloody. I figured because of it being so invisible,. that someone should let others know about it. the assassin is a very pretty and personable woman who knows no English. In fact it is her attempt to learn the language as she waits for Reily to return on the train which makes the film slightly enjoyable. The film I guess is more realistic at times that most assassin films, with out hitlady missing quite often, although she always makes it out without a scratch. Oh yeah, the other theme rolling along is the anecdote about Burmese men who used to make their wives walk 10 feet behind them - showed who is subservient to whom. After W.W.II and land mines all over, the men made them walk in front. You figure you it out.

Comparison: Point of No Return meets Green Card

Kendra Torgan is far more attractive than either Anne Parillaud (La Femme Nikita) or even Bridget Fonda (Point of No Return). It is a shame that she has not done any other films.

As Maria, she is simply the hottest cold-blooded killer around. Speaking Italian through most of the film only adds to her mystery and allure. Her pistols do most of the talking for her. Admittedly she is not a well rounded killer. She does not seem to have any martial arts skills. Heck, she can't even do a push up. But she is gutsy, smart and not afraid to shoot first, then shoot again.

There is just enough firepower to keep your blood pumping and no more. This movie does not need to resort to Hollywood explosions to keep people interested.

No tricky storylines or cop-out Deus ex Machina endings in this movie. This story moves quickly and not a minute is wasted. The action and changes in moods are paced by a great soundtrack. All the original music and the alternative songs add a haunting beauty to the film.

If you like the Female Assassin genre, this is a must see.

OK here we go. I recently saw this film on television and I must say that it was really good. Plot was decent it wasn't such a Hollywood bullshit what I've seen a lot. OK the major reason why I liked this film was Kendra Torgan who did well acting and I didn't mentioned that she completely gorgeous. Yes indeed she with her charisma killed one of the bastards. Maybe yeah budget was low and it messed up really good storyline. So never less Kendra was always in top of the every episode of film and because of that film is watchable. I suggest to watch this film it's quiet good good actor play. But one problem what I still dislike is that Kendra is just underrated actress unfortunately she won't receive a change to get another block buster ~!

I rented this movie mainly on the strength of the cover image of a lycra clad Kendra Torgan holding two pistols. In the tradition of 'B' movie video packaging,she of course never wears this outfit in the movie. However it's a film which could have been much better. The director Bharat Nalluri, like so many in the wake of 'Reservoir Dogs' attempts to pad out the film with dialogue between the characters which really adds nothing to the plot. Tarantino can carry this device off with aplomb, but not the director of this movie. 'Killing Time' feels like a 15 minute festival short which was at the last minute padded out to make a movie. The lead actress Kendra Torgan is not bad as the invulnerable Italian assassin, but her obvious impunity to any kind of harm removes any kind of suspense from this movie. Just like an episode of 'Alias' or 'VIP', you know that the beautiful heroine is not going to pick up a scratch and leave a pile of male bodies in her wake. When she is in a bath, she hears one of the incompetent morons hired to kill her moving outside. Now a genuine master of 'B' movie sleaze like Albert Pyun or Cirio H Santiago would have had Korgan leaping out of the bath and taking out her attacker naked. In this movie, in the space of under a minute, she manages to get out of the bath, dry herself completely, get fully dressed, climb into the roof cavity & surprise the guy in the space of a few seconds!. This scene alone exhibits the feeling I have that the filmmakers did not really know what target audience to aim for. Killing Time tries to be intellectual and an exploitationer at the same time and fails to be either.

It makes quite a welcomed change to see a 'gangster' film that isn't completely ridden with tacky cockney (or 'mockney') accents and the obligatory cliches that come with this.

It seems that too many have commented on this film for being unrealistic to an extent. The fact that the killer is a hired assassin should allude to the fact that she should be totally unscrupulous in what she does and how she does it. Actress Kendra Torgan employs minimal acting which helps to create a nice air of enigma about herself, and man; she's as hard as nails! She makes a great femme fatale and she is the sort of person who knows just what to do and how to do it: no quibbles, no fuss. She is the true essence of what an assassin should be.

The film works equally well as a black sort of comedy, yet in a rather harrowing sense. To joke about somedoby who has a bullet through their forehead is a classic example of this. The violence portrayed is rather intense and there is no particular lack of bloodshed. The inclusion of a classy score (containing, amongst others, 'Portishead') is also a nice touch.

The story does work rather well...it's not one of the most ingenious ever but it is cleverly composed and does tend to make you pause and think what is going on - this, for me, is always a good thing. The 'masturbation' scene is a good example of this. It is, to quote my title, 'clever'. Just because the film isn't overly complex doesn't mean to say that it is weak in anyway whatsoever. To couple this, it is a stylishly directed piece containing some good, appropriate cinematography; it helps to coincide with the overall ambience of the film itself. It is decidedly slick and polished.

To close, this is a decent British film. It is somewhat of a shame that it never really received the attention that it duly deserves. Perhaps there are still others who are yet to hear it. My advice: try it. For me it provided a great deal more entertainment and 'grit' than any Guy Ritchie film ever could. Hopefully with time, and slightly more attention, this may gain the title of being a 'cult' film.