Adicionar um enredo no seu idiomaThis shocking and unnerving drama chronicles the lives of two emergency medical technicians (EMTs) whose thrill in life saving is surpassed only by their destructive and all-too-frequent thi... Ler tudoThis shocking and unnerving drama chronicles the lives of two emergency medical technicians (EMTs) whose thrill in life saving is surpassed only by their destructive and all-too-frequent thirst for another kind of rush, heroin.This shocking and unnerving drama chronicles the lives of two emergency medical technicians (EMTs) whose thrill in life saving is surpassed only by their destructive and all-too-frequent thirst for another kind of rush, heroin.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 2 indicações no total
Charlie Spradling
- Ginger
- (as Charley Spradling London)
Roger Castillo
- Oscar
- (as Rodrigo Castillo)
Rosemarie Li
- Mr. Chen's Secretary
- (as Rose Marie)
Avaliações em destaque
I came out of Broken Vessels feeling like I was 19 again, like nothing mattered except the next rush. The passing cars with their people going home from work, and the rest of the pedestrian surroundings, meant nothing to me. Which is very similar to the two main characters in this movie. This film is a raw, intense trip, shot all over the gritty side of L.A. I grew up here, and the film is true to the city, at least this perspective of it. The major flaw in Broken Vessels is that there was no universal theme, no message it delivered. The movie didn't seem to be *about* anything other than its own story. But the visual and emotional experience I got while viewing the film, in large part due to excellent directing by Scott Ziehl and acting by Todd Field, was well worth the price of admission.
This is a neat little movie with a lot of energy and control - it's not overly flashy or gimmicky and doesn't indulge in excessive Tarantino-aping; the Field character is truly sleazy, but the movie keeps everything within plausible limits of degradation and loss of control, so that his pull on London is easy to understand without losing moral perspective. It's a two-hander at heart, but through various secondary characters - especially Field's Gramps, a hopeless drug addict - it manages to carve out a plausible broader social base (even if you wonder how the guys ever manage to get through any of their shifts intact). Some of the specific exposition is tedious, or overly familiar and dutiful, or just marginally amusing, but the meat of it lies simply in colourful incident, and in that regard it has real panache and sense of character.
I felt that this movie is well made. It is hardcore and in your face about the seriouse issues that it deals with. It doesn't exploit them or make fun. It has humor in the right places, not in the wrong places. The acting is great and the production is good to. Definitely a good movie. ***
After Having huge expectations for Scorcese's "Bringing Out The Dead" I was somewhat disappointed. But where the hell did BROKEN VESSELS come from? This film is everything the other one promised to deliver but didn't. My brother sent me a DVD saying "This is the best Indie film of the year." The art work on the cover was dreadful. It looked like a stupid B horror film. The back of the thing had some awards listed and kudos for the actors. I watched it last night. What a ride! Who is Scott Ziehl? Who is Susan Traylor? And who is Todd Field? Field should have been nominated for this performance. I can only guess that the film went straight to video. Too bad more people won't see it. The film accurately depicted the decline of two young men into self delusion and drug abuse. Far better (dare I say) than "Trainspotting."
this film came out about the same time as "bringing out the dead". with all due respect to Martin and Nick-this is the movie they could have made if hollywood hadn't warped the way a story is told. style over substance. with that said-this is a tough film to watch. the performances are dead solid perfect. the voice over is a difficult device to pull off and it doesn't always work here, but... there was a truth that i wanted to watch play out.
Você sabia?
- CuriosidadesValeria Hernandez's debut.
- Erros de gravaçãoIn the scene where they're taking a boy who was in critical condition to the hospital. Tom is in the back with the boy and Jimmy is driving. In real life situations, Jimmy who is a Paramedic should have been in the back, being it was a Advance Life Support situation. Tom who is a E.M.T-Basic should have been driving.
- ConexõesReferences A Família Buscapé (1962)
- Trilhas sonorasHands
Written & Performed by Bill Laswell, Lori Carson
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Detalhes
Bilheteria
- Orçamento
- US$ 600.000 (estimativa)
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