Batalha no Espaço Estelar

The Italians are at it again. Crippled by an incoherent script, this Italian-made space opus is lost in the vacuum of space. The title, minus the word "Cosmos," was used a decade earlier during the very 'mod' 60's. The runaway satellite in that film was child's play compared to this leaky albatross. This film deals, badly, with a more lethal out-of-control planet. The man in charge, the director, had to have been on a three-day coffee break. The extras rush and jump around in a swirl of confusion. Some high school productions are more organized. One actor pronounces the word data as "da-da." When the landing party finds living beings on the planet, they all resemble an army of metallic "Mr. Cleans." Crazy. A few of the female crew members are painted into their threads. And the ridiculous skull caps are definite turn-offs. Future technology is represented by scratchy video monitors and blinking boxes of gyros and lights. Organ music saturates the soundtrack with grunts and groans, piped in from a very dark place. The final showdown pits a rabid crewman against the lead Mr. Clean. Both souls are jettisoned out an air lock. Have a nice trip.

I am not a fan of the idea that a movie can suck so much and be so terrible that it can, or should, be perceived in any way that which is positive but, at least in description this movie is an exception, fore this movie is so STUPID that it is "a movie almost awesome in its badness", to borrow a phrase! They actually sift music from other films, horror movies & documentaries mostly, & remade it with something that sounds like a 1950s synthesizer...to add to the soundtrack, which is probably the best thing about the film ironically...

The ending is actually far more climactic than I would even have imagined giving them credit for & is probably the 2nd best thing about the film, and I even concede that the women do look good in their figure-hugging outfits, but (...it's not like they get naked!), nothing is redeemed & there is & shall forever never be no forgiveness for this excruciatingly lame-ass sh!t-pile!!

Despite the fact that they were produced during the same year , "War of the Planets" had nothing whatever in common with "Star Wars". While the former was definitely an "A-Picture", "War of the Planets" is strictly "Grade-Z". The story is nearly incomprehensible, the writing terrible, the acting wooden and the production values about what one would expect in a high-school play. Some cheesy science-fiction films can be so bad that they are entertaining. however, this example of the genre is simply...bad. About all this film accomplishes is to make the viewer appreciate just how good things like "Star Wars", "Star Trek" and "2001: A Space Odyssey" actually were.

In 1977, Alfonso Breschia grabbed a video camera, some torches, some of his mates, and a moog and went to his garage to make a film of the future where multi-cultural crews battle space threats, technologically advanced robots are smart-arses, and Glaswegian astronauts turn into slime drooling monsters!

All of Alfonso Breschia's space films have a terrible reputation, and that's because they are terrible low budget affairs full of people spouting scientific bollocks while ear piercing noises and flashing images assault the senses. This one however actually manages to transcend all this to be entertaining and awful at the same time. Let's get to the plot and explain.

For starts, John Richardson is a hot-headed space captain who hates the fact that everyone relies on a computer called the Wiz to do the thinking for them. In fact, he's not a fan of that simulated sex machine Malisa Longo uses either. He'd rather let his balls and his brain do the thinking, so when Earth receives a signal from outer space, either his brains or his balls act quickly and attack two aggressive ships that fly towards his ship. This turns out to be a good idea.

On this mysterious planet, the crew find an archway that teleports them...somewhere else where they are attacked by a violent indestructible robot who has been murdering the silver-coated alien inhabitants. We find out that there's this huge arrogant computer that ended up in control of everything, likes killing things for fun, and wants to take over Earth. That sounds like a job for robot hating John!

In this crazy world were people have to awkwardly wave their hands behind their heads to close doors instead of using door handles, alarms flash like 90's raves and scream insanely, and astronauts sing 'I belong to Glasgow', how does one distinguish who is human and who has been taken over by an alien computer? Strangely, this film turns into a horror at the last twenty minutes, which is probably why I rate this one over Breschia's other sci-fi trash crap.

Weirdly, this film uses the 'blast the alien out of the airlock' bit before Alien! You're a trailblazer, Breschia!

Deserving of a place on anyone's list of the worst films ever made, this hugely enjoyable, hopeless sci-fi rubbish has to be seen to be believed. Made the same year as Star Wars and yet still setting the genre back 30 years, this must surely be the worst film ever to be written by two guys named Al.

Most of the fun the film has to offer is to be had reading the credits at the beginning, with a host of hilarious names including Max Bonus and Charles Really. Many of the contributors are only identified by their first initials - undoubtedly a testament to their shame at having participated in this atrocity.

A hotshot space captain and his crew are sent on a dangerous mission to investigate a mysterious signal discovered in deep space. They encounter a planet ruled by a malevolent robot who has enslaved the people who created him. Turns out he sent the signal so that someone would come and fix his dodgy circuit board.

Mysterious space signals and psychopathic technology are not the only nods to 2001: A Space Odyssey. War of the Planets even boasts a space walk gone wrong, and it's even set to some homemade Strauss.

Desperately amateurish performances abound, and are made even sillier by the ridiculous costumes the entire cast wears, although I'll concede that the women do look good in their figure-hugging outfits. Crammed full of some of the most abominable "special effects" I've ever seen in a film, this is well worth a look if you're into truly awful cinema.