Aashiqui

The songs are evergreen for any Bollywood romance fan. The songs turn this movie from average to brilliant. Superb soulful music!!!

Why I have given this movie 10/10 is because of its romantic, melodious, lovely and cool music. The music of a life time, the music forever. Then comes Mahesh Bhatt. Mr.Mahesh Bhatt! you are my best director. Your description of relationships in life, your view of love is most agreeable. Yes readers, this is how he shows that when you love some thing, love it from the depth of your heart. There are relationships in his movies. Readers would say that relationships are there in every movie. Yes its true but watch the difference in Mahesh Bhatt's description and description of other film makers. If you have watched Aashiqui, watch the relationship between Rahul and his friend and then between Rahul and his mother. Are they not executed brilliantly?

Aashiqui is a musical romantic drama film directed by Mahesh Bhatt. The film stars Rahul Roy, Anu Aggarwal, Deepak Tijori, Late Reema Lagoo, Late Tom Alter, Mushtaq Khan and Avtar Gill.

Two strangers falls in love and decides to get married however they have to overcome the obstacles in the way.

We have seen many films on the similar platform and similar plot and with almost the similar execution and same is the case with this film. The execution, screenplay and the climax is predictable and apart from the melodious music nothing is that exciting in the film and only it's the soothing music which keeps the viewers engaged.

Acting is decent and one can easily guess the immaturity in the acting of Rahul Rai and this was mainly because it was his debut film. Anu Aggarwal was impressive but the most impressive of them all was Deepak Tijori, he played the character of friend of the lead hero perfectly and he was so accurate that while watching the film myself felt that I must also have such friend.

Screenplay was average and mostly predictable but the mesmerizing music on regular interval will keep you engaged. Climax of the film is predictable.

Overall a super predictable film with evergreen mesmerizing music.

Aashiqui Review :

Originally planned as a video film, director Mahesh Bhatt convinced Gulshan Kumar to make Aashiqui a musical love story fit for a theatrical viewing.

Introducing Rahul Roy and Anu Agarwal as lovers who battle through the odds, Aashiqui was reportedly inspired from Mahesh Bhatt's own romance with his first wife Lorraine Bright (Pooja Bhatt's mom).

Of course, the real stars of the film were music directors Nadeem Shravan who composed outstanding score; every song more melodious than the other.

"Bas ek sanam chahiye Aashiqui ke liye" "Ab ter bin jee Lange hum" "Nazar ke saamne jigar ke paas" "Main duniya bhoola doonga" "Dheere dheere se meri zindagi mein aana".

Aashiqui created a new record for audio cassette sale and T Series consolidated its position in the music industry with this album.

The film was special for its poster as well. Typically, debutantes dominate the posters of their first film so as to familiarize their face to the audience. Only a maverick like Mahesh Bhatt could think of hiding them under a coat. The curiosity factor worked in favour of the movie.

I saw Aashiqui in its very first week on VHS. I loved it so much that I purchased the video cassette and saw it multiple times. My theatrical viewing was much later at Paradise cinema, Mahim where it released in its 50th week. I enjoyed it just as much there..

Regards

The upsides of being well-fed are so inimical to beholders of poetic flair what was not eaten for privileges unattached can be shown as digested to shine just for the liquor that goes by in the name of poetry unappraised for poets in the courtyard of courtesans ruling organisations of networks with iron hands of discards discarding every miniscule of cultivated culture personal miles apart from the next endeavor subsuming collaterals of empires as bigots of classisism on high seats of untenable risks buttressed by licenses of contraband unsustainable by laities with gifts of gabs. Jabs of attitude become rehabs of nurture dispensing nurture in installments of various bravado for ministers dithering as authority in the frolicking of eternal nappies by the rollicking spots of coloured frocks.