O Poder da Notícia

This is a great movie. Cinematography and scripting are excellent. The fact that it wasn't a summer blockbuster in the vein of "Independence Day" and "Mission: Impossible" speaks well for it. Stanley Tucci's performance is riveting. He portrays the complexity of character of a highly controversial figure, hated by some and loved by others, and both for good reason. He was a crony of J. Edgar Hoover, but also had a social conscience. One minute we see Winchell shamelessly using blackmail in order to be the first to scoop a story; the next we see him being beaten to within an inch of his life by Hitler sympathizer thugs because he refused to be silent on the threat of the rise of Naziism.

Being a child of television. The legacy of Walter Winchell to me previously consisted of bits and pieces. ITEMS as it may.

This recent in a series of HBO bio-pics gives loving attention to Winchell, the man, his inventiveness, dedication and ultimately, his power. It seems complete enough in the spectrum with which we view the man. There is suggestion that his influence may have rivaled FDR himself, and he shows William Randolph Hearst to be no match mano-a-mano.

Paul Mazursky is perfectly suited to direct this and gives us everything we need on the screen. Stanley Tucci earns a well-deserved Golden Globe in the title role. Paul Giamatti is superb as Winchell's ghost, Klurfeld (who's book sourced this film), only Glenne Headley, who's work tends to be spotty at times, seems a bit overmatched as WINCHELL's southern-fried moll, Dallas.

I left with renewed respect, for the man.

Stanley Tucci is an amazing actor, and in this film we were only treated to a mere glimpse of his ability. The best performance, I think, was by Paul Giamatti as his long-suffering ghost writer. This film was engaging, and at times it was very much so. However, it tries to convey too much history and too much time in its hour and fifty minutes. I don't know, some movies manage to tell the story of someone's entire life and make it seem like a life is actually passing by. This one, however, seemed fragmented. They began to lose me with each large jump in the timeline. It was like a synopsis of his life--it left me wanting more because it only seemed to scratch the surface of the many events in his life (for example, when he went to Brazil during WWII).

Stanley Tucci leads a super ensemble cast, in this HBO movie biography of Walter Winchell. His knack for sensationalism, gossip mongering and trademark rapid fire bark zoomed him to a pinnacle of media influence. His heavy handed approach brought the news to many, and the ire of many, as well. His tirade over the differences over FDR, as opposed to Harry Truman, really nailed home the notion of Winchell's megalomania. His ghost writers (who did an inordinate amount of the work he claimed) argued the resulting event was the same. Winchell rattled on about the difference in "finesse."

Mr. Tucci makes his subject a sympathetic, zealous and outrageous character. An excellent perormance. The supporting cast is above par, with Glenne Heady, Christopher Plummer and Kevin Tighe as W.R. Hearst (who could use a biopic of his own...oh, that's right...a movie HAS been made about him! *wink, wink*). The stand out is truly Paul Giamatti, as the talented and much-abused Herman Klurfeld, whose book was the basis for this movie.

The only detractions is that some other characters are not well developed, and seem to suffice as only background setting. The business relationship between Winchell and FBI Chief Hoover would've been interesting to delve into. Also, Winchell's family life and the tragedy of his son, would've been interesting to explore. Of course, with that said, this movie is still very interesting, and well worth your time.

"Winchell", a Tucci tour-de-force and docudrama, tells a somewhat biased story of Walter Winchell, renown gossip columnist of the 30's and 40's who rose to considerable influence and fame in the early days of radio as the most listened to reporter in America only to die in obscurity in 1972. An okay biography, this journeyman HBO flick does a good job of hitting the high points of Winchell's life but will have little value to those with no particular interest in the period or the man as he simply wasn't, by cinematic standards, that interesting.