Do Fundo do Mar

I saw DBS for $2.50 on the big screen (cheaper than renting it on video), and on that day I was desiring nothing more than a dumb action flick that would entertain me for about 100 minutes. That's what I got, so I was satisfied.

Still, under different circumstances (higher admission price, wanting something more out of a movie on the day of seeing it, etc.) I probably wouldn't have liked it. The characters were really thin - you hardly learned a thing about them, and they were pretty much interchangable. The dialogue was weak and cliched. The sharks - supposedly intelligent - didn't get much of a chance to show their supposed intelligence. The sets were okay, but still had a look to them that suggested that extra money could have polished them up. The characters commit some really stupid actions along the way.

Wait until you are in the right frame of mind, and it's free or at a low price. Chances are then you'll be acceptably entertained.

I have read all of the other comments about Jaws vs Deep Blue Sea and no one has mentioned the biggest connection of all. THE LICENSE PLATE THEY TAKE FROM THE SHARK IN DEEP BLUE SEA IS THE SAME ONE THEY CUT OUT OF THE SHARK ON THE DOCK IN JAWS.

If 'Jaws' and 'Alien' had a baby, that baby would probably look a lot like Deep Blue Sea', a big, loud, dumb action movie that doesn't try to pretend to be anything else. It's short on logic, the dialog is dumb, most of the actors don't seem to be trying very hard, and the science is dubious at best, but despite all that, 'Deep Blue Sea' manages to entertain.

The plot of the movie is simple: a group of scientists at an undersea research facility are on the verge of discovering a cure for Alhzheimer's disease. How? By meddling about with the brains of live sharks (don't ask). Things are going swimmingly, until Mother Nature grows tired of having some of her creations tampered with. One typhoon and several gratuitous explosions later, the scientists find themselves cut off from the surface of the facility and at the mercy of a group of sharks that are smarter than the average fish. It seems that those meddling scientists made the sharks smart, and they're about to pay for their folly. With the base flooding and sharks roaming the corridors, the survivors find themselves in a race for survival.

For the most part, 'Deep Blue Sea' works fairly well, and there are some good jolts and action sequences, but at the same there's nothing here that's particularly fresh. However, there is one death that is so unexpected and surprising, you might find yourself hitting the 'back' button on the DVD remote to make sure you weren't seeing things.

'Deep Blue Sea' is not an actor's movie, but most of the cast acquits itself fairly well. Rapper LL Cool J does a good job with what could be a clichéd character (the religious man who struggles with his faith under dire circumstances), and injects the role with humanity and humor. He also has a very memorable encounter with a shark in a kitchen. Thomas Jane has the 'action hero' part, and he's solid, but unspectacular. Saffron Burrowes is okay as the lead scientist, and she's not above stripping down to her undies if the situation calls for it. But once again, no one will be watching 'Deep Blue Sea' for the acting. The sharks are the stars, and everyone involved with the movie knows that.

'Deep Blue Sea' is not a classic movie, but it delivers in its own modest way. If you can't get enough movies about people and the sharks that eat them, you can do much worse than this.

After the opening scene of *Deep Blue Sea*, in which (predictably) a shark terrorizes a quartet of partying teenagers on a boat, I decided I was in for a crappy movie. A crappy movie that would contain basically every movie AND horror movie cliche I could think of. I was right. And wrong.

I will say that the premise for this movie is great: super-intelligent sharks. Sharks are bad enough, but...smart sharks? Immediately you have terrifying possibilities running through your mind. The sad fact, though, is that this is one of those movies where the screenwriters (and I can't believe it took three people to come up with this) threw some dice and picked which character was going to die next. That's what the plot boils down to: things go wrong; someone dies. More things go wrong; someone else dies. And so on. People whom you couldn't care less about die. People who you really don't want to see die die.

The people are an interesting band of characters. The female scientist, pleasing to the eye and the ear (I'm a sucker for accents), is utterly consumed by her research. (And for all you testosterone-driven males, she does strip down to her underwear in one scene.) Samuel L. Jackson goes about saying his lines as president of a pharmaceutical company. I just love the way Michael Rapaport talks: he's welcome in any movie. LL Cool J deftly provides the comic relief and was clearly the audience favorite. Sure, there are some other characters, but pretty much everyone's one-dimensional, as expected.

I think I've bashed this movie enough. It's time to get to the crux of the argument: this is an entertaining movie. As soon as the movie entered the lab facility, I became completely immersed in the film. As the movie progressed, I didn't think about how long it had gone on and mentally calculate how much was left. Once the trouble started, the movie grabbed me and never let go. I was not perhaps literally on the edge of my seat, but no outside thoughts penetrated my mind. It's not that the movie is scary or anything; it's that it's suspenseful. Predictably suspenseful, but suspenseful nonetheless. There is one scene in the film (I cannot conclusively tell whether it falls nearer or the beginning or the middle because, as I said, I lost track of time) during which I sensed the ENTIRE AUDIENCE jumping out of their seats. At the risk of getting off on a tangent, the sharks were believable. And the speed at which they moved unnerved me. They did succeed at their purpose: to keep a continual shudder running through my body. Let's just say you couldn't get me within ten miles of that facility. Oh, look, I did get off on a tangent, just great. At times I of course found myself wondering why some of these characters were so unbelievably stupid in their actions, but it's all part of the fun. And that's what I ended up deciding about this movie: it was fun. Blood-soaked, cringe-inducing fun.

"Deep Blue Sea"

With "Die Hard 2", "Cliffhanger", the misunderstood "Cutthroat Island", the underrated "Long Kiss Goodnight" and guilty pleasure (but pretty damn good) "Adventures Of Ford Fairlane", Renny Harlin has proven himself time and again as one of the most visually competent action directors around. I've always stood behind his work, I sincerely love most of his movies. With "Deep Blue Sea", Harlin is in the midst of trying to keep his career going due to the low box office take of his previous films. The result is a movie that's on autopilot. An attempt to reclaim the respect of the studios and the audience with a slam-bang summer film that gets the job done easily, you just won't respect it in the morning.

Maybe the largest problem in "Deep Blue" is the casting. Saffron Burrows and Thomas Jane lead the cast that also includes Samuel L. Jackson, LL Cool J, and Michael Rapaport. Both Burrows and Jane give what can only be described as seriously lacking performances. As the members of a science and research team in a state-of-the-art ocean facility off the coast of Baja, Mexico, the crew is in the midst of a study on sharks. The sharks hold the key to a possible cure for Alzheimer's disease and other brain dysfunctions(explained more thoroughly in the trailer for the film than in the actual film). The scientists have enlarged the brain of the beasts, making them smarter and faster. When a corporate executive (Jackson) arrives for a tour of the facility, the sharks begin an uprising that threatens the crew's very existence. Out in the middle of nowhere, the team tries to survive both the sharks and the sinking structure.

Saffron Burrows is just the wrong choice for the lead scientist role. Her British monotone ruined a bad film ("Wing Commander") and brought down a good one ("The Loss Of Sexual Innocence"). I don't believe she has that much talent besides her beauty, and her lethargic presence here directly conflicts with the high-octane action that surrounds her. Thomas Jane on the other hand, was good in the role of Dirk Diggler's drug-dealing friend in "Boogie Nights". He seemed more alive in 30 minutes of screen time in that film than all 95 minutes of "Deep Blue Sea". I'm a bit surprised that nobody mentioned the lack of enthusiasm during filming. For the lead role, the film needed someone who can burst off the screen with fury and charm. Jane has neither. He leaves the film all wet.

Saying that "Deep Blue Sea" needed better acting might be stretching it a bit. This is a action film with plenty of thrills and many explosions. You cannot expect Shakespeare when you buy a ticket to this. Still, the script credited to three writers is very weak(I assume large parts of the story were cut for time) and the score by Trevor Rabin is the blandest, most perfunctory music to hit the ears in a long time. Hopes were really high for this, but all the bad parts add up quickly.

Harlin's specialty is the action sequence. He's one of the few directors left who knows how to squeeze the audience just right. "Deep Blue" is filled with wonderful suspense sequences and a genuine amount of anxiety. The computer-generated sharks move with alarming speed and dexterity. They keep the patrons on their toes. I cannot remember the last time I heard an audience scream with fear. Harlin milks every moment for the most thrills. I was very tense throughout the film. Rare for a guy as jaded as me.

The comparison to "Jaws" is very unfortunate. Just because the film features sharks doesn't immediately suggest a "Jaws" ripoff. We have had about 10 high school films with interchangeable plots and identical climaxes, yet nobody bats an eye over that. "Deep Blue Sea" stands alone with it's rousing thrills and deeply undernourished script. "Jaws" it ain't.

It's hot and the summer is about 3/4 of the way through. Escapism with "Eyes Wide Shut" or "Blair Witch Project" is impossible. "Deep Blue Sea" feeds the good old need of action, action, and more action. It's summer entertainment in the highest order, and damn it, the thing works. Hopefully Harlin can rebound in the future with better material. For now, this is the best source of thrills for the summer. ---------- 7