Rob, dono de uma loja de discos e criador de listas compulsivo, relata seus cinco principais términos de relacionamento, incluindo o que está em andamento.Rob, dono de uma loja de discos e criador de listas compulsivo, relata seus cinco principais términos de relacionamento, incluindo o que está em andamento.Rob, dono de uma loja de discos e criador de listas compulsivo, relata seus cinco principais términos de relacionamento, incluindo o que está em andamento.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 3 vitórias e 22 indicações no total
Avaliações em destaque
Admittedly my hopes weren't that high, but I still left the cinema feeling like I got what I paid for with "High Fidelity" (this is very rare these days). John Cusack was his usual competent self, and Tim Robbins sensational in his small but humourous part.
No masterpiece, but well worth watching.
John Cusack is not acting - he REALLY IS Rob Fleming (Rob Gordon in the movie). If there are doubts about it, I just say that he made the soundtrack compilation and collaborated with the screenplay.
The supporting cast is also perfect. Jack Black and Todd Louiso couldn't be better. Tim Robbins, as the world-music-fan, is a nice surprise, and Joan Cusack is always funny.
It looks like everyone had a lot of fun making this movie, and the result is a nice and funny and full of emotions motion picture, to see again and again and again to remember how music and love can help each other.
It's to John Cusack's credit that he took a "classic" contemporary novel set in London and transposed it to Chicago - and it works just as well (if not better) than the British version. It shows what a universal story this actually is, if so many people from all over the world can appreciate it, no matter where it is set. What we lose here are the abbreviations such as "mate," "cos" and other British expressions - but essentially the story is exactly the same, as is the character of Rob Gordon.
Cusack proves his worth here and there isn't a single bad performance in this film, except perhaps for the love interest who tries to sport an American accent and it's quite uneven at times.
Jack Black is fantastically funny and reveals once again why he's leagues ahead of other obese comedians like Chris Farley who merely relied on OTT acts and weight for laughs - Black, like John Candy, actually acts and so far in his career has turned out some really good films which is more than can be said for many of his competitors.
The script has some very funny one-liners and movie/music in-jokes (I love the "Evil Dead" bit - "Because it's so funny, and violent, it's got a kick-a$$ soundtrack...and it's so violent!").
But at the end of the day what really haunted me (so to speak) about this movie long after I had seen it was the fact that it DOES stay with you ages after the credits have stopped rolling. It's poignant and really spot-on in many regards - add that to a film full of flawless performances and great direction and clever ideas and one-liners and jokes, and you've got a top-notch comedic masterpiece that places "High Fidelity" in the top ranks of American (and British!) comedy - "with," as the DVD back cover says, "a bullet." Highly recommended. 5/5
Personally, I think John Cusack's character is one of the most engaging in the comedy genre of the last decade. This is the kind of character I like: simple and complex at the same time, just like in real life. Somebody likable but annoying at times. Again, I feel a deep personal connection with him, and I understand him every time, even when he acts stupid.
But he is not alone. The rest of the cast is terrific.
Anyway, don't forget this is a comedy. You will laugh your ass off with some situations and dialogue. Hilarity comes from many different sources: you've got black humor, silly humor, complex (people would say "intelligent", but I despise the term) humor... Special mention goes to Tim Robbins paying a visit to the record store. Genius.
On a very personal level, I think there's a magnificent scene that sums up the heart and the brains of this movie. John Cusack talks to the camera (something that happens often) instructing the audience on how to make a perfect music compilation for your loved one. If you like that concept, the movie will grab you and won't let you go. If that idea doesn't sound seductive to you, you might just have a good time. If you are a rock music devotee, this flick is heaven.
RATING: 9.0
Top five things that are great about this movie: Five, Tim Robbins' hair. Four, Jack Black. Three, Stiff Little Fingers. Two, John Cusack giving the best performance of his career, or at least since "Say Anything". One, the conversation about "Evil Dead II" and the word "yet". Honorable mention, Lisa Bonet not being completely annoying and almost actually likable.
Roger Ebert gave the film four out of four stars and wrote, "Watching High Fidelity, I had the feeling I could walk out of the theater and meet the same people on the street — and want to, which is an even higher compliment".
Você sabia?
- CuriosidadesJohn Cusack and the screenwriters wrote the script with Jack Black in mind for the role of Barry. He nearly turned the role down, but reconsidered.
- Erros de gravação"Janie Jones" by The Clash is listed as a "side one, track one." While it is indeed the first track on The Clash's British debut album, and the book was set in England, the film was moved to the USA, where the album started with "Clash City Rockers." But as record geeks, they would have been familiar with the British album as well, and could well have regarded it as the true debut album.
- Citações
[first lines]
Rob Gordon: What came first: the music or the misery? People worry about kids playing with guns or watching violent videos that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery, and loss. Did I listen to punk music because I was miserable? Or was I miserable because I listened to punk music?
- Cenas durante ou pós-créditosCatherine Zeta Jones is only credited in the final cast list and not in main credits
- Versões alternativasBeverly D'Angelo appears as a woman attempting to sell her husband's vintage record collection to John Cusack's character. The scene was deleted but included with several others on the DVD release.
- ConexõesFeatured in Siskel & Ebert & the Movies: The Early Line: The Academy Awards (2000)
- Trilhas sonorasYou're Gonna Miss Me
Written by Roky Erickson
Performed by 13th Floor Elevators (as The Thirteenth Floor Elevators)
Courtesy of Charly Licensing APS
By Arrangement with Celebrity Licensing Inc.
Principais escolhas
- How long is High Fidelity?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Alta fidelidad
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 27.287.137
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.429.107
- 2 de abr. de 2000
- Faturamento bruto mundial
- US$ 47.126.295
- Tempo de duração1 hora 53 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1