Nos últimos dias de 1999, Jericho Cane, um detective que perdeu a fé e a família, investiga uma macabra conspiração satânica que escolheu uma jovem, Christine, para dar à luz o Anticristo e ... Ler tudoNos últimos dias de 1999, Jericho Cane, um detective que perdeu a fé e a família, investiga uma macabra conspiração satânica que escolheu uma jovem, Christine, para dar à luz o Anticristo e cumprir as profecias do Apocalipse.Nos últimos dias de 1999, Jericho Cane, um detective que perdeu a fé e a família, investiga uma macabra conspiração satânica que escolheu uma jovem, Christine, para dar à luz o Anticristo e cumprir as profecias do Apocalipse.
- Prêmios
- 1 vitória e 7 indicações no total
Avaliações em destaque
End of Days is a good movie with a very different storyline and a good cast,with a very strong performance from the always brilliant Arnold Schwarzenegger.I expected this movie to be an action packed movie with an Armageddon type of theme to it,and I wasn't disappointed,but I really didn't expect it to be scary,there are actually some very frightening scenes in this movie,mainly any of Gabriel Byrne's scenes,and its a lot scarier than some of the ridiculous horror movie you would see today that aren't at all frightening.The movie is very unpredictable,and I was surprised it got such bad reviews,I really enjoyed it,it certainly wasn't perfect,but it didn't deserve any Razzie nominations.Arnold Schwarzenegger did a fantastic performance,Gabriel Byrne was very creepy and believable,and Peter Hyams did a great job directing this movie,it looked beautiful,none of them deserved Razzie nominations.Its certainly not Arnold Schwarzenegger's finest film,but fans of the actor will get a great kick out of this movie.
As the world reaches the year 2000,the Devil (Gabriel Byrne) is in search of Christine York (Robin Tunney) to make her his bride,its not up to police officer Jericho Cane (Arnold Schwarzengger) to keep her safe.
As the world reaches the year 2000,the Devil (Gabriel Byrne) is in search of Christine York (Robin Tunney) to make her his bride,its not up to police officer Jericho Cane (Arnold Schwarzengger) to keep her safe.
Peter Hyams' End of Days stars Arnold Schwarzenegger as a fired and alcoholic police officer, who is on the edge of sanity and tries to commit suicide very often. He is now private security guard and traps a mysterious sniper who tried to kill one of his clients. Soon he learns that there are some very bad things going on in the city, and the new millennium is very close..It is the last days of December, 1999.
I really liked the scare department in this demonic little horror thriller from this talented director and director of photography, Peter Hyams. This film is full of effective and very ominous images and scenery and the film is very dark. I appreciate perhaps most the shots above the city and the twisted use of camera up there. That really creates a feeling of evil and that something very powerful and wicked is "above the city" and is about to get power. Hyams once again shows his talent as he has been the director of photography many times earlier in his own films. End of Days reminded me occasionally of Alex de la Iglesia's great horror film El Dia de la Bestia (Day of the Beast), a brilliant mix of black comedy and VERY dark imagery and atmosphere. As incredible as it sounds, this mainstream produced film is that effective, thanks to the talented men behind the camera.
There are some flaws, too, and the most irritating things is perhaps the cliche ending, which I definitely won't spoil here, but is without a doubt there only to satisfy the audience and create the safe and familiar Happy Ending. If this was made 20 years ago, the ending would definitely have been different; it would've been how the director wanted to, not hot the audience wanted to. That tones the otherwise great and exciting finale a little bit down, but fortunately it is not as syrupy as possible. Another negative thing that I can tell is the editing which is very fast, unstylishly and ineffectively fast and restless. Fast edits can be great elements if used right and with skill, but in this film, they are in my opinion gratuitously fast and too plenty. Just watch the action scenes and count how many edits there are in one minute. The editors should have realized that sometimes - and in this case - less is more. These "flaws" are still tolerable especially when I keep in mind how many positive points there are in this film.
End of Days is also very exciting and fast paced. The train segment is great and especially the clock ticking finale when the millennium is about to change, is very skillfully created and hold my full attention. The finale is pretty similar to the finale in Kathryn Bigelow's own millennium related film, a paranoid and effective thriller Strange Days (1995). In End of Days, there are also couple of genuinely frightening, scary, sudden and loud "shocks" that require a movie theatre to fully work. The nightmare sequences are also chillingly original and brought to my mind the great horror classics that even Hollywood sometimes produced. The demon which Christine sees in her dreams is very scary and almost as frightening as the similar character in David Lynch's masterwork Lost Highway.
As a horror film, End of Days works fine and creates an atmosphere that is so rare in mainstream films nowadays. I didn't have any expectations when I placed the VHS in my VCR, and so I was pleasantly surprised of what I saw and experienced. If we stay in the 90's, I could say that End of Days is kind of tamer version of Day of the Beast and without its comic elements. There are comic elements in End of Days, too, but those are not, fortunately, the usual Hollywood one-liners and stupid bits of dialogue. Gabriel Byrne over-acts occasionally little, but many guys who play devils seem to have this problem! He is almost as "cool and modern" devil as Al Pacino in Taylor Hackford's Devil's Advocate, a film which also has great atmosphere but is more restrained and drama oriented.
End of Days gets 7/10 from me. Great work again Peter!
I really liked the scare department in this demonic little horror thriller from this talented director and director of photography, Peter Hyams. This film is full of effective and very ominous images and scenery and the film is very dark. I appreciate perhaps most the shots above the city and the twisted use of camera up there. That really creates a feeling of evil and that something very powerful and wicked is "above the city" and is about to get power. Hyams once again shows his talent as he has been the director of photography many times earlier in his own films. End of Days reminded me occasionally of Alex de la Iglesia's great horror film El Dia de la Bestia (Day of the Beast), a brilliant mix of black comedy and VERY dark imagery and atmosphere. As incredible as it sounds, this mainstream produced film is that effective, thanks to the talented men behind the camera.
There are some flaws, too, and the most irritating things is perhaps the cliche ending, which I definitely won't spoil here, but is without a doubt there only to satisfy the audience and create the safe and familiar Happy Ending. If this was made 20 years ago, the ending would definitely have been different; it would've been how the director wanted to, not hot the audience wanted to. That tones the otherwise great and exciting finale a little bit down, but fortunately it is not as syrupy as possible. Another negative thing that I can tell is the editing which is very fast, unstylishly and ineffectively fast and restless. Fast edits can be great elements if used right and with skill, but in this film, they are in my opinion gratuitously fast and too plenty. Just watch the action scenes and count how many edits there are in one minute. The editors should have realized that sometimes - and in this case - less is more. These "flaws" are still tolerable especially when I keep in mind how many positive points there are in this film.
End of Days is also very exciting and fast paced. The train segment is great and especially the clock ticking finale when the millennium is about to change, is very skillfully created and hold my full attention. The finale is pretty similar to the finale in Kathryn Bigelow's own millennium related film, a paranoid and effective thriller Strange Days (1995). In End of Days, there are also couple of genuinely frightening, scary, sudden and loud "shocks" that require a movie theatre to fully work. The nightmare sequences are also chillingly original and brought to my mind the great horror classics that even Hollywood sometimes produced. The demon which Christine sees in her dreams is very scary and almost as frightening as the similar character in David Lynch's masterwork Lost Highway.
As a horror film, End of Days works fine and creates an atmosphere that is so rare in mainstream films nowadays. I didn't have any expectations when I placed the VHS in my VCR, and so I was pleasantly surprised of what I saw and experienced. If we stay in the 90's, I could say that End of Days is kind of tamer version of Day of the Beast and without its comic elements. There are comic elements in End of Days, too, but those are not, fortunately, the usual Hollywood one-liners and stupid bits of dialogue. Gabriel Byrne over-acts occasionally little, but many guys who play devils seem to have this problem! He is almost as "cool and modern" devil as Al Pacino in Taylor Hackford's Devil's Advocate, a film which also has great atmosphere but is more restrained and drama oriented.
End of Days gets 7/10 from me. Great work again Peter!
As we approach the turn of the millennium, the Devil seeks to fulfill the prophecies about the birth of the Antichrist, looking for a bride in New York. Directed by Peter Hyams, with a script by Andrew W. Marlowe, this film has Arnold Schwarzenegger, Gabriel Byrne and Robin Tunney in the main roles.
One of the last films of the past millennium, it precisely addresses the end of it and the apocalyptic prophecies about that. It's a quite grim film, which puts the audience in suspense from the very beginning. The dark picture helps to amplify these feeling, with the most scenes taking place at night or on foggy or rainy days in New York, depicted like a real and decadent "sin city". The darkest character is undoubtedly the Devil, but the police fighting against him (played by Schwarzenegger) also has to face his own demons: alcohol, deep depression, lack of faith and lack of self-confidence, in a double combat, physical and psychological.
The film has great action scenes which strangely cohabit with several heavier scenes, almost terror. In fact, this is the major flaw of the film: it lives in a permanent dilemma between terror and action, thriller and suspense. We cannot say it's a horror movie or a thriller, or action. It's a mixture of all, which ends up easily displeasing the public looking for just one (particularly the terror lovers, as the film never gets to scare us truly). The climax is very interesting, makes good use of special visual and sound effects, manages to surprise and not be predictable, but some of the effects (the monster) are so "cliché" and far-fetched that destroy what was good.
The work of the actors is fairly good. This film marks the end of a comedy decade in Schwarzenegger's career, and he seems convincing in his role and doesn't make mistakes, giving another proof of versatility. He wanted, truly, show that it's not only a lot of muscles, and he succeeded. Robin Tunney looks a bit bland and hysterical in the role of Christine. Byrne made an interesting devil, very calm and cold, able to boot chills through the simple look. The soundtrack doesn't stand out particularly, with the exception of "Agnus Dei", it's main music, combining incidental chords with small arrangements of Gregorian chant.
One of the last films of the past millennium, it precisely addresses the end of it and the apocalyptic prophecies about that. It's a quite grim film, which puts the audience in suspense from the very beginning. The dark picture helps to amplify these feeling, with the most scenes taking place at night or on foggy or rainy days in New York, depicted like a real and decadent "sin city". The darkest character is undoubtedly the Devil, but the police fighting against him (played by Schwarzenegger) also has to face his own demons: alcohol, deep depression, lack of faith and lack of self-confidence, in a double combat, physical and psychological.
The film has great action scenes which strangely cohabit with several heavier scenes, almost terror. In fact, this is the major flaw of the film: it lives in a permanent dilemma between terror and action, thriller and suspense. We cannot say it's a horror movie or a thriller, or action. It's a mixture of all, which ends up easily displeasing the public looking for just one (particularly the terror lovers, as the film never gets to scare us truly). The climax is very interesting, makes good use of special visual and sound effects, manages to surprise and not be predictable, but some of the effects (the monster) are so "cliché" and far-fetched that destroy what was good.
The work of the actors is fairly good. This film marks the end of a comedy decade in Schwarzenegger's career, and he seems convincing in his role and doesn't make mistakes, giving another proof of versatility. He wanted, truly, show that it's not only a lot of muscles, and he succeeded. Robin Tunney looks a bit bland and hysterical in the role of Christine. Byrne made an interesting devil, very calm and cold, able to boot chills through the simple look. The soundtrack doesn't stand out particularly, with the exception of "Agnus Dei", it's main music, combining incidental chords with small arrangements of Gregorian chant.
Hyped to the heavens when it first came out as Schwarzenegger's comeback movie, this 1999 film steers the Governor away from his attempts at comedy and collaborations with Danny Devito and back into the sort of action packed carnage that made his name in the first place. However, where the likes of Commando had him portraying invincible supermen with a neat array of guns and one liners to hand, End of Days is considerably darker.
Set in New York on the eve of Millennium, the film shows a version of the Austrian Oak previously never witnessed. He plays Jericho Cane, an alcoholic ex-Cop in charge of a security squad who finds himself embroiled in a battle to save a young girl (Robin Tunney) from being raped by the devil (a sadly, rather ineffective Gabriel Byrne) and bringing about Armageddon. As you do.
Cane himself is not the best sort of man for saving all creation either. He is mired in deep depression, has abandoned any faith in God he may have once had and when we first see him, is contemplating suicide. However, saving the girl gives him a drive and determination even when faced with some conflicting views from the Catholic Church about how best to go about this. All of this takes place in a very grim and gritty vision of New York where the rain never stops falling, urban decay is rife and pillars of steam rise from manhole covers. It is a fitting location for the end of all creation to begin and cast a dark veil over the flick.
Of course, that isn't to say the film is all doom and gloom as there are a few glimpses of just how seriously the makers weren't taking their project (the argument between Arnold and Kevin Pollack in the former's apartment is hilarious). Plus, while the story and characters are all developed to match the atmosphere of impending dread during the first hour and a half, the last twenty minutes are made up of the kind of explosive action that strangely doesn't jar against the grimmer nature of the rest of the film, though the CGI devil at the climax is pushing it a little.
All in all, an enjoyable romp for fans of the Governator before his attention was diverted by a political career. It compares well to his classic eighties work by trying to do something different and while it may not gel properly in places, for a good 80% of the running time it does a very entertaining job.
Set in New York on the eve of Millennium, the film shows a version of the Austrian Oak previously never witnessed. He plays Jericho Cane, an alcoholic ex-Cop in charge of a security squad who finds himself embroiled in a battle to save a young girl (Robin Tunney) from being raped by the devil (a sadly, rather ineffective Gabriel Byrne) and bringing about Armageddon. As you do.
Cane himself is not the best sort of man for saving all creation either. He is mired in deep depression, has abandoned any faith in God he may have once had and when we first see him, is contemplating suicide. However, saving the girl gives him a drive and determination even when faced with some conflicting views from the Catholic Church about how best to go about this. All of this takes place in a very grim and gritty vision of New York where the rain never stops falling, urban decay is rife and pillars of steam rise from manhole covers. It is a fitting location for the end of all creation to begin and cast a dark veil over the flick.
Of course, that isn't to say the film is all doom and gloom as there are a few glimpses of just how seriously the makers weren't taking their project (the argument between Arnold and Kevin Pollack in the former's apartment is hilarious). Plus, while the story and characters are all developed to match the atmosphere of impending dread during the first hour and a half, the last twenty minutes are made up of the kind of explosive action that strangely doesn't jar against the grimmer nature of the rest of the film, though the CGI devil at the climax is pushing it a little.
All in all, an enjoyable romp for fans of the Governator before his attention was diverted by a political career. It compares well to his classic eighties work by trying to do something different and while it may not gel properly in places, for a good 80% of the running time it does a very entertaining job.
Arnold does some good work in this movie. I liked his role as a suicidal/alcoholic/wiseass. I think some people were shocked to hear Arnold speak more than one line at a time in an action movie. ..But for the one-liner lovers you get some good ones like -- Arnie(to the devil)"You're a *bleep*ing CHOIRBOY compare TO ME!!" ...and... Arnie(to his best friend) "Stop being such a P*SSY!"
Also, a good performance was put in by the guy who played Satan. The way he blew up the van....very creative.
The only thing i didn't really like about this movie was the ending. I would have liked to see Arnold win in a different way.
Overall and 8/10. Didn't deserve the bad press it got. There are other action movies like this one that are so much better received for some reason. Religion's a very sensitive subject, so maybe that's where the negative stuff came from.
Also, a good performance was put in by the guy who played Satan. The way he blew up the van....very creative.
The only thing i didn't really like about this movie was the ending. I would have liked to see Arnold win in a different way.
Overall and 8/10. Didn't deserve the bad press it got. There are other action movies like this one that are so much better received for some reason. Religion's a very sensitive subject, so maybe that's where the negative stuff came from.
Você sabia?
- CuriosidadesArnold Schwarzenegger's first film since Batman & Robin (1997). The reason for the gap was because of his heart surgery after playing Mr Freeze; the studios were anxious about whether or not they could insure him, and despite attempts to convince them he was in perfect health, he couldn't get any work until Fim dos Dias (1999). Even then, he was amazed when insurance people and executives from Universal came to the set just to watch him, to see if he was still up to the action scenes. They asked Schwarzenegger if he enjoyed this kind of punishment, but he said he was used to it. After the first week of shooting, the insurance guys backed off and not long after, the film offers started rolling in again.
- Erros de gravaçãoAlthough we see Satan move into a new body in the film, he goes to great lengths to protect his current one. This is because he's put a lot of effort into this one - he tells Christina that this is the face she's seen all her life, for instance.
- Cenas durante ou pós-créditosArnie's old body-building friend, Franco Columbu, is credited as a utility stuntman, under the name Dr Franco-Columbo.
- Versões alternativasAllegedly, test screening versions of the film had the following alternate scenes:
- on the train sequence, before Satan leaps across the carriages, he points and says "Jericho, I will cast you down like my Father did to me at the beginning of time". This was in the test screening, but cut in the final version;
- Jericho impales himself on the statue of the angel, and is believed to be dead, but then opens his eyes and pushes himself off of the sword. His wound is miraculously healed, and then he and Christine walk out of the church.
- Trilhas sonorasLittle Yurt on the Prairie
Written by David Hoffner & Kongar-ol Ondar
Published by Fields of Autumn Publishing & Tuva Much Music
Performed by Kongar-ol Ondar (as Ondar)
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Special Products
Principais escolhas
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- How long is End of Days?Fornecido pela Alexa
- What exactly did Jericho mean when he called Satan a "choir boy"?
- Why did it have to be Christine York to be the mother or Satan's child? Couldn't it have been anyone?
- Who released Satan from Hell?
Detalhes
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 66.889.043
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.523.595
- 28 de nov. de 1999
- Faturamento bruto mundial
- US$ 211.989.043
- Tempo de duração2 horas 2 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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