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IMDbPro

Treze Dias que Abalaram o Mundo

Título original: Thirteen Days
  • 2000
  • 12
  • 2 h 25 min
AVALIAÇÃO DA IMDb
7,3/10
65 mil
SUA AVALIAÇÃO
Kevin Costner, Steven Culp, and Bruce Greenwood in Treze Dias que Abalaram o Mundo (2000)
Assistir a Official Trailer
Reproduzir trailer2:46
6 vídeos
99+ fotos
DocudramaDrama de épocaDrama políticoThriller políticoDramaHistóriaSuspense

Em outubro de 1962, a administração Kennedy luta para conter a crise dos mísseis cubanos.Em outubro de 1962, a administração Kennedy luta para conter a crise dos mísseis cubanos.Em outubro de 1962, a administração Kennedy luta para conter a crise dos mísseis cubanos.

  • Direção
    • Roger Donaldson
  • Roteiristas
    • David Self
    • Ernest R. May
    • Philip D. Zelikow
  • Artistas
    • Kevin Costner
    • Bruce Greenwood
    • Shawn Driscoll
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    65 mil
    SUA AVALIAÇÃO
    • Direção
      • Roger Donaldson
    • Roteiristas
      • David Self
      • Ernest R. May
      • Philip D. Zelikow
    • Artistas
      • Kevin Costner
      • Bruce Greenwood
      • Shawn Driscoll
    • 401Avaliações de usuários
    • 66Avaliações da crítica
    • 67Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 8 indicações no total

    Vídeos6

    Official Trailer
    Trailer 2:46
    Official Trailer
    Thirteen Days: Additional Scenes And Samples
    Clip 0:55
    Thirteen Days: Additional Scenes And Samples
    Thirteen Days: Additional Scenes And Samples
    Clip 0:55
    Thirteen Days: Additional Scenes And Samples
    Thirteen Days: Missles: Scene
    Clip 0:49
    Thirteen Days: Missles: Scene
    Thirteen Days: Alternatives: Scene
    Clip 0:40
    Thirteen Days: Alternatives: Scene
    Thirteen Days: B-Roll
    Featurette 0:48
    Thirteen Days: B-Roll
    Thirteen Days Epk
    Featurette 3:53
    Thirteen Days Epk

    Fotos230

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    Editar
    Kevin Costner
    Kevin Costner
    • Kenny O'Donnell
    Bruce Greenwood
    Bruce Greenwood
    • John F. Kennedy
    Shawn Driscoll
    Shawn Driscoll
    • U-2 Pilot
    Drake Cook
    • Mark O'Donnell
    Lucinda Jenney
    Lucinda Jenney
    • Helen O'Donnell
    Caitlin Wachs
    Caitlin Wachs
    • Kathy O'Donnell
    Jon Foster
    Jon Foster
    • Kenny O'Donnell, Jr.
    Matthew Dunn
    • Kevin O'Donnell
    Kevin O'Donnell
    • NPIC Photo Interpreter
    Janet Coleman
    • Evelyn Lincoln
    Bruce Thomas
    Bruce Thomas
    • Floyd
    Stephanie Romanov
    Stephanie Romanov
    • Jacqueline Kennedy
    Frank Wood
    Frank Wood
    • McGeorge Bundy
    Dakin Matthews
    Dakin Matthews
    • Arthur Lundahl
    Liz Sinclair
    • Kenny's Assistant #1
    Colette O'Connell
    Colette O'Connell
    • Kenny's Assistant #2
    Karen Ludwig
    Karen Ludwig
    • Operator Margaret
    Audrey Rapoport
    Audrey Rapoport
    • White House Operator #1
    • Direção
      • Roger Donaldson
    • Roteiristas
      • David Self
      • Ernest R. May
      • Philip D. Zelikow
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários401

    7,365.4K
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    Avaliações em destaque

    6gring0

    Gripping but simplistic account

    I'm showing the film now to my history seniors so felt obliged to comment on it. Whilst the film is undeniably gripping as a political thriller, it takes considerable liberties with historical facts, thereby compromising its value as an educational resource on this critical period in Cold War history.

    One of the most glaring inaccuracies in the film is the exaggerated role of Kenneth O'Donnell, played by Kevin Costner. O'Donnell, who was a special assistant to President Kennedy, is portrayed as an influential figure in the crisis, often present in high-level meetings and even influencing the President's decisions. In reality, O'Donnell was not a key player in the crisis management and was largely uninvolved in the ExComm meetings, which were attended by experts in foreign policy and military strategy. The film's focus on O'Donnell seems to be a deliberate attempt to create a relatable character for the audience, but it distorts the historical record and minimises the roles of pivotal figures like Secretary of Defence Robert McNamara and Secretary of State Dean Rusk.

    Another point of contention is the film's portrayal of President Kennedy, played by Bruce Greenwood. While the film does capture Kennedy's calm and rational demeanor, it fails to delve into the complexities of his decision-making process. The President is shown as almost unilaterally steering the United States away from military action, whereas, in reality, he was under immense pressure from his military advisors to authorize an airstrike against Soviet missile sites in Cuba. The film simplifies the intricate discussions and debates that took place among the ExComm members, reducing them to a binary choice between war and peace.

    Furthermore, the Soviet perspective is conspicuously absent from the narrative. The film does not delve into the motivations of Soviet Premier Nikita Khrushchev or explore the geopolitical considerations that led the Soviet Union to place missiles in Cuba. This omission perpetuates a one-sided view of the crisis and fails to provide a nuanced understanding of the complex interplay of factors that averted a nuclear catastrophe.

    The film also glosses over the role of backchannel communications between the United States and the Soviet Union, which were crucial in resolving the crisis. The secret correspondence between Attorney General Robert Kennedy and Soviet Ambassador Anatoly Dobrynin played a significant role in reaching a peaceful resolution, yet this is scarcely mentioned in the film.

    So whilst "Thirteen Days" succeeds as a suspenseful dramatisation of a critical moment in history, it falls short as an accurate representation of the events it depicts. The film takes liberties with historical facts, exaggerates the roles of certain individuals, and omits key aspects of the crisis, thereby providing a skewed understanding of the Cuban Missile Crisis. As such, it should be viewed as a piece of historical fiction rather than a reliable educational resource.

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    8chrisbrown6453

    Thirteen Days was a wonderfully acted, wonderfully told story about the 13 days of the Cuban Missile Crisis, a time when the world almost came to an end.

    Shown through the eyes of presidential aide Kenneth P. O'Donnell (Kevin Costner), we see the inner workings of President John F. Kennedy (Bruce Greenwood) and his closest advisors as they try and find the best way to end a potentially devastating showdown with the U.S.S.R. In October of 1962, the U.S., during a regular mission photographing Cuba, spotted a missile buildup by the Russians. The missiles were powerful enough to kill 80 million Americans with only 5 minutes of warning time. President Kennedy had to decide quickly what action to take. With his trusted aide Kenny O'Donnell and his brother Attorney General Robert F. Kennedy (Steven Culp), and others such as Robert McNamara, Adlai Stevenson, McGeorge Bundy, Dean Acheson, Dean Rusk, and many more, Kennedy needed to figure out the best course of action. If he allowed the Russians to aim these missiles at the U.S., the United States would be placed in a potentially deadly situation. If Kennedy allowed the military to attack the missiles and destroy them, what would Russia do as a response? If he waited too long, would Russia simply attack the U.S.? If he backed down and agreed to take down U.S. missiles in Turkey, would the U.S. then look weak to the rest of the world? For such a young President, Kennedy had a lot of tough decisions to make, in a short amount of time, with the world hanging in the balance.

    I wasn't alive during the Cuban Missile Crisis as it occurred, so seeing Thirteen Days was like having a history lesson at the same time as having great entertainment. Even though I knew that we didn't end up in World War III, there were a lot of things I didn't know. I won't go into any of the specifics, but I never fully understood how close we came to destroying the planet. The tensions of the time were brought out successfully by director Roger Donaldson. You could see and feel the sweat on all the major players as each minute ticked by. Bruce Greenwood did a tremendous job as the young President Kennedy, showing how Kennedy was strong enough to stand by his morals and values, even as his most trusted advisors were urging him to go to war. At the same time, Greenwood was able to portray Kennedy as someone who needed help and was able to turn to his brother for guidance. Kevin Costner did a good job as Kennedy's presidential aide. I especially liked his boston accent. Costner was a strong personality that worked well with Greenwood and Steven Culp. I believed that the three of them were friends for 15 years and that they trusted each other with their own lives. Other acting standouts to me were Dylan Baker as Robert McNamara and Michael Fairman as Adlai Stevenson.

    Even running at almost two and a half hours, I was always at the edge of my seat, wondering what was going to happen next. Like I said before, I wasn't even born yet, nor was it something I ever learned about in school, so I had no idea what was going to happen. It was nice being able to get deep inside the mind of these important people during this crucial time. Of course, I have no idea if what was said during these meetings was actually said in real life, but I'd like to believe that at least the outcomes of the meetings were true. I'm a big fan of these kinds of dramatic films based on real life events. While being entertaining, they also have the ability to teach you about history. Reading about these situations in books isn't nearly as enjoyable as being able to watch them on screen. I think screenwriter David Self did a great job of bringing these real life events to life on the big screen. He made it historical but didn't bore you with too much talk or information. Along with Donaldson, he gave you what you needed to know, and let the actors bring you into the action.

    So overall, I thought Thirteen Days was a great film. Well acted, well directed, well written, nice musical score and very entertaining throughout. And if you happen to learn something along the way like I did, then even better.
    8Boba_Fett1138

    Good view on possibly the most tense thirteen days of the 20th century.

    Basically this movie is a great history lesson. If you want to know more about the cold war and the Cuba missile crisis in particular this is a perfect medium for you to start with. The movie is quite detailed and accurate even though of course some moments and characters have been 'over-dramatized' for the good of the movie and its flow and emotions.

    Even though you already know from start till finish how this movie is going to end, it still is a tense movie to watch. The story is build up well and makes the movie really interesting and compelling to follow. It perfectly captures the tension of the whole crisis and really makes you realize how close the world actually came to a WW III. It makes us aware of the fact that those 13 days in history should always be remembered and used as a lesson for the entire world now and forever. It's too bad that the movie becomes a bit too moralistic at times, especially toward the ending.

    Bruce Greenwood doesn't really look like JFK but he's a good actor, so he becomes believable enough in his role trough his acting skills. Steven Culp really does look like Robert Kennedy and on top of that he also is a great actor. I wasn't always happy with Kevin Costner performance but overall he did an acceptable job. There are some weaker moments which involves his character but I more blame those moments to the at times too moralistic written script.

    A bit of a disappointing aspect of the whole movie is its style. Roger Donaldson at times tries to be over-artistic and mixes the movie with black & white and color images. Perhaps he tried to copy Oliver Stone's style? Who knows. The cinematography was also disappointingly standard but thankfully the good editing saved this a little. Also the musical score by Trevor Jones is surprisingly solid.

    Overall it's a very good political movie that has some great tense and important moments in it and also works great as a history lesson.

    8/10

    http://bobafett1138.blogspot.com/
    8blanche-2

    In a word - WOW!

    In 1962, the world stood on the brink of World War III for "Thirteen Days," a 2000 film starring Kevin Costner, Bruce Greenwood, Steven Culp and Dylan Baker, with direction by Roger Donaldson. The story concerns the "Cuban Missile Crisis," when the U.S. discovered that the Soviets had placed missiles aimed at the U.S. in Cuba.

    As someone who remembers the situation well, watching this was a profound experience in more ways than one. A good deal of dialogue was taken from actual Presidential transcripts, which made watching it even more impressive. Looking at it from today's eyes, "Thirteen Days" is a knockout.

    Donaldson focuses the film right where it should be - in the White House and in conference rooms, giving us only the subplot of Kenny O'Donnell's family life. For those posters who commented that O'Donnell was perhaps not a real person, yes, he was. It's impossible for me to believe that with a film that goes into so much detail and strove to be so factual, someone thought there was a made-up character. Try Google next time. Ken O'Donnell headed up Kennedy's presidential campaign and was appointed his Special Assistant when Kennedy won the White House. He was the most powerful of the President's advisers.

    Several things become clear about the goings-on at the White House in 1962: None of the military leaders thought the Kennedy administration belonged in the White House; if it had been up to the military leaders, the situation would have caused World War III; JFK turned himself into a pretzel in order to pursue a diplomatic solution to the potential conflict. Though discouraged almost at every turn, JFK still would not allow the shooting to begin, pushing instead for an embargo against Cuba.

    There is plenty of tension and excitement in this film. One of the best scenes is Commander Eckerd (Christopher Lawford) and his team low-flying over Cuba taking photos, and a U-2 pilot trying to avoid missiles chasing him. But most of the tension and excitement takes place in the meetings as the President and RFK struggle for answers and play for time. The mix is therefore ideal: drama, some aerial excitement, and a little humor as Adlai Stevenson gets the better of the Russians in an OAS meeting.

    There's also a look at the reaction of the country - also very accurate. Yes, people piled into church, cleared the grocery shelves of everything, and stocked fallout shelters. We all watched the President on television. In fact, as he talked, my mother thought he was about to declare war. It was a terrifying time.

    Kenny O'Donnell's role in all of this may have been somewhat exaggerated to make it a palatable role for Kevin Costner. Costner does okay in the part. Boston accents are very difficult to do without them sounding put on. It's very difficult to do accents in general and make them organic to the character. A few have succeeded: Anne Bancroft in "The Miracle Worker," Paul Newman in "Somebody Up There Likes Me," little Natalie Wood in "Tomorrow is Forever," Travolta in "Saturday Night Fever," and of course there are others. Jane Seymour and Joan Collins can easily pull off being Americans. All British actors can do a southern accent, since the southern accent started off as a British accent. Costner lays it on too thick and it's a distraction. But he certainly isn't bad in the role.

    The casting people merely wanted to suggest JFK and RFK. In Steven Culp, they found a young actor with similar features to RFK. He does an effective job, given that it's tough going to portray such a famous person. The most successful in the film is Bruce Greenwood as JFK, who tries to keep the accent from overpowering the dialogue. In the President's television speech, I'm sure he imitated JFK's every single inflection and pause, and it's perfect. His JFK is a listener, very dependent on his brother's advice, and one who takes the burdens of the country on his shoulders like a cross. One of the posters here mentioned something to the effect that "we are led to believe that JFK leaned heavily on his advisors" as if this is a negative. Of course he did. Of course any President does or should. The final decisions belonged to him, and he had to be sure of all of the ramifications. Only an idiot doesn't hear every single opinion of value before he decides to launch World War III.

    The camaraderie between RFK, JFK, and O'Donnell is as unmistakable as their arguments and frustrations.

    Thirteen months after the Cuban Missile Crisis, JFK would be dead and O'Donnell would be riding behind him in the Secret Service Car. After a particularly tough meeting with the Joint Chiefs of Staff, O'Donnell insists that JFK sit for a minute, and JFK finally does. Worn out and not sleeping well, he laments about being President. "I just thought there would be more good days." In the end, we - and he - would have settled for just MORE days.
    8A_Roode

    Very well done.

    Poor Kevin Costner. I get the feeling that he just can't win no matter what he does. He gets slammed for being in films and not using an appropriate accent. Need we look any further than 'Robin Hood: Prince of Thieves'? When he does use an accurate accent, as he does in 'Thirteen Days,' he gets slammed for trying to elevate his game to a playing field dominated by more well liked method actors. I've heard an argument before that he should just stick to making westerns since, allegedly, they're the only films that he does well. Many would immediately argue that 'Wyatt Earp' cancels out 'Dances With Wolves.' I argue instead that people are just too hard on Kevin Costner and 'Thirteen Days' is a very good example of why he deserves a bit of a break.

    'Thirteen Days' was the fastest two and a half hours that I've sat through in a long time. The film was absolutely engrossing and very tense. Everyone knows what happens (or should be able to infer it since we'd all be dead right now if things hadn't worked out so well) but the writing and direction deserve great credit. They were able to transfer the tension from the historical situation and bring it to the screen with electricity. I think it works brilliantly well for two main reasons: 1. The viewer may know what is going to happen, but the characters don't. They are stressed, terrified and at the breaking point. One wrong move and the whole world is obliterated. If that isn't good drama, I don't know what is. 2. The film makers very wisely resisted the impulse to try and show things from the Soviet point of view. The strength of the film is the peril of the situation and the terror of not knowing what the other guy is trying to do. By filming from solely an American perspective and keeping both the characters and audience in the dark, this character driven movie excels.

    A second brilliant strategy employed by the film makers was in the casting. With the exception of Costner, there are no real stars. Instead there are more reliable, hard-working and chameleon-like character actors. Len Cariou, Dylan Baker, Stephen Culp, and Bruce Greenwood are just a small sampling. Greenwood plays JFK and excellently plays a man desperate for peace but surrounded by calls for swift military action. He sees the bigger picture where others don't, but may not be able to navigate the smaller picture without help. Dylan Baker is a doppelganger and his performance as McNamara is spot on.

    Highly recommended.

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    Você sabia?

    Editar
    • Curiosidades
      President John F. Kennedy very frequently set up recording machines during meetings at the White House. Much of the dialogue from the movie is taken directly from Kennedy's tapes.
    • Erros de gravação
      President Kennedy wanted an eyewitness account so badly that Commander Ecker was ordered to the Pentagon to brief the Joint Chiefs of Staff immediately after landing his RF-8A Crusader, sweaty flight suit and all. This is often thought to be a glaring error in the movie, but his attire is absolutely accurate. Cdr. Ecker was not even allowed to exit his Crusader when he landed at NAS Cecil Field, Jacksonville FL. His film canisters were unloaded from his aircraft, he was refueled and sent immediately to Washington D.C., landing at Andrews AFB and whisked by limousine directly to the Pentagon where he met with the Joint Chiefs of Staff, apologizing right away for appearing at the briefing in his sweat-soaked flight suit. Cdr. Ecker, parched from the Cuba overflight and then the flight north to Washington, asked in a hoarse voice for a drink of water when he arrived. He refuses it in the movie.
    • Citações

      Kenny O'Donnell: If the sun comes up tomorrow, it is only because of men of good will. And that's - that's all there is between us and the devil.

    • Conexões
      Edited from Trinity and Beyond: The Atomic Bomb Movie (1995)
    • Trilhas sonoras
      The Thunderer
      Written by John Philip Sousa

      Courtesy of Associated Production Music, LLC

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    Perguntas frequentes23

    • How long is Thirteen Days?Fornecido pela Alexa
    • Were the RF-8 Crusaders real or CGI ? If real, where did they come from ?
    • How accurate is the film?
    • Why are portions of the film in black and white?

    Detalhes

    Editar
    • Data de lançamento
      • 3 de agosto de 2001 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Russo
      • Espanhol
      • Romeno
    • Também conhecido como
      • Trece días
    • Locações de filme
      • Biltmore Hotel - 506 S. Grand Avenue, Downtown, Los Angeles, Califórnia, EUA
    • Empresas de produção
      • New Line Cinema
      • Beacon Communications
      • Beacon Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 80.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 34.592.089
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 46.668
      • 25 de dez. de 2000
    • Faturamento bruto mundial
      • US$ 66.579.890
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 25 min(145 min)
    • Cor
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
      • SDDS
    • Proporção
      • 1.85 : 1

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