Duas Mãos

Jordan takes us into the seedy crime side of Sydney, Australia, following the desperate attempt of nineteen year old Jimmy, (Heath Ledger), who bundles a job for a local gangster and needs to make amend before they get to him. The gangsters, (led by Bryan Brown), are a menacing bunch with a humorous streak in them. That's what makes the film work, because we always view gangsters as a rough bunch out to screw you badly. But this mob tickle your funny bone as well. A clever structured script by Jordan has characters crossing paths and getting caught in the web plot.

A refreshing black comedy starring some of Australia's finest. In the same way that Lock Stock and 2 Smoking Barrels captured the funny side of London gangsters, Two Hands rips through the Sydney underworld. It wouldn't be so funny if it wasn't so close to the bone.

An Australian classic. If Australia could pull more rabbits like this out its hat it might actually have a film industry worth keeping an eye on.

Wannabe Jimmy gets given a simple delivery job to do for local mobster Pando. When he inevitable messes it up and loses $10K he goes on the run and loins a bank job to try and get the money back. Under the watchful eye of his brother, who has dug himself up from hell to see if Jimmy can learn from his mistake, Jimmy stumbles through a series of misadventures to get to safety.

This is very enjoyable - one of the many modern black comedies that use small time criminals as the starting points of violently funny stories. Here the film follows the hapless Jimmy as he gets himself into and out of hot water of the criminal type. The story is daft - lets be honest! It starts well but gets pretty stretched after we see the scene from the start of the film again, and the tidy conclusion is just very unlikely. However it's all done with such style and wit that you don't really mind. The characters link together tidily and the story is very enjoyable.

The director kicks Australian cinema in the ass by delivering a very stylish package, from the intense scenes of sudden violence, the really visually clever credit sequence right down to the great soundtrack and camera work, this is a stylish feast. The only problem with this is that it highlights the weaknesses of the story.

Heath Ledger is really good and deservedly is a rising star in Hollywood. Bryan Brown is really great and his mob is very funny - barely competent at best, but dealing out violence without a second though. However the real star is the director. Vidler as Jimmy's brother is OK, but his philosophising gets a little tired after a while (but his failed redemption makes sense). Overall it has plenty of weaknesses, but it also has much to enjoy - very stylish, very funny in a dark way and very enjoyable for those that like the current band of `Lock, Stock…..' films.

Jimmy (Heath Ledger) is given a simple job by Pando (Bryan Brown) a underworld kingpin to deliver money to a particular address, but when no one answers the door Jimmy decides to take a dip at the beach to pass some time, but he notices that his clothes on the sand have been messed up and the 10 grand is gone. Jimmy rings Pando to tell him the problem, but he doesn't want to hear it. Pando and his boys try their best to locate Jimmy, meaning no more Jimmy if they get their hands on him. So now Jimmy goes into hiding to organise a bank robbery to get Pando's money back. Also throughout this mess he meets the innocently sweet Alex (Rose Byrne) and together they're in for one hell of a ride through Sydney's King Cross.

"Two Hands" is simply an engrossing pick-me-up film that's brisk, exhilarating and incredibly fresh. What you got here is pretty much an urban gangster film with a seedy backdrop and in-your-face violence… what, how's that fresh you ask? Well, because it takes us into the underworld where the Australian culture shines with criminals wearing thongs (flip flops) and footy shorts, done up cars and a can of beer in the hand… and don't forgot the Australian sense of humour, dry and sarcastic. You can say it owes a lot to the likes of "Pulp Fiction", "Goodfellas" (a fave of mine) and "Lock, stock and two smoking barrels" for its inspiration, but for me it still stands on its own. The film has real mixture of light-hearted moments, but also a mean streak to it with some unexpected shocks and black humour that can actually be disturbing. You just don't know what's coming and it has a nice touch of snappy irony (especially the ending) and great timing with its humour. One scene involving a bank robbery will have you in stitches, I guarantee you. The plot's outline is really a coming to age story (or about the road not taken), with a punching love tale added and then the gangster element to finish it off. Most of the sub-plots were cleverly constructed and interlocked, well maybe it could've gone without the supernatural element involving Jimmy's dead brother, but in the overall context the diverse plot seems to all click together. Intense, natural and crisp dialogue filled the outrageously colourful script, with quick jabs of Aussie slang/twang - I'm fair dinkum!

What truly made the film was that of Bryan Brown's performance of Pando. He just gave his character such a deviously charismatic/nasty persona that when he wasn't on screen his presence was still felt. He gave his character two sides - one being a prick, but the other side is such a good bloke. A young Rose Byrne glows with her nervously sweet/quirky character Alex. She looked radially gorgeous and added a bubbly personality. Then you got Heath Ledger who fit's the buck as the naive Jimmy. Great supporting cast involved with the likes of Susie Porter, Tom Long, David Field, Steve Vidler and Steve Le Marquand. Such raw performances are achieved and from that you get riveting, fun and believable characters. Pumping rock soundtrack bursting at the seams with the likes of Powderfinger and Alex Lloyd provide a cool vibe. Also being shot on location in Sydney's King Cross really helped it stick out by holding a life of its own and showing the Australian way of life. Gliding camera tricks captured the city's backdrop superbly, especially the piercing nightlife. This was a film that when it ended I was totally satisfied with what I got. Overall, a slickly paced crime thriller that achieves what it intended to do... a fun, clever and crazy roller coaster ride of thrills and excitement.

I say, it's a successful Aussie take on "Lock, Stock and Two smoking barrels" by director/writer Gregor Jordan in his debut film. If you come across it, don't hesitate to it give it a go.

This hillarious film captures the Australian personality perfectly. From Bryan Brown in his Hawiian Shirts and thongs to Blue Monaros and boys (Heath Ledger) too busy chasing girls to worry about their life, this film is wonderful. There are no Koala Bears or Boomerangs in sight in a lame attempt to convince foreign audiences that Australia is a great place with loads of character. It does what it does and says what it says which is just about as Australian as it gets. If you don't get the humour in this film you should go back to watching episodes of "Funniest Home Videos" as the humour must obviously be beyond you.