Duas Mãos

The inspiration for this film was the fact that American Gangsters are well dresses, but the Aussies, well when you might kill a guy as soon as look at the blighter, then you can dress as badly as you want and people won't criticize you.

Jimmy is fighter, an illegal boxer, sometimes bouncer and is offered work by Pando, the local gangster boss in the cross (That is, Australia's notorious Kings Cross District, not the Cross of London fame as many a British backpacker finds out the hard way).

Due to feelings of love he stuffs up a job, loses a lot of money and has to get it to Pando before Pando and his heavies can kill him.

Lots of dark humour, interesting action, revelations about the Australia's underside and human nature. It is very centred in the Australian nature and explores the nature of Australian criminals (versus the American and British ones).

One problem is that each of the elements of the story don't have enough substance and depth, but it is a painting with broad strokes that covers a lot of area not covered previously, so as an overall package it is worthwhile.

Team it up with "Chopper" and "Dirty Deeds" for your Aussie Crime fest or "Lock Stock and Two Smoking Barrels" and "Miller's Crossing" for an International falling short of the criminal gangs fest.

By the way, Bryan Brown is a great actor who has just done a huge number of really bad movies. Here is one of his great movies.

Wannabe Jimmy gets given a simple delivery job to do for local mobster Pando. When he inevitable messes it up and loses $10K he goes on the run and loins a bank job to try and get the money back. Under the watchful eye of his brother, who has dug himself up from hell to see if Jimmy can learn from his mistake, Jimmy stumbles through a series of misadventures to get to safety.

This is very enjoyable - one of the many modern black comedies that use small time criminals as the starting points of violently funny stories. Here the film follows the hapless Jimmy as he gets himself into and out of hot water of the criminal type. The story is daft - lets be honest! It starts well but gets pretty stretched after we see the scene from the start of the film again, and the tidy conclusion is just very unlikely. However it's all done with such style and wit that you don't really mind. The characters link together tidily and the story is very enjoyable.

The director kicks Australian cinema in the ass by delivering a very stylish package, from the intense scenes of sudden violence, the really visually clever credit sequence right down to the great soundtrack and camera work, this is a stylish feast. The only problem with this is that it highlights the weaknesses of the story.

Heath Ledger is really good and deservedly is a rising star in Hollywood. Bryan Brown is really great and his mob is very funny - barely competent at best, but dealing out violence without a second though. However the real star is the director. Vidler as Jimmy's brother is OK, but his philosophising gets a little tired after a while (but his failed redemption makes sense). Overall it has plenty of weaknesses, but it also has much to enjoy - very stylish, very funny in a dark way and very enjoyable for those that like the current band of `Lock, Stock…..' films.

It's hard to know what to make of this weird little Aussie crime flick - on the one hand, it's an enjoyable little film with a great sense of humour; but on the other, it just lacks a certain something that ensures the film never reaches above it's boundary that keeps it trapped within the merely 'interesting' territory. That being said, Two Hands is a well plotted film that excellently juggles several stories at the same time, which allows several small climaxes throughout the movie, and that in turn helps to stop the film becoming boring. The absurdity of the goings-on, the thick Australian accents and the bizarre set of characters all help to ensure that the film entertains also. The plot follows the story of a young doorman who thinks he'll go on to bigger things after accepting a job from the local kingpin. He doesn't; the job only lands him in trouble when he fancies a swim and stupidly leaves ten grand on the beach, which is promptly stolen by a couple of kids who have the time of their lives on a shopping spree. However, all is not rosy for our hero; who must find the money or face the consequences...

The film is made up of a cast of unknowns; at least, it was back in 1999, as nowadays Heath Ledger is something of a name. He doesn't impress too much here, however, as his performance is mostly of the one-note variety and he doesn't make for a very compelling lead. He fits the movie in that he's Australian and looks naive; but beyond that, he's not the best lead I've ever seen in a movie. If you ask me, Bryan Brown gave the best performance here. He might not have a great deal of screen time, but he steals every scene he's in and it's him that provides the movie with a lot of its humour. He's got nothing to do with the best sequence, however, which takes place in the form of probably the most hilarious bank robbery ever caught on film. On the whole, I can recommend this film to people that enjoy quirky crime films; as the weirdness is plentiful, and the way that events take a turn for the bizarre is enjoyable; but if you're not a fan of this sort of film, I can't really say that Two Hands will float your boat. It's not a must see, but if it's your thing and you get a chance to see it...you probably wont completely regret it.

Jordan takes us into the seedy crime side of Sydney, Australia, following the desperate attempt of nineteen year old Jimmy, (Heath Ledger), who bundles a job for a local gangster and needs to make amend before they get to him. The gangsters, (led by Bryan Brown), are a menacing bunch with a humorous streak in them. That's what makes the film work, because we always view gangsters as a rough bunch out to screw you badly. But this mob tickle your funny bone as well. A clever structured script by Jordan has characters crossing paths and getting caught in the web plot.

This hillarious film captures the Australian personality perfectly. From Bryan Brown in his Hawiian Shirts and thongs to Blue Monaros and boys (Heath Ledger) too busy chasing girls to worry about their life, this film is wonderful. There are no Koala Bears or Boomerangs in sight in a lame attempt to convince foreign audiences that Australia is a great place with loads of character. It does what it does and says what it says which is just about as Australian as it gets. If you don't get the humour in this film you should go back to watching episodes of "Funniest Home Videos" as the humour must obviously be beyond you.