AVALIAÇÃO DA IMDb
4,8/10
19 mil
SUA AVALIAÇÃO
Uma série de violentos assassinatos inicia após uma jovem ser provocada pelos atletas de sua escola, que desconhecem o poder telecinético degolador da garota.Uma série de violentos assassinatos inicia após uma jovem ser provocada pelos atletas de sua escola, que desconhecem o poder telecinético degolador da garota.Uma série de violentos assassinatos inicia após uma jovem ser provocada pelos atletas de sua escola, que desconhecem o poder telecinético degolador da garota.
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Avaliações em destaque
The Rage: Carrie 2 - being more a remake than a sequel of the 70ies classic - is a good film for chilling out after a week of work or something like that. The creators were able to transport the basic ideas of the Stephen King novel (teenage problems)into this sequel. Only this is a reason to call this a good movie - because I think that Stephen King fans had to see much bad adaptions of the master´s work in the past. Another reason is that this movie is much better than all the other teen-horror-movies of the last years like I Know What You Did Last Summer (of course I could never say something bad about the first two Scream movies - seriously!). Carrie 2 handles teenager´s problems and conflict much better than other films and I think that it is a much better film to identificate with for young people. The "new Carrie" is - once again - a true outsider and not one of these upper class all-american teens like the ones in I Know...etc. The movie shows its sympathy for this outsider (a nice detail: in some scenes you can see the Marilyn Manson-poster at the wall of Rachel´s room - the icon of all angry outsiders). Another point: the horror violence is much harder than in the other teen movies, too. Everyone who likes gory horror should like this movie All in all, I could not say anything bad about this movie. Just take a look. 8 out of 10
The words "Stephen King" and "Sequel" usually make the skin crawl, but The Rage: Carrie 2 isn't all bad.
Question: does everyone in movies have to be so pretty? In this film we are asked to believe that Emily Bergl and Mena Suvari are ugly, just as Rachel Leigh Cook was supposedly plain Jane in "She's All That". Please! I thought Bergl was beautiful, but I have a soft spot for girls with a dark side. On the other hand, the leader of the jocks who ostensibly got all the chicks looked like Ethan Hawke's redneck cousin. These guys are such misogynistic pricks that you can't wait for them to die. The scariest thing about this movie is the knowledge that jocks like that exist, thinkng they are entitled to everything thy want because they can throw a ball.
Question: does everyone in movies have to be so pretty? In this film we are asked to believe that Emily Bergl and Mena Suvari are ugly, just as Rachel Leigh Cook was supposedly plain Jane in "She's All That". Please! I thought Bergl was beautiful, but I have a soft spot for girls with a dark side. On the other hand, the leader of the jocks who ostensibly got all the chicks looked like Ethan Hawke's redneck cousin. These guys are such misogynistic pricks that you can't wait for them to die. The scariest thing about this movie is the knowledge that jocks like that exist, thinkng they are entitled to everything thy want because they can throw a ball.
Rachael Lang has grown up in foster care because her mother was taken to a mental institution while Rachael was still young. When Rachael's best friend kills herself after being seduced and dumped by a member of the football team, strange things happen which are noticed by the school counsellor Susan Snell in particular it reminds her of Carrie who had the powers to move things with her mind. Snell tries to help Rachael get help before she shares Carrie's fate, but Rachael is busy falling in love with one of the football team but is he all that he seems?
Surely this film must feature on any list of unnecessary sequels made many years after the fact. That the film bears the name `Carrie' must have made the studio hope that some of the good features of that film would be carried (sorry) over and redeem this. The plot tries to keep the essence of Carrie but it tries to mix in all the clichés of the modern teen movie as well and the two don't mix. So for the majority of the film we have the normal `jocks bothering weird girl' plot and the odd scene of something breaking.
The problem is that suddenly the end scene happens with little build up or trail. From a girl ignoring her powers Rachael suddenly becomes some sort of pumped killing machine in full control of her mind. The change is too sudden and is lazy writing. The actual film itself is too much an average teen movie and the ending is full of deliberate gore for the audience that measures horror in those terms. I personally found it overdone like the special effects guys were trying too hard.
The director also feels like he's working too hard. He tries to freak us out and make everything seem exciting by having tonnes of zooming cameras, changes in film stock and changes from colour to black and white. But it all felt like a gimmick because of the material. The film pales beside the original and just fails trying to steal bits from it even the ending is spoilt because we know to expect a `shock' ending because it's trying to do a Carrie moment.
Bergl is average as Rachael she basically plays your typical Goth stereotype from all these movies. London is OK and it's funny to see two stars of American Pie in small roles. Irving reprises her role (with a logical crowbaring of facts) but she is wasted and is only there to provide the link to the whole mind-power stuff.. Is she this desperate for work?
Overall this isn't as bad as many reviews made it sound on release. It's an average (at best) teen/horror movie. However the fact that it relates itself to Carrie makes it look worse by comparison not helped by showing clips. I'd avoid this unless your idea of a great movie is American Pie 2 or Friday the 13th Part 6.
Surely this film must feature on any list of unnecessary sequels made many years after the fact. That the film bears the name `Carrie' must have made the studio hope that some of the good features of that film would be carried (sorry) over and redeem this. The plot tries to keep the essence of Carrie but it tries to mix in all the clichés of the modern teen movie as well and the two don't mix. So for the majority of the film we have the normal `jocks bothering weird girl' plot and the odd scene of something breaking.
The problem is that suddenly the end scene happens with little build up or trail. From a girl ignoring her powers Rachael suddenly becomes some sort of pumped killing machine in full control of her mind. The change is too sudden and is lazy writing. The actual film itself is too much an average teen movie and the ending is full of deliberate gore for the audience that measures horror in those terms. I personally found it overdone like the special effects guys were trying too hard.
The director also feels like he's working too hard. He tries to freak us out and make everything seem exciting by having tonnes of zooming cameras, changes in film stock and changes from colour to black and white. But it all felt like a gimmick because of the material. The film pales beside the original and just fails trying to steal bits from it even the ending is spoilt because we know to expect a `shock' ending because it's trying to do a Carrie moment.
Bergl is average as Rachael she basically plays your typical Goth stereotype from all these movies. London is OK and it's funny to see two stars of American Pie in small roles. Irving reprises her role (with a logical crowbaring of facts) but she is wasted and is only there to provide the link to the whole mind-power stuff.. Is she this desperate for work?
Overall this isn't as bad as many reviews made it sound on release. It's an average (at best) teen/horror movie. However the fact that it relates itself to Carrie makes it look worse by comparison not helped by showing clips. I'd avoid this unless your idea of a great movie is American Pie 2 or Friday the 13th Part 6.
Let's see, thought an idea-starved movie exec one day, what can we do a sequel to now? Thoughts of the abandoned 'Freddie vs Jason' project pushed to the back of his mind, and realising that 'Titanic 2 - The Next Disaster' just wasn't working out, he thought back a bit further.
'Carrie'! Classic horror movie. How do we pull in the punters? Let's think. What was good about the first movie? Mmm, okay, blood, anger, school angst; yep, we can use those. Junk the religious symbolism (just not COOL these days), stick in a new, 21st-century sexually-aware Carrie figure (defeats the point of the movie, but not to worry), hire a hack script writer, and what do we have? Ah, a remake of the first movie in every detail - except for the good bits! That'll sell, then.
'Carrie'! Classic horror movie. How do we pull in the punters? Let's think. What was good about the first movie? Mmm, okay, blood, anger, school angst; yep, we can use those. Junk the religious symbolism (just not COOL these days), stick in a new, 21st-century sexually-aware Carrie figure (defeats the point of the movie, but not to worry), hire a hack script writer, and what do we have? Ah, a remake of the first movie in every detail - except for the good bits! That'll sell, then.
This is a forgettable but offbeat teenage film. The visual effect is certainly better than the first Carrie (1976). The flashback of Carrie 1 and the return of Amy Irving starring as Sue Snell again also help.
Apart from the film itself per se, having seen Carrie and Carrie 2, I can't stop thinking why the problem of kids bullying with each other continues to be a problem in schools. In fact, this problem is not only between school kids, but also between grown ups in society. What's wrong with our society? What happened in the film is no more worse than the real event 'Columbine High School Massacre' (http://en.wikipedia.org/wiki/Columbine_High_School_massacre). When are we going to solve this problem?
Perhaps showing this film to kids will make them understand how bad if they treat their mates badly.
Apart from the film itself per se, having seen Carrie and Carrie 2, I can't stop thinking why the problem of kids bullying with each other continues to be a problem in schools. In fact, this problem is not only between school kids, but also between grown ups in society. What's wrong with our society? What happened in the film is no more worse than the real event 'Columbine High School Massacre' (http://en.wikipedia.org/wiki/Columbine_High_School_massacre). When are we going to solve this problem?
Perhaps showing this film to kids will make them understand how bad if they treat their mates badly.
Você sabia?
- CuriosidadesSissy Spacek was offered a cameo in this sequel to Carrie, A Estranha (1976) which she turned down. However, she did give Katt Shea permission to use some of her scenes from Carrie, A Estranha (1976) for flashbacks.
- Erros de gravaçãoWhen Sue Snell has flashback scenes about Carrie, she remembers things that happened after her character was removed from the gym/prom. She couldn't possibly have seen what went on as the doors shut behind her and she was locked out.
- Citações
Sheriff Kelton: Sue, are you sure you aren't still trying to save a girl who died twenty years ago?
- Versões alternativasAn alternate version of the ending in which Jesse has a nightmare about Rachel. In the theatrical version she screams and shatters into a million pieces. In the alternate version a giant snake jumps out of her mouth and jumps into Jesse's mouth choking him.
- ConexõesEdited into The Rage: Carrie 2 - Deleted Scenes (1999)
- Trilhas sonorasLooking Down the Barrel
Written by Brian Carpenter and Brett Crawley
Performed by 5 X Down
Courtesy of Brown Toof Publishing
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- La ira: Carrie 2
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 21.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.762.705
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.065.123
- 14 de mar. de 1999
- Faturamento bruto mundial
- US$ 17.762.705
- Tempo de duração1 hora 44 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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