St. Ives

This is a lighthearted, colorful romp set in an interesting historical time period....the final years of Napoleon's reign. Lively performances by all the principals, in particular Miranda Richardson's naughty but nice, "liberated" bon vivant and the wonderful comic touches of Richard Grant's character (cracked me up several times, especially the wedding scene) which contribute significantly to its overall success. Stunning, vibrant color...those British redcoats never looked so red, Flora's buttercup yellow dress, a vision. Next, I read the book and meet Robert Louis Stevenson's characters all over again.

Fairly standard Napoleonic wars adventure romance with added comedy. The leading man is suitably French and Richard E Grant suitably silly. Anna Friel makes a spunky heroine and Miranda Richardson is a drug assisted randy aunt. Actual sex is left to the first (French-set) section as it's too cold in Scotland.

ST. IVES

Aspect ratio: 1.85:1

Sound format: Dolby Stereo

Loosely based on an unfinished work by Robert Louis Stevenson, this light-hearted romp through 19th century Europe attends the fortunes of a dashing French hussar (Jean-Marc Barr, the ineffably beautiful star of THE BIG BLUE, and a regular in the films of Lars von Trier) as he wines and wenches his way through the Napoleonic wars before being captured by the enemy and interned in a Scottish prison camp. There, he's befriended by a sympathetic warder (Richard E. Grant) who recognizes his status as a 'gentleman', and is helped to escape by a romantic young noblewoman (Anna Friel) and her idiosyncratic aunt (Miranda Richardson). Eventually, Barr stumbles on the scattered remnants of his long-lost family (Michael Gough is the benevolent grandfather, while Jason Isaacs plays the younger brother who would rather see Barr dead than share his inheritance), and is pursued across the English Channel by those who would either worship or destroy him.

Director Harry Hook (LORD OF THE FLIES) plays things low-key for the most part, which means this swashbuckling comic adventure isn't nearly as swashbuckling, comic or adventurous as Allan Cubitt's witty script suggests, but the period settings are a treat and the characters are nicely underplayed by a game cast (Barr is proud and genial, while Grant and Richardson steal the show as, respectively, an incompetent fop and a worldly woman who cultivate a boiling passion for one another, despite their strict adherence to the rules of etiquette, leading to some of the film's most hilarious sequences). Perhaps too restrained for its own good, the movie strikes a diplomatic balance between humor and drama, but there's enough of both to satisfy casual viewers and hard-boiled movie fans alike. Also known as ALL FOR LOVE.

the atmosphere is the first motif to see it. and the performances. and the story. and, not the last, the flavor, well known, of a sweet - bitter old fashion comedy. a film about war, friendship and love. and the best actors for translate on the screen a story of R.L. Stevenson who becomes special. at the first sigh, an easy film. mix of history, adventure and a great job of Robert Grant. in fact, an oasis. one of the most necessary. for redefine the small, significant small things.

Based on Robert Louis Stevenson's St. Ives, the film tells the story of a dashing young French Hussar captain (Jean Marc Barr) during the Napoleonic wars. Captured in battle he is sent to a prisoner of war camp in the Scottish Highlands, run by Major Farquhar (Richard E Grant) In short order he falls in love with a local girl (Anna Friel), strikes up a friendship with the Major, and discovers that his long lost grandfather, who fled from France during the revolution, lives just up the road! Spirited performances from all the cast and some memorable lines make this an above average offering.