Psicopata Americano

'American Psycho' is NOT a slasher movie. It is a depiction, a fantasy if you will, of the life of modern man and his place in society.

Nothing is enough. Money, sex, social stature, there is always someone else who has more and everyone else expect from you to try harder for even more.

This movie is about eliminating competition the easy way. By killing your opponents. By eating your sexual partners. By destroying everyone around you.

'American Psycho' retains the balance between this psychotic state, a chilling thriller and a very funny movie.

The scenes that show Patrick playing music for his guests are absolutely hilarious, as he comments very seriously on records by artists such as Whitney Houston, Phil Collins and Huey Lewis & the News. The funny thing is that he chooses the most commercial or sold out records of these artists, to explain how much better they are compared to their previous, more artistic work. Another message of the state of the receivers of commercial art.

You can analyze 'American Psycho' for hours. It can be perceived both as a deep and a fun movie. Even if you don't like the story, you will love Christian Bale's excellent performance.

Enjoy.

10/10

"This is, so to speak, a base" :)

But seriously, without all these jokes, then you and I have a very high-quality work directed by Mary Harron with the wonderful Christian Bale in the title role, which I consider one of the best in his career.

The film is clearly not for the faint of heart, there are tough scenes in it, but it's no secret to anyone, even the title should already inspire) This film is not the easiest to perceive satire on our society.

The image of the protagonist/antagonist of the film (Patrick Bateman) was taken by many as ideal. Naturally, not mentally, but externally. After all, Bale's character looks really exemplary for a man.

The narration lasts slowly, but it is quite interesting. I think that movie lovers should definitely watch this work.

This is a frightening and wildly satiric look into the mentality of the high-flying Reaganomics 1980s as the American Dream turned into the psychotic American Nightmare. The film will probably turn as many people off as are entertained by this weird journey that is a slightly more organized cousin of FEAR & LOATHING IN LAS VEGAS.

Christian Bale is amazingly energetic and even sympathetic as the deranged, soul-less creature who values nothing but surface appearances. We are given a hauting roller-coaster ride through a comedy of terrors that is the mind of this being who seems human but isn't quite sure himself. In fact, he doesn't even know who or what he is.

Is he insane? Are we? That's the joker in the gamble. That's the riddle of the sphinx that we are left to solve -- if there is a solution.

By the end, I didn't know what to make of it, but now I understand the film much better. This film is must viewing, it brings out the truth about today's world - Nothing but material values matter, we live empty lives, we think empty thoughts, we are empty people, life is boring.

Christian Bale is awesome, quality acting! Willem Dafoe was underused, I didn't think the support cast had the same quality material as Bale.

The photography is stylish, very 80s gloss!

The direction is terrific, wonderful camera work.

Overall, see it, it's satire, black comedy, social commentary and more!

The film looks to examine our own distorted points of view or detachments from reality. Like Patrick Bateman, we may be trapped craving the approval of others and denying ourselves the ability to distinguish fantasies from our reality. People are obsessed with how the others perceive them likewise in American Psycho Bateman achieves no catharsis, he's trapped in his own personal hell because he requires the recognition of the other yuppies to confirm his identity as a murderer. The irony is that Feynman's real crimes may as well be fantasy. The lack of acknowledging his reality drives Bateman further into madness and existential despair

It's about yuppie culture, the melding of identity, and the craving to stand out from a superficial homogenized society. Bateman's interpretation of the world is skewed by his inflated ego and his evident psychosis as well as presumably multiple mental illnesses. Bateman is a killer, but still, he's not the killer he thinks he is, as he goes insane he can't distinguish reality from fantasy. His over the top chainsaw massacre style killings may be an aestheticized elaboration on partial truths, ultimately the film doesn't care. The more significant point of the movies absurdity is that within his society Batemans not the psycho at all he's just one more normal guy amidst a horde of uncaring detached from reality, secretly discontented American psychos. Bateman is surrounded by like-minded superficial people obsessed with all the wrong things like making impossible reservations at Dorsia and the tasteful thickness of their business cards. Within the homogenized upper-class elite identities blur as everyone strives after a generic yet highly specific image of success.

Everyone we see in Bateman's company appears to be the same person. It's no wonder that identity is mistaken continuously and swapped throughout the film. The lawyer has mistaken Paul Allen or perhaps Batman has killed the wrong person becomes not only plausible but also an expression of the general confusion resulting from the loss of individual identity.

Meanwhile, although Batman tries like the rest to fit in, the emptiness of his lifestyle also fuels a craving to stand out. To escape the conformity that he on some level despises Batman leads a second life as a killer, where he's unfettered from the bounds of society. Although he actually wants to be seen as a murderer as someone different from the rest of society Bateman is denied even the satisfaction by every self-absorbed yuppie he meets. When he's seen stuffing a body into the trunk of a car, the witness is only interested in the bag.

This is a great movie. Look for the subtext under the dialogue.