O Advogado dos 5 Crimes

Really like this film, it's criminally overlooked as far as I'm concerned. Cuba Gooding plays a lawyer who gets disbarred shortly after he lets his conscience get the better of him and he moves to Key West Florida, hoping to start a writing career. Once there, he meets and old man who happens to have written a damn fine novel. Ahhh, I don't want to reveal more, but from that point on things get very interesting.

This thriller has a genuinely original plot and is very well written. The plot twist isn't easily spotted and will definitely have viewers guessing for a long time. It's fast paced and well directed by Rowdy Herrington, who's really a director to look for (made another little known James Spader flick that's very good as well).

I've always like Cuba Gooding and he does a good job in the lead, proving he can well handle dramatic parts as well (if not better) than comedic ones. Tom Berenger does well, as always, in a relatively small part as a tough detective.

It's a rare thing these days that a film, particularly a thriller, comes up with a really fresh and original idea and executes it well. A Murder of Crows is a suspenseful and thoroughly entertaining thriller that deserves to be better known.

The premise was really interesting, and overall I enjoyed it, with some major reservations. The good: Cuba Gooding, who's always good; the use of New Orleans, which was quite well done; and the art direction, which was terrific. I wanted almost every painting I saw on every wall. The bad: I had a hard time believing our hero didn't notice the AWFUL AND OBVIOUS stage makeup on his fishing customer and the keywest detective, who sported the fakest mustache ever put on film! I also couldn't believe that an escaped murder suspect--whose face would not only have been on the news every night, but also prominently displayed on the back cover of a book we are told is a runaway bestseller nationwide-- would just blithely roam the streets of the two places he's known to reside in without fear of recognition by anyone but the police. Please. Finally the HORRID southern drawls affected by Eric Stoltz and Mark Pelligrino were among the most egregious I've heard yet... and that's saying something.

But for all that, I liked it. Big 'ol plot holes and all. So if you're up to suspending a hell of a lot of disbelief, it's a fun movie. If you insist your movies make sense, don't bother.

I rented this movie having never heard of it or Rowdy Herrington. I became an instant fan. The film is very good and so is the script. I admit to having figured it out but that was part of the fun. It's not a huge film starring Michael Douglas and budgeted by Warners but so often one rents a film that looks promising and it's simply awful. This was quite good and probably should have gotten more attention at the time it was released (if it indeed was released to theaters, which it should have been).

This film has a fabulous plot and great acting but it was filmed, scored, and cinemagraphed very poorly. Mr. Gooding is wonderful, as always and Mark Pellegrino is truly a great actor who has been greatly ignored and under-appreciated in the film industry, (though I am sure the stage adores him). This movie could have been so much more. It must not have had a large budget, because the scenes lacked the sense of suspense and drama that is achieved with good scoring and cinematography, but the acting was spectacular, especially the climatic scene with Mark near the end. Even a better musical score could have added a lot to the film. I also think the narration did little to support the plot, it took the drama and suspense from the film and made it seem a lot less serious. The plot is very dark but the film seemed to have lost that. I enjoyed this film nonetheless for its fine acting and marvelous screenplay.

I liked Rowdy Herrington's movie for several reasons. There's a clever plot which has noirish and occult overtones, but which ultimately settles into the mystery genre (if it has to be allocated any). The scenario adopts a critical, post-OJ attitude towards criminal lawyers; but then there's a nice ironic twist at the end. There's good use of atmospheric (if a little hackneyed) New Orleans and Florida Keys locations. And for once there's an African-American in a leading role (Cuba Gooding Jr), with hardly any comment on it in the movie - apart from Eric Stoltz's unpleasant Southern rich guy referring to him as "boy".

To discuss the plot at all would reduce the fun for anyone who hasn't seen the movie. Yes, it's contrived and implausible, but only as much as you would expect in a movie of this kind. To those IMDb commenters, who didn't like the movie because Gooding's character does some dumb things, I would simply ask - where's the rule that says the main character has to be smart and have good judgment? Someone else has pointed out that the moral of the film is the simple "Honesty is the best policy"; but I think it adds the cynical words "except when you're on a murder rap"!