Um hacker aprende com os misteriosos rebeldes sobre a verdadeira natureza de sua realidade e seu papel na guerra contra seus controladores.Um hacker aprende com os misteriosos rebeldes sobre a verdadeira natureza de sua realidade e seu papel na guerra contra seus controladores.Um hacker aprende com os misteriosos rebeldes sobre a verdadeira natureza de sua realidade e seu papel na guerra contra seus controladores.
- Direção
- Roteiristas
- Artistas
- Ganhou 4 Oscars
- 42 vitórias e 52 indicações no total
Marc Aden Gray
- Choi
- (as Marc Gray)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'The Matrix' is a groundbreaking film that revolutionized science fiction with innovative visual effects and "bullet-time" sequences. It delves into philosophical themes like reality and free will. The film's storytelling, character development, and genre blending are highly influential. Keanu Reeves' performance as Neo is acclaimed, alongside Laurence Fishburne and Carrie-Anne Moss. Its aesthetic and design have significantly impacted cinema. Despite criticisms of sequels and some narrative elements, 'The Matrix' remains a cultural phenomenon, continuing to inspire and provoke thought.
Avaliações em destaque
10DARi0
What if I told you the Matrix is not a Sci-Fi but a Documentary movie?
The story of a reluctant Christ-like protagonist set against a baroque, MTV backdrop, The Matrix is the definitive hybrid of technical wizardry and contextual excellence that should be the benchmark for all sci-fi films to come.
Hollywood has had some problems combining form and matter in the sci-fi genre. There have been a lot of visually stunning works but nobody cared about the hero. (Or nobody simply cared about anything.) There a few, though, which aroused interest and intellect but nobody 'ooh'-ed or 'aah'-ed at the special effects. With The Matrix, both elements are perfectly en sync. Not only did we want to cheer on the heroes to victory, we wanted them to bludgeon the opposition. Not only did we sit in awe as Neo evaded those bullets in limbo-rock fashion, we salivated.
But what makes The Matrix several cuts above the rest of the films in its genre is that there are simply no loopholes. The script, written by the Wachowski brothers is intelligent but carefully not geeky. The kung-fu sequences were deftly shot -- something even Bruce Lee would've been proud of. The photography was breathtaking. (I bet if you had to cut every frame on the reel and had it developed and printed, every single frame would stand on its own.) And the acting? Maybe not the best Keanu Reeves but name me an actor who has box-office appeal but could portray the uneasy and vulnerable protagonist, Neo, to a T the way Reeves did. But, come to think of it, if you pit any actor beside Laurence Fishburne, you're bound to confuse that actor for bad acting. As Morpheus, Mr. Fishburne is simply wicked! Shades of his mentor-role in Higher Learning, nobody exudes that aura of quiet intensity than Mr. Fishburne. His character, battle-scarred but always composed Morpheus, is given an extra dose of mortality (He loves Neo to a fault.) only Mr. Fishburne can flesh out.
People will say what they want to say about how good The Matrix is but the bottomline is this: finally there's a philosophical film that has cut through this generation. My generation. The Wachowski brothers probably scribbled a little P.S. note when they finished the script saying: THINK FOR A MOMENT ABOUT YOUR EXISTENCE. What is the Matrix, you ask? Something that's closer to reality than you think.
Either that or it's my personal choice for best film of all-time.
Hollywood has had some problems combining form and matter in the sci-fi genre. There have been a lot of visually stunning works but nobody cared about the hero. (Or nobody simply cared about anything.) There a few, though, which aroused interest and intellect but nobody 'ooh'-ed or 'aah'-ed at the special effects. With The Matrix, both elements are perfectly en sync. Not only did we want to cheer on the heroes to victory, we wanted them to bludgeon the opposition. Not only did we sit in awe as Neo evaded those bullets in limbo-rock fashion, we salivated.
But what makes The Matrix several cuts above the rest of the films in its genre is that there are simply no loopholes. The script, written by the Wachowski brothers is intelligent but carefully not geeky. The kung-fu sequences were deftly shot -- something even Bruce Lee would've been proud of. The photography was breathtaking. (I bet if you had to cut every frame on the reel and had it developed and printed, every single frame would stand on its own.) And the acting? Maybe not the best Keanu Reeves but name me an actor who has box-office appeal but could portray the uneasy and vulnerable protagonist, Neo, to a T the way Reeves did. But, come to think of it, if you pit any actor beside Laurence Fishburne, you're bound to confuse that actor for bad acting. As Morpheus, Mr. Fishburne is simply wicked! Shades of his mentor-role in Higher Learning, nobody exudes that aura of quiet intensity than Mr. Fishburne. His character, battle-scarred but always composed Morpheus, is given an extra dose of mortality (He loves Neo to a fault.) only Mr. Fishburne can flesh out.
People will say what they want to say about how good The Matrix is but the bottomline is this: finally there's a philosophical film that has cut through this generation. My generation. The Wachowski brothers probably scribbled a little P.S. note when they finished the script saying: THINK FOR A MOMENT ABOUT YOUR EXISTENCE. What is the Matrix, you ask? Something that's closer to reality than you think.
Either that or it's my personal choice for best film of all-time.
10acedj
When this came out, I was living with a roommate. He went out and saw it, came home and said, "Dude, you have to go see The Matrix." So we left and he sat through it a second time. This movie is splendidly done. The mystery about what the Matrix is, unravels and you see a dystopian future unlike any we as a race would want. I have watched this over and over and never tire of it. Everyone does a great job acting in this, the special effects are above par and the story is engaging.
The first 45 minutes of this film had me very excited. It is so rare that I will go to the theater and be presented with something which is both original and intelligent. It managed to hang in there throughout, though the ending was too formulaic. In addition, the voice-over at the very end reminded me of the final scene in Saving Private Ryan. It almost ruins a fantastic film.
The only other objection I can come up with is that the you must know, you must be type philosophy being handed out was just a tad hokey. I must pleasantly admit though, since I don't get to admit this very often, that The Matrix is worth seeing despite these things.
The visuals are extremely impressive, particularly the "white room," the baby harvester, the training scene with the "red woman," the Reeves interrogation scene... I have to agree with some of the previous comments that the plot idea won't seem overly original to a fan of Philip K Dick, but then what is original after you've read him? The Matrix has more original things to say than two months worth of standard Hollywood fare. I have a great deal of respect for a film which will have someone say "they're turning humans into this" and hold up a battery. A plot which looks at man as machine will get a thumbs up from me just for trying.
I feel some hope for the future of movie-making in America to be able to recommend this film.
The only other objection I can come up with is that the you must know, you must be type philosophy being handed out was just a tad hokey. I must pleasantly admit though, since I don't get to admit this very often, that The Matrix is worth seeing despite these things.
The visuals are extremely impressive, particularly the "white room," the baby harvester, the training scene with the "red woman," the Reeves interrogation scene... I have to agree with some of the previous comments that the plot idea won't seem overly original to a fan of Philip K Dick, but then what is original after you've read him? The Matrix has more original things to say than two months worth of standard Hollywood fare. I have a great deal of respect for a film which will have someone say "they're turning humans into this" and hold up a battery. A plot which looks at man as machine will get a thumbs up from me just for trying.
I feel some hope for the future of movie-making in America to be able to recommend this film.
100U
The film is as well crafted as the matrix itself! On another level entirely to any other science fiction film from the last 20 years . Getting lost in another world, is interly what Cinema is made for. This one takes you into a whole new universe interly .
Você sabia?
- CuriosidadesThe opening action scene took six months of training and four days to shoot.
- Erros de gravaçãoWhen Neo opens fire from the helicopter, and the glass begins to break, none of the three agents is visible (though they should be) and the chair in which Morpheus should be sitting can be seen to be empty.
- Cenas durante ou pós-créditosAt the end of all the credits, the URL for the (now defunct) website of the film is given, www.whatisthematrix.com, along with a password, 'steak'. There's a 'secret' link on the page that requests a password.
- Versões alternativasBecause 'The Matrix' was filmed in Australia the Region 4 (Australia) DVD release includes a more comprehensive Australian based list of credits.
- ConexõesEdited into The Matrix: Path of Neo (2005)
- Trilhas sonorasDissolved Girl
Written by Robert Del Naja, Grant Marshall (as Grantley Marshall), Andrew Vowles (as Andrew Vowles),
Sara J., and Matt Schwartz
Performed by Massive Attack
Courtesy of Virgin Records LTD.
By Arrangement with Virgin Records America, Inc.
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The Matrix
- Locações de filme
- Nashville, Tennessee, EUA(exterior scenes: skyline in opening Trinity rooftop chase)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 63.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 172.076.928
- Fim de semana de estreia nos EUA e Canadá
- US$ 27.788.331
- 4 de abr. de 1999
- Faturamento bruto mundial
- US$ 467.841.735
- Tempo de duração
- 2 h 16 min(136 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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