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5,3/10
364
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaInterviews and documentary footage combine with the story of an air-force pilot who encounters aliens.Interviews and documentary footage combine with the story of an air-force pilot who encounters aliens.Interviews and documentary footage combine with the story of an air-force pilot who encounters aliens.
Willis Sperry
- Self
- (as Captain Willis Sperry)
John Samford
- Self
- (cenas de arquivo)
- (as Dr. John A. Sandford)
Olan Soule
- Narrator
- (narração)
Avaliações em destaque
Trivia question for sci-fi fans: name the 1956 film that featured the talents of Les Tremayne (the general in `War of the Worlds' and the opening narrator of `Forbidden Planet'), Marvin Miller (the voice of Robby the Robot in `Forbidden Planet'), Olan Soule (who had a supporting role in `The Day the Earth Stood Still' and `Captain Midnight'), and Harry Morgan (Colonel Porter of `M.A.S.H.'). Here's a hint: Harry Morgan plays an Air Force pilot whose plane is surrounded by six flying saucers above the Washington, D.C. If all this sounds too good to be true, take a peak at this drama-documentary, based on the experiences of Al Chop, a reporter who served as press liaison for the Pentagon during its investigation of UFO's from 1947 to the early 1950s. Miller, Soule, and Tremayne provide the voices for the narrated portions of the film. Although the movie contains only two brief film clips to serve as photographic evidence of UFO's, the producers build a good case based on the credibility of certain UFO witnesses (airline pilots, military personnel, radar operators, etc.). On a more subtle level, director Winston Jones pulls off a clever trick; he begins the film as a pure documentary, but he gradually modifies this approach and focuses on reporter Al Chop's personal involvement in the UFO investigation. Chop slowly changes from UFO skeptic to UFO believer (and so will you). The climax is a gripping reenactment of a true incident which occurred in 1950, when a group of UFO's cruised above Washington DC for several hours. The voice of Harry Morgan is heard over the radio as an Air Force pilot whose plane is literally surrounded by UFO's, during which Al Chop and a group of bewildered military men cluster around the radar scope, watching in wide-eyed wonder. Dramatically speaking, this scene is far superior to its counterpart in `Close Encounters of the Third Kind'. The most amazing thing about this film is the fact that it was made with the full cooperation of the United States government, and every scrap of evidence it presents was made available to any and all scientific agency who wanted to examine it. Watch it and make up your own mind about UFO's -- but you'll loose some sleep over it before you do. Note: Some reviews mistakenly identify the star of `Unidentified Flying Objects' as Tom Powers, a co-star of `Destination Moon' (1950). The star of `UFO' is actually a Los Angles newspaper reporter (not a professional actor) named Tom Powers, who portrays the real-life reporter Al Chop.
This documentary features, among several incidents, the re-enactment of the 1950's flying saucer encounters over Washington DC and recordings from the Mantell crash. Very scary stuff at the time. I saw this on television when I was around 10 years old. It gave me quite a few sleepless nights thereafter. My father, who was a radar expert with the Army at the time, confirmed to me that everyone in the Signal Corps was well aware of the Washington incident. Further, he described to me their "hunting" UFO's with radar in the White Sands, New Mexico desert. He was there frequently in the 1950's. They were launching captured German V-2 rockets, doing above-ground A bomb tests, sending men into the stratosphere with ballons. THERE CERTAINLY WERE ALL KINDS OF WIERD STUFF GOING ON WITH THE ARMY IN THE SOUTHWEST DESERT. To me, at age 10, this seemed to be proof that the flying saucers were real. I spent much of my teenage years searching for the truth - What were the UFO's? Why were they here? As an adult, I've finally accepted that the aliens are NOT here, no Roswell crash, no attack on DC, no death ray shot at Mantell. I sometimes wonder WHY they're not here. In the 1950's and 60's, flying saucers were not the silly stuff of abductions and other talk show nonsense. No, in the 50's and 60's the military feared that there really was something beyond our own technology in the skys. I guess that our more mudane modern reality disappoints me. I recently captured this movie on tape. I had not seen it in 40 years. The production was certainly made on a shoestring. Still, the DC incident is gripping. It captures beautifully an important chapter in our history. one characterized by cold war paranoia, fear, but also a sense wonder and mystery. I miss it.
This is a One of Kind Documentary (with a dramatization thread) using Non-Actors and Real-Life Flying Saucer Stories from the Late Forties and Early Fifties. It is a Matter-of-Fact Investigatory Film and doesn't even Try to be Entertaining. It just lays out the Facts and Presents the Phenomenon as it Occurred.
Ufologists of Today can have a "gold mine" of a Time going Back in Time to get a Glimpse of what the First Wave of Sightings Looked Like. Nothing is Embellished or Sensationalized. It is Dry and not Distilled. It is Bare Bones and brought to You as Unfettered and Untainted as Possible.
It Capsulized the Early Days of the Flying Saucer Flap and Touches Upon the Mantel Crash, the Two-Time Fly-Over of Washington D.C. in 1952 and Screens the Montana and Utah Amateur Movie Footage in Detail, Slow Motion, and Close Up at the end of the Movie. It also includes the General Stanton Press Conference Highlights. There are Multiple Interviews with Pilots and other Professional Observers.
These are All still with Investigators Today and have Never been Explained. It is a Fascinating Time Capsule. An Historical Expose and a Commendable Effort to Make Sense of the Situation when No One could Then or Even Now make any Sense of it. There is just too much Evidence ("credible people reporting incredible things") to Ignore, yet Not Enough Evidence to make a Conclusive Explanation.
For the Non-Ufologist and Casual Inquisitor of the Subject this may be much too Academic to set through as Entertainment, but as an Educational Tool it still Holds Up quite well and is an indispensable Artifact of its Time and has Importance to this Day.
Highly Recommended for Ufologists and Mainstream Historians, Educators and Skeptics.
Ufologists of Today can have a "gold mine" of a Time going Back in Time to get a Glimpse of what the First Wave of Sightings Looked Like. Nothing is Embellished or Sensationalized. It is Dry and not Distilled. It is Bare Bones and brought to You as Unfettered and Untainted as Possible.
It Capsulized the Early Days of the Flying Saucer Flap and Touches Upon the Mantel Crash, the Two-Time Fly-Over of Washington D.C. in 1952 and Screens the Montana and Utah Amateur Movie Footage in Detail, Slow Motion, and Close Up at the end of the Movie. It also includes the General Stanton Press Conference Highlights. There are Multiple Interviews with Pilots and other Professional Observers.
These are All still with Investigators Today and have Never been Explained. It is a Fascinating Time Capsule. An Historical Expose and a Commendable Effort to Make Sense of the Situation when No One could Then or Even Now make any Sense of it. There is just too much Evidence ("credible people reporting incredible things") to Ignore, yet Not Enough Evidence to make a Conclusive Explanation.
For the Non-Ufologist and Casual Inquisitor of the Subject this may be much too Academic to set through as Entertainment, but as an Educational Tool it still Holds Up quite well and is an indispensable Artifact of its Time and has Importance to this Day.
Highly Recommended for Ufologists and Mainstream Historians, Educators and Skeptics.
Interviews, footage, and recreations are combined to make the case for U.F.O.s being real, sentiently guided and likely of extra-terrestrial origin. The film is very dated and only covers the first six years of U.F.O. encounters in the US, starting with the 1947 Kenneth Arnold sighting and closing with the famous appearance of multiple mysterious flying objects over Washington, DC in 1952. The few interview and footage sequences are bridged by recreations of US Air Force press officer Albert Chop's (Tom Towers) examinations of various sightings. Real footage of the Montana and Utah sightings is shown (and examined frame by frame in the epilogue) but, after 90 minutes of portentous setup, the brief, grainy images are anticlimactic. More interesting than the U.F.O.s themselves are the reactions of the public and responses of the government (including President Harry Truman) who were genuinely concerned (although at the dawn of the cold war, the fears were as much about foreign powers as about malevolent aliens). Overall, 'Unidentified Flying Objects: The True Story of Flying Saucers' is tedious (especially the endless monotonal narration by Olan Soule) but at least is more sincere and less sensationalistic than later entries in the 'U.F.O.s are real!' genre (notably, there are no 'recreations' of saucers or aliens, just of human observers and analysts). To be fair to the film and its makers, it should be 'seen' through 1950 eyes, not 2020 eyes: more than 60 years have passed since the Arnold sighting and the entry of the term 'flying saucer' into popular culture, but despite the off-and-on hype, nothing has ever come of the claims that extra-terrestrial intelligences are visiting our skies other than a lot of great (and not-so-great) movies and TV shows, a few amusing songs, some celebrities making fools of themselves, and the memorable debut episode of 'South Park' (but, just in case, "Keep watching the skies!").
Fascinating documentary on UFOs made just shy of a decade after the first flying saucer sighting by Kenneth Arnold. The age of this and its matter-of-fact approach is what makes it so interesting. I've seen countless documentaries and television programs on UFOs. They are a staple of cable and satellite television these days. This stands as one of the best I've seen. It's just a lot of fun to watch and compare to the docs made about the subject today. It's interesting how some things have changed and others haven't, even after half a century. The presentation of facts, as well as the dramatic reenactments, are a little dry by today's standards. But keep in mind that the intention here was to handle the subject matter like a serious news story, which is kind of refreshing. Unlike most approaches to the subject today, it tries to stay unbiased and just report the cases of UFO phenomena without leading the viewer to a specific conclusion. The approach is to put the evidence forth and let the audience make up their own minds about it. This will probably be pretty shocking to those used to being spoon-fed their opinions by comedians and pundits.
Você sabia?
- CuriosidadesAl Chop refers to his son as "Chip." This would make his son Chip Chop.
- Erros de gravaçãoThe July 1, 1952 issue of Look magazine did not have Eisenhower on the cover as depicted, but a group of six pictures. One was of an Air Force fighter plane with the same blurb as the film's magazine: 'Flying Saucers - The Hunt Goes On'.
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- U.F.O.: The True Story of Flying Saucers
- Locações de filme
- Newark, Nova Jersey, EUA(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
- 1.37 : 1
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