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IMDbPro

Un'ombra nell'ombra

  • 1979
  • 1 h 46 min
AVALIAÇÃO DA IMDb
4,6/10
446
SUA AVALIAÇÃO
Lara Wendel, Valentina Cortese, and Anne Heywood in Un'ombra nell'ombra (1979)
Horror

Adicionar um enredo no seu idiomaFour women make a pact with the Devil. The 13-year-old daughter of one of them has begun to shown signs of a dark nature which causes preoccupation and somewhat regret on her mother.Four women make a pact with the Devil. The 13-year-old daughter of one of them has begun to shown signs of a dark nature which causes preoccupation and somewhat regret on her mother.Four women make a pact with the Devil. The 13-year-old daughter of one of them has begun to shown signs of a dark nature which causes preoccupation and somewhat regret on her mother.

  • Direção
    • Pier Carpi
  • Roteirista
    • Pier Carpi
  • Artistas
    • Anne Heywood
    • Valentina Cortese
    • Frank Finlay
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    4,6/10
    446
    SUA AVALIAÇÃO
    • Direção
      • Pier Carpi
    • Roteirista
      • Pier Carpi
    • Artistas
      • Anne Heywood
      • Valentina Cortese
      • Frank Finlay
    • 13Avaliações de usuários
    • 10Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos23

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    Elenco principal23

    Editar
    Anne Heywood
    Anne Heywood
    • Carlotta Rhodes
    Valentina Cortese
    Valentina Cortese
    • Elena Merrill
    Frank Finlay
    Frank Finlay
    • Paul
    John Phillip Law
    John Phillip Law
    • Exorcist
    Marisa Mell
    Marisa Mell
    • Agatha
    Irene Papas
    Irene Papas
    • Raffaella
    Paola Tedesco
    Paola Tedesco
    • Anna Merrill
    Lara Wendel
    Lara Wendel
    • Daria Rhodes
    Ian Bannen
    Ian Bannen
    • The Professor
    Ezio Miani
    • Lucifer
    Carmen Russo
    Carmen Russo
    West Buchanan
    • Peter Rhodes
    Marina Daunia
    • Prostitute
    • (as Marina D'Aunia)
    Patrizia Webley
    • Prostitute
    Sofia Dionisio
    Sofia Dionisio
    Mark Jeremy Stross
    Sonia Viviani
    Michel Barnes
    • Direção
      • Pier Carpi
    • Roteirista
      • Pier Carpi
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários13

    4,6446
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    Avaliações em destaque

    1planktonrules

    Dull and amateurish.

    I read in the IMDb trivia that this film originally was meant as a knockoff of "The Exorcist" and it was re-edited in order, apparently, to avoid legal difficulties. However, in its final form it bears little similarity to "The Exorcist"...or a movie! Instead, it all seems very randomly edited and pointless. And, occasionally, nudity is tossed into the mix but it manages to be very unsexy and even rather silly.

    The film begins with a hilariously bad choreographed dance scene that looks like it belongs in the John Travolta film "Staying Alive". Then, abruptly, the film switches to an annoying child (Daria) and her mother. It seems that years before the mother was part of a coven and now Daria is becoming a nasty little demonic child. Why? Who knows. All I know is that the actress acted really nasty through much of the film until she ultimately tore off all her clothes at the end--which is very disturbing since she was a pubescent girl--and too young legally to do such explicit stuff in the States. Perhaps Italian laws were more liberal. But this part, if it's possible, makes even LESS sense than the rest of the film and it ends.

    To say that the film made little sense, was completely amateurish and was stupid would probably be a major understatement. The film is without merit--heck, even the nudity is pretty dull (except for those hoping to see some not-yet legal nudity). A despicable and dumb film with nothing to recommend it. Even for camp value it's pretty worthless.
    4Bezenby

    "You mean having a child with Satan has it's negative aspects?"

    Eh, better just ignore or try not to think about Lara Wendel's date of birth when it comes to this film, which is labelled as an Exorcist rip-off but strikes me more like an Omen rip-off.

    I'm not one to look down on people, but when you join up for a Satanic cult that involves a choreographed disco session followed by group sex with the Dark Lord himself, isn't it a bit naive to feel put out when the spawn of such a union turns out to have evil tendencies? What did they expect to happen?

    Mother Anne Heywood is concerned that her daughter Lara Wendell is getting a bit lippy and argumentative and a bit too wise in the ways of Satanic rituals that no one's ever told her about, so she goes to see her three mates who also seemingly set up carnal relationships with Lucifer without thinking of the consequences. They also do this kind of South Central LA gang hand signal to each other which was pretty funny. Each of them regrets doing the nasty with the Anti-christ, including Irene Papas who has turned to prostitution to meet men, but fails every single time as Satan shows up scowling disapprovingly every time she's about to get busy. Not the best career choice. Get this though - even though they're all going on about how their children are acting up and being devilly, they still attend these black masses. Where's the commitment?

    I'm not quite sure what he had to do with it all, but Ian Bannen shows up to put the moves on Anne Heywood while spouting garbage about 'the black and the light' but he pretty much high tails it once Satan shows up to stop anyone having any fun. While Lara somehow arranges the death of her stepfather (that big goofy looking guy from Cosmos: War of the Planets), Anne tries to stop her going full evil by asking high Priestess Mellisa Mel to get involved.

    I know - it's confusing. Surely the intention of the coven or sect or whatever would be do to Lucifer's bidding and bring down society, so why are they getting all arsey when the kids start acting up, stealing dolls, rejecting dolls that are bought, burying finger nails, shouting and throwing stuff around, and killing their classmates for getting fresh? Were they just into it for the long cloaks and the dance sequences?

    John Philip Law is brought in as a priest who does some dodgy acting at one point. Lara Wendell gets naked a lot which is quite disturbing due to her age and even has a nude Satan fight with her mum at the end. The whole things lacks gore and even scares, but is so bizarre and non-sensical in every way I couldn't help wonder what they were aiming for.
    7HumanoidOfFlesh

    Naked mother versus naked daughter.

    "Ring of Darkness" is a pretty controversial Italian horror movie due to Lara Wendel's underage nudity.Lara Wendel starred in 1977 in scandalous "Maladolescenza",so during shooting of Pier Carpi's movie she was no more than thirteen year old.This sleazy Italian "The Exorcist" clone features plenty of full-frontal nudity provided by Carmen Russo,Marisa Mell,Sofia Dionisio,Dirce Funari and Sonia Viviani.There are some memorable scenes in "Ring of Darkness" including the coven rituals,Marisa Mell confronting Lara Wendel,the exorcism and the nude mother-daughter fight.The women defy Lucifer and that's why Lara Wendel's character becomes aggressive and murderous.Satan is using her as his instrument to get revenge on the brides that have betrayed him.7 out of 10.
    Michael_Elliott

    Satan's Wife

    Satan's Wife (1979)

    * 1/2 (out of 4)

    If it's from Italy and features "Satan" or "devil" in the title then you know it must be a rip-off of THE EXORCIST or ROSEMARY'S BABY but here we're in for a treat as this one rips both of those classics. A mother (Anne Heywood) begins to notice something wrong with her teen daughter (Lara Wendel) and sure enough Lucifer (Ezio Miani) is after the young one. Turns out that mommy and two of her friends made a deal with the evil red one years earlier and now he's taking it out on their children but a priest (John Phillip Law) agrees to try and defeat him. I'm really not sure what the point of this film was as it goes off in several directions and in the end it never really seems to know what it wants to do. Apparently this thing sat on the shelf for two years before getting released and you'll see why when you sit through it. The biggest problem is that the film starts off with your typical possession stuff but it does very little with it. There's non-stop nudity to add into the sleaze factor but there's very little else in terms of entertainment. The possession stuff is all mild, any back story is boring and it doesn't help that the film jumps around from one character to another. The cast will feature some familiar faces including previous Oscar-nominees Ian Bannen, Valentina Cortese and Frank Finlay. Wendel will probably be best remembered for a memorable death scene in Argento's TENEBRE but her performance here is pretty weak. The incredibly bad dialogue doesn't help matters nor does her nude scenes and if the DOB on the IMDb is correct then many will want to avoid this film at all costs. Heywood doesn't do any better as she's all over the place and looks confused at what she should do in a film like this. Cult favorite John Phillip Law doesn't get that good of a role either so he's wasted as well. THE EXORCIST-rip should be a genre onto its own as we have dozens and dozens of films that would fall into it but this one here is certainly one of the lesser entries. The film does start off with a near musical number that will have your eyes coming through your skull but things go downhill from there. There's enough nudity that might make Euro-sleaze folks tune in but it's not enough to keep the film moving.
    5kevin_robbins

    Satan's Wife is worth watching only if you're looking for something different, but it doesn't stand out in the genre.

    I recently watched the Italian film 🇮🇹 Satan's Wife (1979) on Tubi. The storyline follows a group of young women involved in a cult. Years later, one of them has a daughter who seems to possess unique powers and a connection to Satan. As the child grows more ruthless, the mother realizes she may be the only one who can stop her.

    This film is written and directed by Pier Carpi (Povero Cristo) and stars Anne Heywood (The Fox), Valentina Cortese (The Barefoot Contessa), Frank Finlay (Lifeforce), and John Phillip Law (Barbarella).

    The movie is hit or miss. The cult scenes, opening séance, and the blend of dance and nudity in the ritual sequences are intriguing. However, the child acting is just okay. After the opening, the horror elements are minimal, relying mostly on eerie shots of the child committing heinous acts, which isn't enough to carry the film. The cinematography feels dated and is serviceable at best. The ending is also awkward, as certain scenes with the child feel unsettling in a way that doesn't entirely work.

    In conclusion, Satan's Wife is worth watching only if you're looking for something different, but it doesn't stand out in the genre. I'd score it a 5/10.

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    • Curiosidades
      When interviewed on set in 1977, director Pier Carpi angrily denied that his screenplay was inspired by O Exorcista (1973) and pointed out to the interviewer that he merely adapted his own novel "Un ombra nell'ombra" which he claimed to have written in the sixties but which, in fact, was published first in 1974. However, it is assumed that Carpi's original cut of the movie was considered too much unlike "The Exorcist" by the producers who thus ordered extensive re-cutting and re-shoots.
    • Conexões
      Referenced in O Terror da Serra Elétrica (1982)

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    • How long is Ring of Darkness?
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    Detalhes

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    • Data de lançamento
      • 29 de outubro de 1979 (Itália)
    • País de origem
      • Itália
    • Idioma
      • Italiano
    • Também conhecido como
      • Ring of Darkness
    • Empresas de produção
      • Aretusa Film
      • Rassy Film
      • Tanit Film
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 46 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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    Lara Wendel, Valentina Cortese, and Anne Heywood in Un'ombra nell'ombra (1979)
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