Uma matilha de Rottweilers, criada e treinada pelos militares americanos para matar humanos, escapou para devastar a pacata cidade de montanha do Lago Lure. Cabe ao xerife local proteger sua... Ler tudoUma matilha de Rottweilers, criada e treinada pelos militares americanos para matar humanos, escapou para devastar a pacata cidade de montanha do Lago Lure. Cabe ao xerife local proteger sua pequena comunidade.Uma matilha de Rottweilers, criada e treinada pelos militares americanos para matar humanos, escapou para devastar a pacata cidade de montanha do Lago Lure. Cabe ao xerife local proteger sua pequena comunidade.
Elijah Perry
- Carl Dunnigan
- (as Jerry Rushing)
Avaliações em destaque
This movie is so stupid. I went through a lot to try to find this movie. I only could rent it anyway. Maybe it was just for rental because it was too bad enough to keep on the market for people to buy. You could not even see the dogs killing people as if they would switch the camera every minute. Being a horror movie genre fan, you would think the title had a good significance as to why I would want to see this movie really bad. I wonder are there any other killer dog movies that beat this one.
DOGS OF HELL is about a top secret military project involving the killer canines of the title. These ruthless Rottweilers have surgical implants, making them ferocious fuzzballs of doom.
Oh no!
They're accidentally unleashed upon an unsuspecting populace!
Starring intergalactic omni-star, Earl Owensby as Sheriff Hank Willis, this is another low-low-budget schlocker from the 1980's. As such, it must hold some sort of record, considering that every character in it is an annoying idiot. Ranging from squeaky dweebs, to yowling yahoos, the denizens of the fictional town are all equally insufferable!
Thankfully, many of them end up as dog chow.
Of particular interest are the "wilderness photoshoot gone awry" and the obligatory "mud wrestling" sequences.
Ludicrous to the extreme, this could / should have been a masterwork of slack-jawed insanity. Unfortunately, it loses points for its long stretches of trance-inducing dullness. To be fair, it's almost saved by the southern-fried, musical soundtrack, bringing to mind a sort of Lynyrd Skynyrd / Hee Haw hybrid.
The perfect movie for de-wrinkling one's brain...
Oh no!
They're accidentally unleashed upon an unsuspecting populace!
Starring intergalactic omni-star, Earl Owensby as Sheriff Hank Willis, this is another low-low-budget schlocker from the 1980's. As such, it must hold some sort of record, considering that every character in it is an annoying idiot. Ranging from squeaky dweebs, to yowling yahoos, the denizens of the fictional town are all equally insufferable!
Thankfully, many of them end up as dog chow.
Of particular interest are the "wilderness photoshoot gone awry" and the obligatory "mud wrestling" sequences.
Ludicrous to the extreme, this could / should have been a masterwork of slack-jawed insanity. Unfortunately, it loses points for its long stretches of trance-inducing dullness. To be fair, it's almost saved by the southern-fried, musical soundtrack, bringing to mind a sort of Lynyrd Skynyrd / Hee Haw hybrid.
The perfect movie for de-wrinkling one's brain...
This film must be seen in the original widescreen 3-D process; as the excellent use of stereoscopic space is its only virtue. If you like cheesy horror flicks, you'll likely appreciate it a bit more. Earl is no actor, but he's fun in this silly little movie.
After seeing COMIN' AT YA! rake in the cash in 1981, Earl got the idea (as did many a producer at the time) that 3-D would bring attention to his low budget southern flicks and decided to shoot everything that way! This was the first of SIX 3-D movies made by Earl Owensby in the 1980's. The others were TALES OF THE THIRD DIMENSION, CHAIN GANG, HIT THE ROAD RUNNING, HYPERSPACE, and HOT HEIR (aka GREAT BALLOON CHASE).
After seeing COMIN' AT YA! rake in the cash in 1981, Earl got the idea (as did many a producer at the time) that 3-D would bring attention to his low budget southern flicks and decided to shoot everything that way! This was the first of SIX 3-D movies made by Earl Owensby in the 1980's. The others were TALES OF THE THIRD DIMENSION, CHAIN GANG, HIT THE ROAD RUNNING, HYPERSPACE, and HOT HEIR (aka GREAT BALLOON CHASE).
An unbelievably bad effort by independent producer Earl Owensby, not just for the fact it rips off "The Pack" and "Dogs". It's unbelievable in its ineptness, starting with photography so poor (especially during the night sequences) that the movie looks like it was shot in 8 MM. The attack sequences are very lazy - mostly we just HEAR the attacks instead of seeing them, and when we DO see them, it's only for a split second. We do see the aftermath of the attacks, though the poor makeup jobs aren't any compensation. The main problem with the movie is that it's simply BORING for the most part, devoting most of the running time to showing these country folk talking to each other and going around the area. I can't see ANY reason why this could be of interest to anyone, even if someone happened to star or work on the movie. If you want to see a killer dog movie, see "The Pack". Heck, even see "Dogs" over this; though it's not very good, it's a masterpiece next to "Dogs Of Hell"!
Independent star / producer Earl Owensby 3D fable "Rottweiler: Dogs from Hell" is a trashy, but mildly fun cheap-jack little animals run amok horror enterprise. I saw this one when I was only a kid and certain scenes had stayed in my head. I couldn't remember the title, where I only found it out recently. Came across a copy and when watching it the memories came flooding back. Don't remember it being as dodgy as it was, but it remained diverting enough.
A pack of Rottweilers are trained by the military for warfare, but these vicious killing machines are accidentally released within a small mountain community when the truck they are in crashes. Soon bodies start piling up and it's up to sheriff Hank Willis (Owensby) to put an end to this carnage.
Outside this systematic set-up (that has shades of "Jaws"); there are the small-town dramas to give it that genuine sense of community. Such distractions as angst teenagers (father and son issues), catfish talk, reflective time and women mud wrestling these kinds of things feel like nothing more than filler. There's too much of it. When it came to the dog attacks, it's rather sloppy or off-screen with crude blood effects being splashed about. However when Owensby uses his magnum on the dogs; we are treated with graphic head imploding shots. There were one or two effectively minor intense set-pieces that spring out some calculative tension. Also we get plenty of POV shots from the dogs, as well growling which sounds more like someone's stomach is churning behind the camera maybe that's where the panting arrived from too. Nonetheless is didn't sound as bad the daggy music score with its weepy piano pieces which always felt it was going to cut to a sequence of someone playing a piano. It was just that odd in its placement. The performances are pretty much one-note, but Owensby equips himself quite well despite the script coming off as blunt and clumsy. Low-grade shoddiness, but sort of entertaining in that.
A pack of Rottweilers are trained by the military for warfare, but these vicious killing machines are accidentally released within a small mountain community when the truck they are in crashes. Soon bodies start piling up and it's up to sheriff Hank Willis (Owensby) to put an end to this carnage.
Outside this systematic set-up (that has shades of "Jaws"); there are the small-town dramas to give it that genuine sense of community. Such distractions as angst teenagers (father and son issues), catfish talk, reflective time and women mud wrestling these kinds of things feel like nothing more than filler. There's too much of it. When it came to the dog attacks, it's rather sloppy or off-screen with crude blood effects being splashed about. However when Owensby uses his magnum on the dogs; we are treated with graphic head imploding shots. There were one or two effectively minor intense set-pieces that spring out some calculative tension. Also we get plenty of POV shots from the dogs, as well growling which sounds more like someone's stomach is churning behind the camera maybe that's where the panting arrived from too. Nonetheless is didn't sound as bad the daggy music score with its weepy piano pieces which always felt it was going to cut to a sequence of someone playing a piano. It was just that odd in its placement. The performances are pretty much one-note, but Owensby equips himself quite well despite the script coming off as blunt and clumsy. Low-grade shoddiness, but sort of entertaining in that.
Você sabia?
- CuriosidadesFirst of six 3D movies from producer Earl Owensby made during the early to mid-1980s. This 3D picture had a much wider theatrical release in cinemas compared to the later ones which included 'Hot Heir' (1984), 'Chain Gang' (1984), 'Hyperspace' (1984), 'Hit the Road Running' (1987) and 'Tales of the Third Dimension' (1984).
- ConexõesFeatured in Earl Owensby, the Man... the Myth (1997)
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- How long is Dogs of Hell?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Rottweiler
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 29 min(89 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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