Em seu primeiro dia trabalhando como agente de narcóticos, um policial novato acaba com um detetive incomum que não é o que parece.Em seu primeiro dia trabalhando como agente de narcóticos, um policial novato acaba com um detetive incomum que não é o que parece.Em seu primeiro dia trabalhando como agente de narcóticos, um policial novato acaba com um detetive incomum que não é o que parece.
- Ganhou 1 Oscar
- 18 vitórias e 23 indicações no total
- Sara
- (as Eva Mendez)
- Mark
- (as Jaime P. Gomez)
- Moreno
- (as Noel Guglielmi)
- Letty
- (as Samantha Becker)
Avaliações em destaque
The acting by both leads is amazing. Honestly, for everyone in this. Denzel steals the show, but Ethan still really makes a mark. This is immensely gritty, with many honest looks at what happens in the bad neighborhoods of LA, as told by a screenwriter and director who actually lived there. The authenticity is a huge part of why this is so compelling. With a few exceptions, you really feel like this could happen(there are things that are not very credible. Others have already detailed them, I don't really have anything to add), and it really provokes a discussion of police brutality. Despite an episodic nature, every scene has a distinct purpose in the overall narrative, although for a number of them, you won't realise what it is until later.
This contains a lot of strong language, some brutal violence, and a little nudity. I recommend it to everyone who can stomach the contents. 8/10
I hate to break the news to you guys but cops like Alonzo ARE OUT THERE and need to be acknowledged. Acting like the problem doesn't exist does not solve it. You don't have to go that deep to know that Alonzo was once a good cop who just got fed up w/ 'police procedures.' If you acknowledge that Jake's shallow-mindedness at the beginning of the film only allows him to look at the perks of making detective and how the progress of the day transforms him, you can really appreciate Ethan's portrayal of him. Let's face it, a bad day at the office when you're a narcotics detective differs greatly from that of an office executive and the different stresses can warrant different results.
Even the street rhetoric was authentic. Maybe you guys need to get out of the 'burbs more. You guys didn't actually expect eloquent dialogue with little or no profanity, did you? The only part of this movie I struggle with is Dr. Dre's terrible overacting and that isn't nearly enough to take away from the overall result.
Next time you guys bash a movie, make sure to try to be objective and rate what you see and not what you're used to seeing!!
Você sabia?
- CuriosidadesDenzel Washington has frequently said that Detective Alonzo Harris is his favorite character that he's played. He was at first hesitant to take on the role, but one of his sons had read the screenplay and recommended that he accept. Since Washington won an Oscar for the role, he has since always accepted every part that his son advised him to take.
- Erros de gravaçãoAfter stealing Sandman's money, three bullets are fired through the back window of the Monte Carlo as Jake and Alonzo drive off. At the angle they were fired, all three bullets would have exited the car through the windshield or would be driven through the driver and/or passenger seats, yet all three bullets magically disappear without striking anything once they go through the back window.
- Citações
Alonzo Harris: [to the residents of The Jungle] Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me.
- Cenas durante ou pós-créditosThere are no opening credits after the title is shown.
- Trilhas sonorasCry Freedom
Written by Franky Perez
Performed by Franky Perez
Courtesy of Lava/Atlantic Recording Corp.
By Arrangement with Warner Special Products
Principais escolhas
- How long is Training Day?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Día de entrenamiento
- Locações de filme
- 1031 Everett St, Los Angeles, Califórnia, EUA(Rogers' house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 45.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 76.631.907
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.550.788
- 7 de out. de 2001
- Faturamento bruto mundial
- US$ 104.876.233
- Tempo de duração2 horas 2 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1