K-9 and Company

I rather enjoyed this pilot episode of this proposed "Doctor Who" spinoff series. Too bad the BBC didn't pick it up as a series because I think it showed promise.

If one can get past the jarring credit sequence and theme tune(a guilty pleasure of mine, I must confess!)this is a fun special updating us on what's happened to our beloved Sarah Jane Smith(Elizabeth Sladen) since she left the fourth Doctor at the end of 'The Hand Of Fear'.

She has gotten on with her life, and is visiting her aunt's home at Christmastime, when she gets involved in a witch cult of all things, but the unexpected discovery of a forgotten crate(a gift from the Doctor) brings welcome help in the form of K-9 Mark III(voiced by John Leeson), the lovable robotic dog from the series, which arrived in the Tardis after Sarah's time.

The only official spin-off from the classic series is most enjoyable!

John Nathan-Turner's time as producer of Dr Who (1980-9) was a frightful mess. Clearly out of his depth, his period at the helm was characterised largely by thrashing around with gimmicks to compensate for small budgets, miscasting, poor scripting and uncertainties of tone, whose accumulation had begun during Graham William's tenure, but which accelerated dramatically from Nathan-Turner's first season (season 18) onwards.

One problem that Nathan-Turner faced was that the audience was ageing, and sci-fi nerds were beginning to define the show to the detriment of its universal qualities. It was therefore potentially a shrewd move to develop the one-off TV movie K9 and Company, coupling Dr Who's favourite companion, Sarah Jane, who still lingered in the memory, with his most asinine, for younger viewers. If this reached fruition as a series, maybe a new younger audience could be cultivated?

Of course, he muffed it. The filming does not appear to have been a happy experience, at least for Elisabeth Sladen, according to her memoirs. But the appalling script, the embarrassing public school nephew Brendan, the weedy attacker Peter, a goodly set of well-known character actors reduced to oo-arrr dialogue, and a set of unintentionally comic pagans all combine to kill it anyway. The wonderful support actress Mary Wimbush is particularly wasted. The execrable title sequence is a microcosm of the failure of the whole enterprise.

Lots of people watched it; I was one of them. I wanted to love it, especially as it came shortly after the very disappointing season 18. I hated it. I assumed I was just growing too big for Dr Who, but, now we can watch these shows again on DVD, it is clear that Dr Who was leaving its audience, not the other way round.

So K9 was written out of Doctor Who and with the furore from the fans and the media, the producers gave him a spin off show and teamed him with Sarah Jane Smith.

It seems not much attention was paid as to who this series was aimed at. It looks like there was no type of focus group evaluation, it was just quickly green-lit into production.

The final result, a mish mash of ideas that forgot K9 was popular with kids. Therefore a witches coven story line that harks back to Pertwee era Doctor Who might not be the wisest of moves.

For years K9 & Company stuck out like a sore thumb in the Doctor Who canon. Almost a quarter of century later, Russell T Davies effectively tried a second pilot, pushing Sarah Jane to the forefront, surrounding her with some kids and K9 pushed to the background. Even the Doctor turned up a few times.

In essence this pilot provided a bridge to the Sarah Jane Adventures.

Most of the other reviewers here can't seem to get past the theme song--yeah, it's silly but hardly something you would want to commit suicide over! The producer John Nathan Turner wanted a Hart To Hart opening credit sequence and that was a bit of a bad idea considering that the two leads in this are a woman and a mechanical dog! However, there is something bizarrely funny about it that acually draws you in. Maybe it's the camera zooming in on K-9 sitting on a stone fence--just how the hell did he get up there?! All of that aside, the actual story of witchcraft in the English countryside is rather fun stuff. There is some nice nightime atmosphere surrounding the coven's ceremonies and the actors who portray the various locals are all well cast. The only real negative is the short running time which is why there is not a lot of tension built. If one reads the novel it can be seen there was much more going on in the background to create tension but this does an acceptable job. Anyone who takes this too seriously or gets mad over this needs to relax and take a few deep breaths. This is great fun in the solid tradition of Doctor Who and it is too bad it never became a series.