O Caminho para El Dorado

I absolutely adored this movie as a teen and I still think very fondly of it as an adult. I wish they made more films like this these days, cause the adventure genre is seriously lacking.

You probably think the one line summary of this comment is a bit strange, since The Road to El Dorado isn't in fact that old, but what I meant by it is that they do not make feature films like this anymore. Sure every now and then there is a great animated film that revives the Adventure genre of film-making, but that's basically it. If you're an adventure freak like I am and you simply love Indiana Jones or Stargate or The Mummy for all I care you should definitely watch this film. I bet you'll enjoy it, disregarding your age (although very small kid's might get frightened at times). Thank you Dreamworks for providing me with a fantastic story of adventure. I appreciate it. It's been so long since I've seen any good adventure (The Mummy was last and Indy before that).

TO ALL STUDIOS I MUST SAY THIS: start making feature films like this again please, I miss them. Does it seem ‘right' to you that I I have watch an animated film mostly aimed at children, to get a film with a good plot, a good villain, great action, enough thrills, blood and emotion? It does not sound right to me. No Bad Boys II, no Triple X 2, no stupid and expensive action. You can do big with little as long as elements fit together.

8 out of 10

The Road to El Dorado (2000), an animated cult film if there ever was one. It's interesting to compare this flick to Disney's The Emperor's New Groove (2000), which came out the same year. Both are traditionally animated. Both are wickedly funny. Both underperformed at the box office. While Emperor has gone on to be one of the most beloved modern Disney films, El Dorado is still only a cult film. That's a real shame, because it's a fun ride with snappy dialogue and cool characters.

If I have any complaints, then it's that the mixing of traditional animation and CG has dated badly. Most of the musical numbers are forgettable and could have been done away with. Luckily, those issues don't hurt the picture much.

Set in Spain in 1519, two con artists consisting of cynical and street smart Tulio (Kevin Kline) and optimistic dreamer Miguel (Kenneth Branagh) are running a con on several sailors when in a last ditch effort one of the sailors wager's a map that supposedly leads to the fabled golden city of El Dorado in the New World. While Tulio wants to walk away, Miguel convinces Tulio to reluctantly play for the map which they win only for the two's con to be outed leading to them being chased through town. Hiding in some barrels, the two inadvertently stowaway on a boat captained by Hernan Cortes who has no tolerance for Stowaways and imprisons the two with the intention of putting condemning them to slavery in Cuba. With the help of Cortes horse, Altivo, the two eventually escape the ship by boat and along with Altivo wind up on an unfamiliar beach. Discovering the beach has a landmark similar to the one on the map they following it to El Dorado where they're mistaken for Gods by the population and teaming up with a native from the city, Chel (Rosie Perez), they play into the con unaware they're in the middle of a power struggle by the kind but skeptical Chief Tannabok (Edward James Olmos) and the fanatical high priest Tzekel-Kan (Armand Assante).

The Road to El Dorado is a 2000 animated adventure comedy and the sophomore traditional animated feature from Dreamworks following their success on The Prince of Egypt. While initially written as a more dramatic film by screen writers Ted Elliott and Terry Rossio, the film was instead turned into a more light-hearted comedic film inspired by the "road" pictures of Bob Hope and Bing Crosby as Katzenberg wanted the studio's next effort to differentiate itself from the seriousness and dramatic weight of Prince of Egypt. Opening at number two at the box office behind Erin Brockovich, The Road to El Dorado was a box office failure only accruing $50 million stateside against a $95 million budget, and only making $76 million worldwide. Critical reception was more mixed with many calling the film's story predictable and lacking in comparison to the studio's prior effort. The Road to El Dorado isn't super ambitious from a story perspective, but in terms of style and character it does have charm.

Easily the best selling point for the film is in the character and acting on display in the film. Kevin Kline and Kenneth Branagh have fantastic chemistry together and apparently they did their recording sessions together and it shows in the final product as their timing in the verbal exchanges are pitch perfect with Kevin Kline's portrayal of Tulio's world-weary cynicism counter balanced against Branagh's portrayal of Miguel's character as a fanciful exuberant dreamer giving the duo a distinct identity and likability as dashing rogues. Rosie Perez is also very good as Chel who serves as an unofficial third member of their group and love interest for Tulio and she's very much cut from a similar cloth to Tulio and Miguel with a strong knowledge of playing the angles. In terms of setup it's not dissimilar from a mashup of Dirty Rotten Scoundrels mixed with the good natured innocence of the Hope/Crosby road pictures. Edward James Olmos is a likable presence Tannabok whose friendship with Miguel is very endearing as Miguel falls in love with the culture and city of El Dorado and Armand Assante is a fun despicable villain driven by fanaticism and a desire to attain power by fear with Assante committed to the role. The movie builds upon the already impressive animation seen in The Prince of Egypt and with a rich color palette used to create Spain, the Jungle, and El Dorado itself there's a rich level of detail on display even if some of the CGI elements haven't aged as gracefully. The characters are nicely expressive and fluidly animated, and the designs are synced up nicely with the vocal work of the voice actors.

There are some weak points to the movie with probably the most glaring one being the songs by award winning duo Elton John and Tim Rice of The Lion King. Now I don't think the soundtrack is bad, far from it, but the songs have an issue similar to Disney's Tarzan where they don't feel organically woven into the story, and instead feel more clumsily grafted on with Elton John himself singing many of the songs "narration style" in similar fashion to the Phil Collins songs from Tarzan, but unlike Collins' soundtrack Elton John's singing isn't egregiously out of place and does try to integrate itself at least somewhat into the atmosphere of what's presented on screen. The presence of Hernan Cortes also is one of those things that's a little head tilting as Cortes is a remnant from when the film had a more dramatic bent and addressed the slaughter of indigenous peoples by the Spanish Conquistadors and of course being the kind of movie this is of course that's not going to be a thing touched upon and while not as clumsily integrated as historical elements of Disney's Pocahontas it is the kind of thing that should be noted.

The Road to El Dorado isn't a classic (nor does it aspire to be) but in terms of providing an enjoyable ride, the film delivers on all the fronts you expect. The songs aren't as well integrated as they could've been in my opinion and some of the historical details left over from the initial draft could've been refined, but it remains a likable comedy thanks to solid chemistry among the cast and some beautiful animation.

This is the best animated movie (rated PG-13 or lower) since The Lion King. The story seems a bit rushed, but it is entertaining. And the animation simply breathtaking. The soundtrack is another winner for Elton John and the songs he performs add depth to the story.