Um matemático paranoico procura um número-chave que desbloqueie os padrões universais encontrados na natureza.Um matemático paranoico procura um número-chave que desbloqueie os padrões universais encontrados na natureza.Um matemático paranoico procura um número-chave que desbloqueie os padrões universais encontrados na natureza.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 vitórias e 12 indicações no total
Stanley B. Herman
- Moustacheless Man
- (as Stanley Herman)
Avaliações em destaque
This screenplay must have been turned down one hundred times before someone would finance it. I don't blame them. However, what could have been a travesty was saved by great acting, directing, cinematography, and sound. This brilliant/bizarre film turns a genius's quest to find the code for Wall Street into an adventure that engulfs all of human existence, and God. A brilliant example of how proper film making can turn straw into gold. Some viewers may be put off by the bizarre fits the main character faces, or the intrusion of complex mathematics into film, forcing the viewer to think, but if you watch this film, you will be rewarded a unique movie-going experience few other films will give you. This film gives you a look into the mind of man plagued by the genius he was given.
Max Cohen is a mathematical and computer genius who seeks mathematical patterns in everything. However he also suffers from intense headaches, dellusions and some paranoia. He looks into patterns in the stock market only to find his ability sought by both a Wall Street trader, Marcy Dawson, and a Hasidic, Lenny Meyer, who both want the code for different reasons.
Before I saw this I must admit I heard a lot of hype but no actual details so I was half-expecting an intense `Usual Suspects' thriller mixed with maths. So I was a little disappointed at first. However once over my preconceptions I was able to settle into this. That is, if you can `settle into' something like this. The story is clever it plays on paranoia and delusion in fact it may or may not happen. Even at the end of the film I was left wondering if Max was a genius or if he was a nutter and all this was in his mind. The film uses this paranoia to create some good scenes and the thumping base music ups the ante a bit.
It's not an easy film to enjoy in the traditional sense, but it is an experience. The subject matter is different enough to be interesting and the telling is clever I for one can't wait to see what the director does with Batman: year one, it certainly won't be a camp Joel Schumacher film anyway!
Gullette (who also co-wrote) is good in the lead and is totally convincing. Mark Margolis is also good and it's good to see him in different roles, I know him from his strong role in Oz although he's not as good here. The rest of the cast are good but really the star here is the director as he manages to put us in Max's mind and involve us in the paranoia so thoroughly that we're not sure what is real and what isn't.
Overall this isn't as masterly as the hype suggests but it's different enough and compelling enough to be more than gripping for 90 minutes.
Before I saw this I must admit I heard a lot of hype but no actual details so I was half-expecting an intense `Usual Suspects' thriller mixed with maths. So I was a little disappointed at first. However once over my preconceptions I was able to settle into this. That is, if you can `settle into' something like this. The story is clever it plays on paranoia and delusion in fact it may or may not happen. Even at the end of the film I was left wondering if Max was a genius or if he was a nutter and all this was in his mind. The film uses this paranoia to create some good scenes and the thumping base music ups the ante a bit.
It's not an easy film to enjoy in the traditional sense, but it is an experience. The subject matter is different enough to be interesting and the telling is clever I for one can't wait to see what the director does with Batman: year one, it certainly won't be a camp Joel Schumacher film anyway!
Gullette (who also co-wrote) is good in the lead and is totally convincing. Mark Margolis is also good and it's good to see him in different roles, I know him from his strong role in Oz although he's not as good here. The rest of the cast are good but really the star here is the director as he manages to put us in Max's mind and involve us in the paranoia so thoroughly that we're not sure what is real and what isn't.
Overall this isn't as masterly as the hype suggests but it's different enough and compelling enough to be more than gripping for 90 minutes.
"Pi" is an amazing independent films. Darren Aronofsky had never made a feature film and was barely able to scrape together the $60,000 needed to make this film. Despite this pitifully small budget, he managed to make a remarkably watchable film AND it caught the eyes of the 'big boys'--and soon he was given $1,000,000 for his film! While not quite as insanely successful as "The Blair Witch Project" (which came out the following year), unlike the filmmakers of this other project, Aronofsky has gone on to greater things--including the wildly successful and critically acclaimed "Black Swan" as well as "The Wrestler".
Describing the look of the film is VERY difficult. Sure, it's cheap but Aronofsky managed to get past this by using black & white and deliberately making the print very grainy--giving it a wonderfully surreal look. I am not exactly sure how he did this but it worked well. And, because he wasn't able to use top equipment, it has a bit of a homemade look--which I was able to look past. Much of this was because the plot was so wild and surreal as well as very stylish.
Describing the plot...well that's even MORE difficult! It's a strange tale about a man who is on the edge of losing his mind. He is convinced that everything in nature and life can be quantified and explained through mathematics. And, given that you can find the correct mathematical formula, you can predict and understand EVERYTHING. So Maximillian spends nearly every second of his waking day devoted to this all-encompassing task. He avoids relationships, is very unkempt and is a miserable excuse for a human being. And, eventually it all begins to take its toll as he begins to hallucinate and experiencing excruciating pain in his body and brain. What's next for this incredibly strange man with his seemingly impossible task? See the film!
This is a very, very difficult film to rate. It gets very high marks for originality and it is entertaining. However, it's NOT a film for the mainstream. The average Joe would probably find it all just too weird and too confusing. But, if you want something different and are patient, it's well worth seeing.
Describing the look of the film is VERY difficult. Sure, it's cheap but Aronofsky managed to get past this by using black & white and deliberately making the print very grainy--giving it a wonderfully surreal look. I am not exactly sure how he did this but it worked well. And, because he wasn't able to use top equipment, it has a bit of a homemade look--which I was able to look past. Much of this was because the plot was so wild and surreal as well as very stylish.
Describing the plot...well that's even MORE difficult! It's a strange tale about a man who is on the edge of losing his mind. He is convinced that everything in nature and life can be quantified and explained through mathematics. And, given that you can find the correct mathematical formula, you can predict and understand EVERYTHING. So Maximillian spends nearly every second of his waking day devoted to this all-encompassing task. He avoids relationships, is very unkempt and is a miserable excuse for a human being. And, eventually it all begins to take its toll as he begins to hallucinate and experiencing excruciating pain in his body and brain. What's next for this incredibly strange man with his seemingly impossible task? See the film!
This is a very, very difficult film to rate. It gets very high marks for originality and it is entertaining. However, it's NOT a film for the mainstream. The average Joe would probably find it all just too weird and too confusing. But, if you want something different and are patient, it's well worth seeing.
3.141592653589793238462643383279502884197169399375105820974944592307816 40628620899862803482534211706798214808651328230664709384460955058223172 53594081284811174502841027019385211055596446229489549303819644288109756 6593
the movie has some guidelines that follow the mathematical path, though strangely interpreted. It resembles the Lynch series, ("Eraserhead" actually), though Lynch uses more colour... I recommend it to all the freaks (lest they should go nuts like Max...) and to the movie freaks, that like to admire pure art. the number i've written is PI, with the precision of 216 decimals... and don't fool yourselves, it doesn't have any pattern, it just runs infinitely...
the movie has some guidelines that follow the mathematical path, though strangely interpreted. It resembles the Lynch series, ("Eraserhead" actually), though Lynch uses more colour... I recommend it to all the freaks (lest they should go nuts like Max...) and to the movie freaks, that like to admire pure art. the number i've written is PI, with the precision of 216 decimals... and don't fool yourselves, it doesn't have any pattern, it just runs infinitely...
I have yet to come even close to fully appreciating the sheer artistry and complexity of Darren Aronofsky's stunning mathematical/sci-fi thriller, "Pi". Watching this film, one can tell from the subdued effects, grainy black-and-white filter, and guerrilla-style filmmaking that this must be a low-budget independent film - NOT to try and downplay its impact, as many independent films can clearly surpass any typical Hollywood movie, in terms of style and subject matter.
"Pi" is a perfectly concrete example of how the relative absence of special effects, explosions, etc. can still help create an engaging, and thoroughly unique viewing experience. Overflowing with intensity and hyperkinetic camerawork, this is a frightening roller-coaster ride of a film; despite clocking in at less than 90 minutes, "Pi" is by no means short on resonance - but rather leaves a heavy feeling of exuberance and fascination with the material that lasts long after it's finished. At the same time, though, people who aren't as open-minded to more obscure, abstract films like this would be, I think, surprised. This is not as complicated or bewildering a film as I had expected. If one can be able to focus intently on the story, the result is rewarding, and doesn't provide for much head-scratching. Its style seems rather modern, rather hip...at times it reminded me of "The Matrix" (which, ironically, was released the FOLLOWING year) what with its slick techno musical score and its flashy opening credits.
To shy away from this film simply because of its math content is to be completely shallow and ignorant. The way it handles the material is a whole lot more interesting than you'd probably think. Like "A Beautiful Mind", "Pi" is an instant classic that serves to re-awaken my erratic interests in my poorest subject, mathematics. It's original, it's interesting, and above all - genius.
"Pi" is a perfectly concrete example of how the relative absence of special effects, explosions, etc. can still help create an engaging, and thoroughly unique viewing experience. Overflowing with intensity and hyperkinetic camerawork, this is a frightening roller-coaster ride of a film; despite clocking in at less than 90 minutes, "Pi" is by no means short on resonance - but rather leaves a heavy feeling of exuberance and fascination with the material that lasts long after it's finished. At the same time, though, people who aren't as open-minded to more obscure, abstract films like this would be, I think, surprised. This is not as complicated or bewildering a film as I had expected. If one can be able to focus intently on the story, the result is rewarding, and doesn't provide for much head-scratching. Its style seems rather modern, rather hip...at times it reminded me of "The Matrix" (which, ironically, was released the FOLLOWING year) what with its slick techno musical score and its flashy opening credits.
To shy away from this film simply because of its math content is to be completely shallow and ignorant. The way it handles the material is a whole lot more interesting than you'd probably think. Like "A Beautiful Mind", "Pi" is an instant classic that serves to re-awaken my erratic interests in my poorest subject, mathematics. It's original, it's interesting, and above all - genius.
Você sabia?
- CuriosidadesThe film cost only $60,000 to make, most of which was raised in the form of individual $100 contributions from director Darren Aronofsky's friends and family. When it was later bought by Artisan Entertainment, each contributor got back a $150 return on their investment.
- Erros de gravaçãoMax mentions that the Golden Mean is represented by the Greek letter theta. In fact it is denoted using the Greek letter Tau or, more commonly Phi, whereas phi is used to denote 1/Phi. Phi is for Phidias, a 5th Century BC Greek sculptor who employed the ratio.
- Citações
[repeated line]
Maximillian Cohen: When I was a little kid, my mother told me not to stare into the sun, so when I was six I did...
- Cenas durante ou pós-créditosLeonardo DaVinci listed under "Special Thanks"
- Versões alternativasDVD version includes deleted scenes:
- Max being threatened by Farrouhk, Devi's jealous boyfriend;
- Max climbing up a pile of discarded computer parts and monitors;
- ConexõesEdited into Sabores do Saber (2014)
- Trilhas sonorasI Only Have Eyes For You
Performed by Stanley B. Herman (as Stanley Herman)
Written by Al Dubin & Harry Warren
Published by WB Music Corp. (ASCAP)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Pi?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Pi, el orden del caos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.221.152
- Fim de semana de estreia nos EUA e Canadá
- US$ 31.069
- 12 de jul. de 1998
- Faturamento bruto mundial
- US$ 3.221.152
- Tempo de duração
- 1 h 24 min(84 min)
- Cor
- Mixagem de som
- Proporção
- 1.66 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente