Um matemático paranoico procura um número-chave que desbloqueie os padrões universais encontrados na natureza.Um matemático paranoico procura um número-chave que desbloqueie os padrões universais encontrados na natureza.Um matemático paranoico procura um número-chave que desbloqueie os padrões universais encontrados na natureza.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 vitórias e 12 indicações no total
Stanley B. Herman
- Moustacheless Man
- (as Stanley Herman)
Avaliações em destaque
Max Cohen is a mathematical and computer genius who seeks mathematical patterns in everything. However he also suffers from intense headaches, dellusions and some paranoia. He looks into patterns in the stock market only to find his ability sought by both a Wall Street trader, Marcy Dawson, and a Hasidic, Lenny Meyer, who both want the code for different reasons.
Before I saw this I must admit I heard a lot of hype but no actual details so I was half-expecting an intense `Usual Suspects' thriller mixed with maths. So I was a little disappointed at first. However once over my preconceptions I was able to settle into this. That is, if you can `settle into' something like this. The story is clever it plays on paranoia and delusion in fact it may or may not happen. Even at the end of the film I was left wondering if Max was a genius or if he was a nutter and all this was in his mind. The film uses this paranoia to create some good scenes and the thumping base music ups the ante a bit.
It's not an easy film to enjoy in the traditional sense, but it is an experience. The subject matter is different enough to be interesting and the telling is clever I for one can't wait to see what the director does with Batman: year one, it certainly won't be a camp Joel Schumacher film anyway!
Gullette (who also co-wrote) is good in the lead and is totally convincing. Mark Margolis is also good and it's good to see him in different roles, I know him from his strong role in Oz although he's not as good here. The rest of the cast are good but really the star here is the director as he manages to put us in Max's mind and involve us in the paranoia so thoroughly that we're not sure what is real and what isn't.
Overall this isn't as masterly as the hype suggests but it's different enough and compelling enough to be more than gripping for 90 minutes.
Before I saw this I must admit I heard a lot of hype but no actual details so I was half-expecting an intense `Usual Suspects' thriller mixed with maths. So I was a little disappointed at first. However once over my preconceptions I was able to settle into this. That is, if you can `settle into' something like this. The story is clever it plays on paranoia and delusion in fact it may or may not happen. Even at the end of the film I was left wondering if Max was a genius or if he was a nutter and all this was in his mind. The film uses this paranoia to create some good scenes and the thumping base music ups the ante a bit.
It's not an easy film to enjoy in the traditional sense, but it is an experience. The subject matter is different enough to be interesting and the telling is clever I for one can't wait to see what the director does with Batman: year one, it certainly won't be a camp Joel Schumacher film anyway!
Gullette (who also co-wrote) is good in the lead and is totally convincing. Mark Margolis is also good and it's good to see him in different roles, I know him from his strong role in Oz although he's not as good here. The rest of the cast are good but really the star here is the director as he manages to put us in Max's mind and involve us in the paranoia so thoroughly that we're not sure what is real and what isn't.
Overall this isn't as masterly as the hype suggests but it's different enough and compelling enough to be more than gripping for 90 minutes.
Pi is the oddest, hippest, most chilling account of the descent into the abyss.
Following mathematical clues derived from an analysis of the stock market, Maximillian Cohen begins his descent into madness as he attempts to discover the nature of everything through the peculiar numerical entity known as Pi.
Thrilling enough, but then combine with generous amounts of Kaballistic mysticism, black and white footage and a soundtrack like an audible fractal, and you have a sensory snare which drags you along for the ride into Max's impending breakdown.
Obsession has never been so exciting.
Pi is an utterly gut-wrenching, mind expanding phenomema. If you have ever wondered about the universe, God or the nature of insanity, Pi will take you where you don't want to go.
Following mathematical clues derived from an analysis of the stock market, Maximillian Cohen begins his descent into madness as he attempts to discover the nature of everything through the peculiar numerical entity known as Pi.
Thrilling enough, but then combine with generous amounts of Kaballistic mysticism, black and white footage and a soundtrack like an audible fractal, and you have a sensory snare which drags you along for the ride into Max's impending breakdown.
Obsession has never been so exciting.
Pi is an utterly gut-wrenching, mind expanding phenomema. If you have ever wondered about the universe, God or the nature of insanity, Pi will take you where you don't want to go.
3.141592653589793238462643383279502884197169399375105820974944592307816 40628620899862803482534211706798214808651328230664709384460955058223172 53594081284811174502841027019385211055596446229489549303819644288109756 6593
the movie has some guidelines that follow the mathematical path, though strangely interpreted. It resembles the Lynch series, ("Eraserhead" actually), though Lynch uses more colour... I recommend it to all the freaks (lest they should go nuts like Max...) and to the movie freaks, that like to admire pure art. the number i've written is PI, with the precision of 216 decimals... and don't fool yourselves, it doesn't have any pattern, it just runs infinitely...
the movie has some guidelines that follow the mathematical path, though strangely interpreted. It resembles the Lynch series, ("Eraserhead" actually), though Lynch uses more colour... I recommend it to all the freaks (lest they should go nuts like Max...) and to the movie freaks, that like to admire pure art. the number i've written is PI, with the precision of 216 decimals... and don't fool yourselves, it doesn't have any pattern, it just runs infinitely...
Now here'a film that is "not for all tastes," as the cliché goes.
"Strange" doesn't quite cover it but it is not that bizarre that you can't figure out what's happening. Director-writer Darren Arokofsky made a name for himself with his second movie, Requiem For A Dream, and this was the young filmmakers' first effort. It was made a tight budget since he was an unknown, but that's part of the attraction. This is grainy black-and-white, and so is the gritty story and most of the characters. The unique look fits the story.
It's not a story that is going to please a lot of people - an almost-demented math wizard trying to figure out stock market codes and two groups hounding him trying to cash in on his brainpower. One is trying to use him to make big money in the market and the other is trying to decipher ancient Jewish texts and thinks our mathematician can help. Meanwhile, he wants no part of any of these people.
Our hero, the numbers freak, thinks the entire world revolves around numbers. Everything in the universe, he thinks, can be figured out through number codes. Not only is he wacked and paranoid but so is about everyone in here. They all have strange ideas. Innovative camera-work makes the story even stranger. In fact, it's that photography that makes this DVD a part of my collection
If you're looking for something different here and there, I would give this curiosity piece a quick look. (It's not a long movie.) Overall, I thought this "added up" to an intriguing film, but if you give it a try and hate it, don't blame me.
"Strange" doesn't quite cover it but it is not that bizarre that you can't figure out what's happening. Director-writer Darren Arokofsky made a name for himself with his second movie, Requiem For A Dream, and this was the young filmmakers' first effort. It was made a tight budget since he was an unknown, but that's part of the attraction. This is grainy black-and-white, and so is the gritty story and most of the characters. The unique look fits the story.
It's not a story that is going to please a lot of people - an almost-demented math wizard trying to figure out stock market codes and two groups hounding him trying to cash in on his brainpower. One is trying to use him to make big money in the market and the other is trying to decipher ancient Jewish texts and thinks our mathematician can help. Meanwhile, he wants no part of any of these people.
Our hero, the numbers freak, thinks the entire world revolves around numbers. Everything in the universe, he thinks, can be figured out through number codes. Not only is he wacked and paranoid but so is about everyone in here. They all have strange ideas. Innovative camera-work makes the story even stranger. In fact, it's that photography that makes this DVD a part of my collection
If you're looking for something different here and there, I would give this curiosity piece a quick look. (It's not a long movie.) Overall, I thought this "added up" to an intriguing film, but if you give it a try and hate it, don't blame me.
This screenplay must have been turned down one hundred times before someone would finance it. I don't blame them. However, what could have been a travesty was saved by great acting, directing, cinematography, and sound. This brilliant/bizarre film turns a genius's quest to find the code for Wall Street into an adventure that engulfs all of human existence, and God. A brilliant example of how proper film making can turn straw into gold. Some viewers may be put off by the bizarre fits the main character faces, or the intrusion of complex mathematics into film, forcing the viewer to think, but if you watch this film, you will be rewarded a unique movie-going experience few other films will give you. This film gives you a look into the mind of man plagued by the genius he was given.
Você sabia?
- CuriosidadesThe film cost only $60,000 to make, most of which was raised in the form of individual $100 contributions from director Darren Aronofsky's friends and family. When it was later bought by Artisan Entertainment, each contributor got back a $150 return on their investment.
- Erros de gravaçãoMax mentions that the Golden Mean is represented by the Greek letter theta. In fact it is denoted using the Greek letter Tau or, more commonly Phi, whereas phi is used to denote 1/Phi. Phi is for Phidias, a 5th Century BC Greek sculptor who employed the ratio.
- Citações
[repeated line]
Maximillian Cohen: When I was a little kid, my mother told me not to stare into the sun, so when I was six I did...
- Cenas durante ou pós-créditosLeonardo DaVinci listed under "Special Thanks"
- Versões alternativasDVD version includes deleted scenes:
- Max being threatened by Farrouhk, Devi's jealous boyfriend;
- Max climbing up a pile of discarded computer parts and monitors;
- ConexõesEdited into Sabores do Saber (2014)
- Trilhas sonorasI Only Have Eyes For You
Performed by Stanley B. Herman (as Stanley Herman)
Written by Al Dubin & Harry Warren
Published by WB Music Corp. (ASCAP)
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- How long is Pi?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Pi, el orden del caos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.221.152
- Fim de semana de estreia nos EUA e Canadá
- US$ 31.069
- 12 de jul. de 1998
- Faturamento bruto mundial
- US$ 3.221.152
- Tempo de duração
- 1 h 24 min(84 min)
- Cor
- Mixagem de som
- Proporção
- 1.66 : 1
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