AVALIAÇÃO DA IMDb
6,1/10
7,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA documentary on the life of Kurt Cobain and his relationship with Courtney Love.A documentary on the life of Kurt Cobain and his relationship with Courtney Love.A documentary on the life of Kurt Cobain and his relationship with Courtney Love.
- Prêmios
- 1 vitória e 2 indicações no total
Kurt Cobain
- Self
- (cenas de arquivo)
Chelsea Rae
- Self - Friend of Nanny
- (as Chelsea)
Victoria Mary Clarke
- Self - Author
- (as Victoria Clarke)
Avaliações em destaque
As a hopeless britfreak/anglophile, I am a fan of documentarian Nick Broomfield. However, I have only seen three of his films. For some reason, the majority of his films don't seem to be available for rent.
I enjoyed Kurt & Courtney. The film's hype seemed to laughably imply that 'Courtney did it'!in regards to Kurt's demise. Okay, she does have a slight anger management problem, but that's beside the point.
The implication seemed to be that she hired someone to off Kurt. But, the film goes off in other directions, and outshines the sensationalistic hype.
The low key Broomfield gently and intelligently guides his subjects; they let down their guard; they humorously reveal themselves and their versions of the truth.
At times, Broomfield's films make one feel like a rubbernecker perusing a car accident; like a TV viewer watching America's Most Shocking Videos; sometimes we just cannot help ourselves.
Kurt's tragic life and personal demons are revealed, as are Courtney's. Family, friends, and people in the Seattle grunge music scene are interviewed. A murder plot of sorts is investigated. Courtney's antagonism towards mainstream media is explored.
I found Kurt & Courtney to be fascinating and entertaining.
I enjoyed Kurt & Courtney. The film's hype seemed to laughably imply that 'Courtney did it'!in regards to Kurt's demise. Okay, she does have a slight anger management problem, but that's beside the point.
The implication seemed to be that she hired someone to off Kurt. But, the film goes off in other directions, and outshines the sensationalistic hype.
The low key Broomfield gently and intelligently guides his subjects; they let down their guard; they humorously reveal themselves and their versions of the truth.
At times, Broomfield's films make one feel like a rubbernecker perusing a car accident; like a TV viewer watching America's Most Shocking Videos; sometimes we just cannot help ourselves.
Kurt's tragic life and personal demons are revealed, as are Courtney's. Family, friends, and people in the Seattle grunge music scene are interviewed. A murder plot of sorts is investigated. Courtney's antagonism towards mainstream media is explored.
I found Kurt & Courtney to be fascinating and entertaining.
Is it objective? No. Is it informative? Yes. Is is accurate? Only as accurate as those talked to. Is it an interesting film? Without a doubt.
This should have been called "Trying To Make 'Kurt & Courtney", because he never succeeds in making a decent look at their relationship but rather an intriguing look at his struggle to get the whole thing off the ground. He ran into a lot of trouble via Courtney Love and of course threw in his feelings toward her quite obviously in the film.
Fans of Kurt may respect it, fans of Courtney are likely to despise it. I admit I am more a fan of Kurt than I could ever be of Courtney, he just seems a hell of a lot more real to me and she has scared me, long before this film made, with all the image make-overs and lame self-promoting publicity stunts. So I had no problem watching her get ripped into in this documentary. But a warning to hardcore HOLE fans, you may get extremely frustrated!
Like it or hate it, it won't bore you!
This should have been called "Trying To Make 'Kurt & Courtney", because he never succeeds in making a decent look at their relationship but rather an intriguing look at his struggle to get the whole thing off the ground. He ran into a lot of trouble via Courtney Love and of course threw in his feelings toward her quite obviously in the film.
Fans of Kurt may respect it, fans of Courtney are likely to despise it. I admit I am more a fan of Kurt than I could ever be of Courtney, he just seems a hell of a lot more real to me and she has scared me, long before this film made, with all the image make-overs and lame self-promoting publicity stunts. So I had no problem watching her get ripped into in this documentary. But a warning to hardcore HOLE fans, you may get extremely frustrated!
Like it or hate it, it won't bore you!
Nick Broomfield is a great documentary filmmaker - his pics on Heidi Fleiss & Aileen Wuoronos are especially effective. He was criticized for this film being too one-sided and featuring himself too much. But, as you watch the film, you realize he really had no choice because, everyone (especially people who are pro-Courtney) is terrified of suffering the wrath of Courtney (who is, no matter who you hear from, obviously a violent psychotic) if they speak out in Nick's film. This leaves only people with nothing to lose (addicts, losers, and disgruntled ex-employees) to interview. Thus, most of the footage consists of Broomfield desperately trying to glean ANY information on his chosen subject. What we learn we learn by reading between the lines. For instance, the very fact that Love put pressure on his financers from the very beginning of his filming speaks volumes. If Broomfield didn't set out to lambast her at the start, she certainly helped change his mind quickly. The film does little to clear up the decidedly murky circumstances of Cobain's death (though the guy seemed to be a walking suicidal time-bomb). What it does prove is that Love basically got her claws into Kurt, chewed him up, spit him out, and got his millions - all in a span of about three years! And it's all worth it to see Broomfield call an auditorium full of hypocrites - the ACLU - on the carpet for allowing Love, who regularly makes death threats to journalists, to be their spokesperson for free speech.
Why this film was bad:
As a film that seemed like it was going to shed some light on the death of Kurt Cobain, it failed miserably. Nothing new about that subject appeared.
Why I liked it:
Almost everyone in this film seemed like a cartoon character ... if I didn't know this was a documentary, I would have thought this was a parody of one. *Almost* everyone seemed incredibly ridiculous: El Duce (the man apparently approached by Love to kill Cobain), ex-groupies, the nanny, Love's ex-lover, and the paparazzi who appear from time to time (especially the one with ridiculous mask over his head to protect his identity). Even Nick Broomfield, the director of the film, seems like a little bit strange ... this almost seems like a documentary that would take place in the world of one of David Lynch's films. In this respect, it is entertaining, and funny.
As a film that seemed like it was going to shed some light on the death of Kurt Cobain, it failed miserably. Nothing new about that subject appeared.
Why I liked it:
Almost everyone in this film seemed like a cartoon character ... if I didn't know this was a documentary, I would have thought this was a parody of one. *Almost* everyone seemed incredibly ridiculous: El Duce (the man apparently approached by Love to kill Cobain), ex-groupies, the nanny, Love's ex-lover, and the paparazzi who appear from time to time (especially the one with ridiculous mask over his head to protect his identity). Even Nick Broomfield, the director of the film, seems like a little bit strange ... this almost seems like a documentary that would take place in the world of one of David Lynch's films. In this respect, it is entertaining, and funny.
Nick Broomfield tries to clarify that absurd theory that says that Kurt Cobain was murdered. No one would actually believe that Kurt was killed because it is quite clear that his addiction and his depression killed him.
Anyway, Broomfield lets everyone to make their point, all those that defend the conspiration theory. But let me tell you, some of them, just like Courtney Love's father or that grotesque guy called The Duce are not reliable sources precisely.
Maybe Nick goes too far accusing Courtney. I mean, she's not Mother Theresa, but she isn't the root of all evil either. She's nothing but an arrogant and eccentric rockstar... just like most of people there in Hollywood.
Otherwise, "Who killed Kurt...?" has valious moments for all the fans of Kurt: early recordings, interviews with some of his relatives and childhood friends...
*My rate: 6/10
Anyway, Broomfield lets everyone to make their point, all those that defend the conspiration theory. But let me tell you, some of them, just like Courtney Love's father or that grotesque guy called The Duce are not reliable sources precisely.
Maybe Nick goes too far accusing Courtney. I mean, she's not Mother Theresa, but she isn't the root of all evil either. She's nothing but an arrogant and eccentric rockstar... just like most of people there in Hollywood.
Otherwise, "Who killed Kurt...?" has valious moments for all the fans of Kurt: early recordings, interviews with some of his relatives and childhood friends...
*My rate: 6/10
Você sabia?
- CuriosidadesMade without the approval of Courtney Love who was very opposed to the project.
- Trilhas sonorasPyramid's Babylon
Written and Performed by Theatre of Sheep
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- ¿Quién mató a Kurt Cobain?
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 668.228
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.835
- 1 de mar. de 1998
- Faturamento bruto mundial
- US$ 890.324
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente