Adicionar um enredo no seu idiomaAlex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Teresa DePriest
- Lana
- (as Therese De Priest)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Hit and Runway may at first glance appear to be another one of those movies about struggling screenwriters trying to write a movie. But unlike most of their blockbuster counterparts, this movie is not about the movie that Alex and Elliot are writing, but it is about the friendship that they forge throughout the experiment. Although the screenplay they are writing is not particulary good, the broader movie is able to focus on human nature, and the inexperienced actors are good in delivering timely humor. On the whole, a strong movie and a good career start for up-and-coming director Christopher Livingston. Well Done.
I liked Hit and Runway. I went into it with just a vague idea of what it was about, and wound up being thoroughly charmed by it. It made me laugh and it kept me interested all the way. Sure, it looks a bit low-budget at times, but that's not necessarily a bad thing.
Sometimes, and particularly with this film, it can make the characters more accessible. My idea of a successful movie is one that makes me feel sad when it ends, because I'd like to spend a little more time with the people it's introduced me to. That's how I felt at the end of this film. (By the way, I also liked the music.)
Sometimes, and particularly with this film, it can make the characters more accessible. My idea of a successful movie is one that makes me feel sad when it ends, because I'd like to spend a little more time with the people it's introduced me to. That's how I felt at the end of this film. (By the way, I also liked the music.)
This movie really surprised me. I did not expect to enjoy this movie whatsoever. But it did. Wonderful story - I would of love to see this Straight guy fall for the little Jewish gay guy. It would of made one hell of an ending. Granted I felt the ending was sufficient. The jewish guy ended up happy and with someone, instead of alone in his apartment or dead on the street somewhere.
A very enjoyable movie for all.
A very enjoyable movie for all.
Hit and Runway has the same spirit of Good Will Hunting, and is done equally as well. Geez, movies where you come to know the characters, like them and care what happens to them -- individually and their relationship. What a concept! Sure, the urban setting of NYC is an easy mark for a story like this, but at least the main characters aren't yuppies and this movie shows real people living like real people. I thought this was going to be an indie film shot on a miniscule budget, but I never saw a shot that looked it. Everything seemed as well done as with a big budget throwaway (of which there are so many these days). I thought I might like this movie but didn't expect to love it. I loved it. Everyone involved should feel proud.
This movie is a wonderful variant on a traditional movie theme, the romantic comedy. Only in this variation it would be best to call it a relationship comedy. The two protagonists meet and although they are initially uncomfortable around each other, they are forced to work toward a common goal. In doing so they form a relationship. When that relationship ends, we see a parting scene that recalls many great parting scenes of the past.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Você sabia?
- CuriosidadesWinner - Best screenplay at the 1999 Los Angeles Film Festival.
- Erros de gravaçãoWhen Alex confronts Eliot at the restaurant, he takes his spoon away so he cannot finish his ice cream drink. After a few seconds Eliot jumps up to reveal that the half-full glass has suddenly become empty.
- Citações
Elliot Springer: It's Hopeless.
Alex Andero: Hopeless is not a word in my vocabulary.
Elliot Springer: I suspect that there are a lot of words that aren't in your vocabulary.
- Cenas durante ou pós-créditosRecorded at Audio Paint, NYC If it can be imagined, it can be recorded www.audiopaint.com
- ConexõesReferenced in Comendo Pelas Bordas (2004)
- Trilhas sonorasAmerican Dream
Written by Lance McVickar
Performed by Slow Poke - Lance McVickar, Joel Finn & Mark Frankel
Engineered and Arranged by Lance McVickar
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Éxito y pasarela
- Locações de filme
- Manhattan, Nova Iorque, Nova Iorque, EUA(various exterior shots)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.200.000 (estimativa)
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente