Head On

Culture clash in modern-day Australia, as a 19-year-old Greek named Ari, handsome but feckless--and prone to snorting and shooting drugs--rebels against his hot-tempered papa, a man of values and culture but perhaps stuck in the past. Ari's inner-anger is all-encompassing; he lashes out at his family, at his diverse neighborhood (which appears to be an otherwise peaceful agglomeration of working-class Asians and middle easterners) and at girls who find him attractive. Ari's father is shown as disappointed with his wife and children, but even in the flashbacks there aren't any clues as to what would've made this man happy (he and his wife protested for Greek rights, but does he want his son to continue this fight--and what would the fight be about, the same issues the father fought for?). As Ari, Alex Dimitriades struts and preens like the next John Travolta (in fact, some of the home front squabbles, particularly one around the table, seem lifted from "Saturday Night Fever"). It's a risky role for the actor, who must keep up a perpetually ill-mannered demeanor, complete with lusty, angry homosexual activities which Ari keeps secret (his father hates 'poofters'); yet, Dimitriades, self-enamored and intense, makes the part work for himself and the audience. He's helped a great deal by director Ana Kokkinos, who also co-adapted the screenplay from Christos Tsiolkas's novel "Loaded" with Andrew Bovell and Mira Robertson. Kokkinos keeps the camera busy and free-flowing, although she stumbles when attempting artiness, which in this case is akin to dreariness. Some marvelous moments emerge in what could have been just another coming-of-age melodrama. **1/2 from ****

The kettle is on the boil and 19 year old Ari is about to burst with a combination of his culture, sexuality and drug intake, colliding to create a mixed up youth with a cause. His parents migrated to Melbourne, Australia, from Greece and with them they brought their strong culture that they hang onto while back in Greece the culture changes with the times. This we don't see but it is the fact of life for every second generation immigrant who has to fight the ignorance and hypocrisy of their parents and social surroundings. This creates a monster Ari carries on his back, a destructive energy within him that is wasted in back street alleys, public toilets and where ever he can get it. And when people don't come to his side of life, he manipulates them with sexual advances, testing their moral grounds. Through his love of Greek dancing, Ari yearns to keep part of his ancestral culture intact for identity purposes, but with his own freedom of passion. Can the two mix? That's what he's journey is. A journey for self expression without any rules of repression. This is Alex Dimitriades' cake as he eats Ari up and plays the character with conviction. Director Ana gets right into the heart and soul of Ari, via the camera with a confronting script dealing with issues aimed at any migrating culture.

Truly a great little movie! The story moved at a good pace through-out and kept me very interested to see what would happen next. With so many movies these days, I keep checking the time because they are so terribly uneven and my interest is not held. Not with this one--very riveting and moving story. It did an excellent job of "showing" what our young protagonist (someone used the term anti-hero for him--I like that) was going through. Really liked the way the drug highs were portrayed. The voice overs were sparse--this film did not talk me to death or insult my intelligence by explaining everything. How very refreshing! Visually you went with Ari where he was going whether you liked it or not. I also really liked it because it was at times raw and visceral--life is like that sometimes for us, and for others like Ari, it's like that most of the time.

Hurray for the male frontal nudity! It's not only women that have beautiful bodies. Johnny only had a couple scenes, but he upstaged Ari in every one. What a remarkable character to throw into the mix! I would be friends with him in a heartbeat.

If you like movies about real people trying to figure out their place in the world, do yourself a favor and see this film.

...but useful for understand the perception about reality of a young man who use his sexual orientation, the nihilism and the friends as instruments to explore it. a film about frustration. and about freedom. and one of the most impressive roles of Alex Dimitriadis who mix the bitter humor, fury and fear to create a character who gives new perspectives about every day challenges. one of films who use a sensitive subject as way to wake up. and the gray tone becomes a tool for describe long slices of disillusion, fights and need of sense of life. maybe not great. but sensitive trip in heart of forbidden subjects. more actual today than in 1998.

it is not a comfortable film. because its ambition is not to present the skin of things but the essence of them. it is one of honest movies who represents more a testimony than artistic work. bitter, harsh, cruel, it seems be the film of one actor because the performance of Alex Dimitriades impress at whole. and not only for the talent or inspiration but for extraordinary dedication to do a complex and special role. it is not a gay movie or slice from a Greek community from Australia. it represents picture of a deep solitude of an age, an option, a society.a film who use not reasonable tools for say its story. a movie who can be perceived in many angles but who can be reduced as the powerful need to escape from yourself. it is not a comfortable movie. but that is its purpose - to say what who represents, in many situations, the domain of heavy silence. so, more than a film, it is a cry.