Adicionar um enredo no seu idiomaMildred decides that she and George will celebrate their anniversary at a posh London hotel - whatever the cost. However, a shady businessman mistakes George for a hit man.Mildred decides that she and George will celebrate their anniversary at a posh London hotel - whatever the cost. However, a shady businessman mistakes George for a hit man.Mildred decides that she and George will celebrate their anniversary at a posh London hotel - whatever the cost. However, a shady businessman mistakes George for a hit man.
- Direção
- Roteiristas
- Artistas
- Tristram Fourmile
- (as Nicholas Bond Owen)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I think that they and there toys are better in the "wastepaper-bin".
Enjoy.
Mildred decides that she and george will celebrate their anniversary of their wedding in a posh hotel.The catch is George gets himself into trouble and hilaritys pursue.
It is not up to the standards of its small screen counter-part but is still a funny and good film.
George is his usual self in this film and provides some great laughs especially with his screen time at the start and end with the fourmiles.
The original cast are still present,which is a good sound start,and some well known comic actors also are present,for example "Carry On Matron" star Kenneth Cope as the bumbling hit man.
The film though is relived on DVD, with oddly a 15 certificate (why???) and i would say is harmless family fun just like its small screen counter-part.
Its drawbacks though is that it ends pretty sharply, and i do wish the fourmiles featured a bit more.
I think if the film took a different angle such as "A holiday with the Fourmiles and George's friend in pursuit" might have fetched a better plot,but all the same it was a fair BIG screen match. (8.4/10)
Having seen this " big screen version of the show " I find myself asking what it's a big screen version of ? Certainly not of a popular mid 70s sit com of the same name . For some reason the movie jettisons all character interaction from the television by having George and Mildred leaving the street where they live behind and getting caught up in a plot involving some serious gangsters who want something George has inadvertently picked up and which leads to some cringe making situations and lines like:
" Did he give it to you "
" No that's the first time a man has resisted my charms "
" I meant the envelope "
You do get the impression that screenwriter Dick Sharples ( Who never wrote an episode for the original sit-com ) has never seen an episode of the source material and has got the show confused with the CARRY ON series of films . In many ways it resembles the same mistakes of the latter LOST IN SPACE movie in that it has absolutely nothing in common with the series that spawned it
It starts off brightly enough - we get introduced to the familiar characters in the first few minutes (albeit living in a different road to the one used in the TV show, but similar enough).
Once the plot is established about the Ropers celebrating their anniversary at a swanky hotel, things unfortunately start to go downhill. As so often with previous British 70s sitcom spin-offs, the humour doesn't always work when the characters are put into a completely new setting - & it's the same here.
The usual humour about George's laziness, Mr Fourmile's snobbishness & Mildred's upwardly mobile aspirations being dashed are jettisoned for an unwise 'mistaken-identity' plot (which ironically could very well have been written for someone else entirely).
The whole film lurches into being a slightly bawdy sex-comedy - much more like something from the early 70s than the 80s, & George & Mildred don't really get to play to their strengths.
Despite a good supporting cast including Stratford Johns, Kenneth Cope, Harry Fowler (& an early appearance from Vicky Michelle), the whole film becomes rather exhausting about halfway through as the whole sorry spectacle starts to fall a bit flat.
Not to say that there are some laughs along the way - but nothing as good as what we've seen in the G & M sitcom.
It's sad too that this became Yootha Joyce's final work - being released after her death, & thus putting an end to this warmly-remembered series, leaving this film as her epitaph.
It's certainly worth watching if you're a G&M fan, & an interesting period piece - & good of course to see these characters one last time. Just don't expect to be blown away... we'll leave that to the 'hitman'!
The plot is cut from standard spin-off cloth - hit-man/mistaken identity - and has as little tension as there are laughs. The producers should have taken a leaf from Rising Damp, (also 1980)which was also bought to the big screen after the TV series demise, and kept much of the story in familiar setting.
Yootha Joyce died in 1980 but she should not be remembered for this creaking piece of work encumbered as she was by her illness. Mildred lacks the sharpness of her TV incarnation; cutting asides and withering looks largely directed at Georges lack of libido. George's sputtering incredulity also gets lost in the more expansive sets. This is not to say that they were much to shout about. The budget for this movies looks pathetically small; a restaurant they go to is clearly a new semi-starched house with some Christmas lights adorning the front door.
For fans of 70's British comedy or those who just want to revisit an old TV companion from their youth this film can add nothing to the experience and they should just stick to the first four TV series out now on DVD.
Você sabia?
- CuriosidadesGenerally released from July 27th 1980 on the ABC circuit, George and Mildred was shown on television less than five months later, going out on the ITV network on Christmas Day afternoon immediately after the Queen's Christmas Message. This short a window between theatrical and TV screenings was unheard of at the time, as traditionally, the gap was a massive 4 years, after the original theatrical run, before the broadcasters could premiere it on tv.
- Citações
Mildred Roper: Obviously, our wedding anniversary means nothing to you anymore.
George Roper: Of course it does, of course it does. And what's more I'll prove it to you.
Mildred Roper: How?
George Roper: By seeing if they've got our tune.
Mildred Roper: [gesturing towards the jukebox] What, on that thing?
George Roper: Yeah. Well, they might have a punk version by the Sox Pistols.
Mildred Roper: The who?
George Roper: Yeah, or even them.
- ConexõesReferences Love Thy Neighbour (1972)
Principais escolhas
- How long is George and Mildred?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Proporção
- 1.85 : 1