Enigma do Espaço

An astronaut has some sort of weird experience in space. He comes back acting funny. Does anyone notice? Not until he goes off the deep end. How will it all end?

Just because this is one-dimensional and predictable does not mean you can not still say "stay in the car." And you do not think having twins is spooky? Rosemary's Baby never grew up to be a pilot. Yeah, and such common names as Spencer Armacost; whatever happened to Igor or Jeffery Dhalmer? They are put in a quiet space, so you have time to think about what happened (or did not happen) and you call it dull. Do you think that they would intentionally make a bad movie?

Interestingly enough the actors, including Johnny Depp and Charlize Theron, for better or worse have made some memorable movies. So, it is interesting to speculate how they were lured into this particular film.

If you can believe the premise of this film then the next film to watch is Shatner in Space (2021),

The Astronaut's wife is a bad film- no two ways about it. The plot is basically Rosemary's baby in a science fiction template. Johnny Depp and Charlize Theron play a married couple about to have a baby when Depp, an astronaut is assigned a space mission. Something happens out there and although he returns in one shape something is amiss. The film is slow paced and doesn't really go anywhere, from what I remember. This is a film that should be considered only if nothing else interests you in the science fiction catalogue.

Two minutes of lost communication between a space shuttle and home. What went on? The astronaut involved returns, but his wife finds he is not quite the same... This film can be considered a serious blight on the resumes of Charlize Theron and Johnny Depp. I found the film a terrible mess,mostly because a slightly interesting premise, (which had tricked me into watching) disintegrated into adisjointed, incoherent plot and the final blow, horrific special effects. The cast seems to struggle with the script and the scenes of violence and sex are awful and unnecessary. Even the combined talents of Theron and Depp cannot save this bombshell from outer space.

THE ASTRONAUT'S WIFE / (1999) **

Johnny Depp plays a NASA astronaut named Spencer Armacost who, while on a space mission, losses contact with Earth for two minutes. He and his colleague, Alex Streck (Nick Cassavetes), return home to their spouses, Jillian Armacost (Charlize Theron) and Natalie Streck (Donna Murphy). Bizarre episodes begin to occur with Alex, leaving Jillian suspicious of her husband's condition. As her husband's strange behavior increases, Jillian begins to question what really happened in those 120 seconds.

"The Astronaut's Wife," written and directed by Rand Ravich, poorly executes good ideas. We have imaginative and potentially suspenseful ideas with this film's concepts behind such happenings in two minutes as Spencer and Alex are in galactic boundaries. The gradual increase in Spencer's unusual behavior depicts effective suspense-but thorough introduction of the characters does not take place, nor do we witness the key events in which the rest of the move hinges upon. Consequently, "The Astronaut's Wife" does not work.

The film's first act is full of incidences, characters, and subplots. Clearly too many things happen too early in the story. Within the first thirty minutes the production attempts to develop two separate relationships, shows us the atmosphere of a teacher's workplace, something bizarre transpires out of earth's orbit, a decision is made to resign and move to New York, a suicide takes place, a character mysteriously dies, and probably more. I just couldn't follow the plot.

I liked the eerie, supernatural overtones located throughout the production. The film is smart to reveal the right amounts of information at the precise time. There is also a certain style to "The Astronaut's Wife," containing an elusive mood, a weirdly intriguing design, and some tense and unusual camera angles. The movie becomes more interesting as we reach the closing.

Charlize Theron has been in a lot of movies lately, but "The Astronaut's Wife" is her first leading role. She seems to have come out of left field in 1997 with the comedy "Trail and Error." Afterwards, she contributed larger performances in "The Devil's Advocate," "Celebrity," "Mighty Joe Young," and most recently "The Cider House Rules," and "Reindeer Games." Her role in "The Astronaut's Wife" is a little more complex than her past credits, excluding her enticing and believable acting job in "The Devil's Advocate." She presents the traumatized Jillian Armacost with the perfect blend of zest and tragic confusion.

Depp and Theron conjure a chemistry-rich couple. The movie very clearly takes Jillian's point of view instead of allowing us to know mysteries with Spencer. This stays consistent and focused, but sometimes leaves us pondering about unexplained events.

"The Astronaut's Wife" builds for an awe-inducing conclusion through revealing and intriguing dialogue and an omnipresent undertone. The film suggests a form of extraterrestrial is behind the deaths of several characters as well as the strange behavior of Spencer, but we learn the truth only in the end. Call "The Astronaut's Wife" an unusual "The X Files" episode featuring a cliffhanger conclusion and a supernatural climax. The movie must have appeared really exciting on script. If only more capable filmmakers would have claimed this production we may have had a real winner. Instead audiences feel disappointment and failure, potential is wasted and originality is underscored

I have to say, I always enjoy Johnny Depp's work. He is a chameleon; an actor who can take literally any role, who can step outside the boundaries of typecasting. And, his performance in this film is in no way weaker than any other character; it is merely a role that not many are likely to recall when asked about him. The film builds decently enough. Depp and Theron play a married couple, and a significant element of stress begins to grow on Theron following Depp's events during an orbital assignment given to his character.

I also like Charlize Theron; my one nitpick is how she seems to always find her way into these 'tormented woman' roles, like in the Devil's Advocate. Her skills are not necessarily hindered by this repetitiveness; I just find it a redundancy she needs to work beyond. Those of you watching this film for a horror-themed thriller are going to be mostly put off. This film really does not rely to such an extent the horror mechanisms; rather it builds the tension through a number of strictly dialogue scenes, using the plot to intrigue rather than scare tactics.

The ending - quite literally, the last twenty minutes, is the only place you're likely to see what may be called horror. I will not give away what happens here; you have to watch it and see. All I will say is that the ending left me anticipating more. That said, my overall opinion is this movie is satisfactory at best, not a true stand out in the annals of cinema history, but certainly not one of the poorest examples of the profession.