Mary and Rhoda

So Mary and Rhoda have aged--who hasn't? I was a teen when Mary premiered, and a "young adult" when it left the air. Yes, it was great to see Mary and Rho together, and yes, maybe the film didn't sustain the comedy of the original series, but there were enough moments that recalled the spirit of the series to make this a fitting tribute. Example: the producer who hires Mary and then dictates the idea for a new series about "old people." Isn't this typical of the mentality of present-day Hollywood TV and film "bean counters?" This may not be THE MARY TYLER MOORE SHOW at its best--but it's a pretty damned good look back at one of the best shows we grew up with in the 70s.

I'm sorry, but I'd rather not see a reunion of these two stars if it can't be done with some humor, like the original MTM show had. Frankly, these reunion shows NEVER work and "Mary and Rhoda" is no exception. A lame script and cheesy acting make this a HUGE disappointment. And why in the world was Mary Richards in New York? She was a Minneapolis gal and putting her in the big apple just ruined the whole show for me. It's obvious Mary Tyler Moore wanted to make this movie in New York because she lives there. BAD idea Mary.

Well ( heavy sigh ) at least they tried.

Do yourself a favor and skip this sad excuse for a Mary Richards update.

Why MTM felt the need to create a pseudo-Lifetime movie, I do not know.

As a fan of the original series, I did not hold much hope upon hearing the concept for this reunion. Unfortunately, I found my worst fears were realized.

The way to go with this reunion, would have been to create a simple 30-minute episode, acting as if the series had never ended, with ALL of the surviving cast. The plot is obvious - have the gang gather for Ted's funeral. Not that we'd want another "Chuckles Bites the Dust," but a chance for the characters to interact in the manner that always seemed to work so well.

My only compliment for this "reunion" is to the costume designer, who seems to perfectly channel the 70s styles that Mary originally showcased, but with a contemporary flair.

In one of the FEW references to the original series, Rhoda humorously comments on Mary's lousy parties.

The whole daughter concept is a bust. LAME.

Granted, we were able to see the infamous "M" on Mary's wall, but what about the pumpkin cookie jar that also only appeared in every season of the original? (Anyone else notice that? Wonder what the significance was?)

Anyway, I'm sorry this movie was even produced. The "histories" of Mary and Rhoda are disappointing. The supporting characters are caricatures. The location filming in New York is distracting.

I love both actresses.......they deserve better than this. (Of course, it was all MTM's idea, sad to say.)

A good TV movie. Like most reunions, it doesn't really capture the nostalgia like old reruns, but not many can. I wish they'd made a huge reunion movie including Lou Grant, Sue Ann Nivens, Murray Slaughter, etc. as well as Mary and Rhoda. Oh well. Anyway, the two leads shine brightly as does Joie Lenz (formerly Michelle on Guiding Light) as Mary's daughter. A good premise, too. Enjoyable.

The idea of bringing Mary Richards back to TV has been kicking around for quite some time. There has been talk in the past of reunion specials, series and a whole host of other projects. Last year there was even speculation that it might come back as a TV series with Mary Tyler Moore reprising her role and Valerie Harper reprising Rhoda. For whatever reason the idea didn't fly, but a concession was made for a TV movie titled, Mary and Rhoda.

As the story opens we learn that Mary Richards has recently lost her husband and Rhoda has just gone through a nasty divorce. They have two daughters and haven't spoken to each other since Mary made it clear that she didn't like Rhoda's philandering husband. When they both return to New York they get the idea of looking each other up and rekindling a friendship that has been put on hold for several years.

The first few minutes of the show is catch up time. We learn that Mary went on to work for ABC news (the network that carried this movie) and that Rhoda went on to become an art photographer in Paris (where she lived with her husband).

Mary put her career on hiatus several years back to raise her daughter Rose (played by Joie Lenz) who is now planning on dropping out of school to become a comedian (?) Rhoda, meanwhile, has become her own mother, budding in on her daughters' life (Meridith, played by Marisa Ryan).

Doing reunion shows must be a difficult thing to do, simply because I have yet to see one that is truly satisfying. The producers have two choices when it comes to making one. (A) Spend the whole movie updating the audience on what is going with the characters ... thus making the plot secondary, or (B) Sacrifice the very reason I would tune in and go with a dull plot. The producers of this show seemed to choose a happy medium, or at least I think they did.

We did update on Mary and Rhoda, most of it right at the beginning. I was disappointed that there was no discussion about the other cast members, but I suspect that could be a draw for the TV series that might just follow this movie. The plot was all right; certainly in keeping with Mary Richards. When she first appeared on television she was dealing with being a woman in the news business. Today she is dealing with being an older woman in the news business.

I liked some of the supporting characters in this one. It didn't seem forced, and if there is a series, I believe that an interesting premise has been built by this film. Christine Ebersol is a stand out as Cecile Andrews, the 'Ted Knight-Sue Ann Nivens' like anchor at the TV station Mary works for.

All in all this is an OK film. I wouldn't recommend it for anyone who is not a fan of the original series, but for fans this is a must see. I know that one of the reasons this project took so long to get off the ground was because Moore was particular about how it was to be handled. Here she does things her way and she certainly proves something. As far as I'm concerned she can still turn the world on with her smile.