O Expresso de Marrakesh

It has been quite a while since I saw this film (I viewed it in the theatres when it opened), but I read some of the negative user comments and decided to throw in my 2 cents.

I remember not having a clue what to expect as I walked into the theatre as I had heard nothing of the film and was accompanying a friend who wanted to see it.

I also remember being touched by the performances of all involved, especially Ms. Winslet and her lovely on-screen children. The scenery was beautiful and the story was a poignant journey into the life of a young family uprooted from their London home to travel to the Moroccan countryside. As the final scene ended and the credits began I remember sighing with enjoyment and satisfaction at an hour and a half of viewing pleasure.

While the movie will not appeal to everyone, I must say that it is nice to sit and watch a simple film that is not bursting with gore, nudity and profanity for a change.

A surprise treat!

'Hideous Kinky' initially gives the impression of being a movie about a woman's adventurous and spiritual journey when it is actually about her journey to self-discovery. MacKinnon captures the landscape of Marrakech beautifully. The wild exotic culture looks authentic. The cinematography and music blend superbly with the overall mood of the film. The director makes the viewer feel like a silent observer and travelling companion of Julia and her children. I loved how her relationship with Bilal was portrayed as a beautiful friendship based on love, compassion, kindness and in the end, sacrifice. Kate Winslet does a phenomenal job once again. Said Taghmaoui does an equally convincing job but unfortunately, he still remains an underrated actor typecast in terrorist roles. It's a pity that Hollywood does not offer this actor much else to do. Child actors Bella Riza and Carrie Mullan deliver some of the better performances by child actors. 'Hideous Kinky' is an adventurous movie in the true sense of the genre. It's not an 'Indiana Jones' or 'Pirates of the Caribbean' type experience but rather something more layered, subtle and profound. Think of a kinky summer holiday about self examination somewhere exotic and less known.

Sorting out my thoughts about this movie is tricky since I did read the book and it's hard to forget it.

The book has the distinction of being narrated by the younger sister and so a crucial part of the book's identity is lost. But I think this is for the best since it instead chooses to tell its story visually rather than use an annoying narrator to tell us what we can see. A first person novel is incredibly intimate while a movie (when made like a movie, not a book) has the advantage of a certain aloofness and there is something voyeuristic in the cool pacing and candour of this story.

There is a much stronger character in the mother here as someone on a quest for spirituality but not sure what kind of spirituality. The focus is on the family and isn't centred on the little girl so much.

The on location filming is beautiful even if it could have given us more in terms of local colour.

Overall I enjoyed this breezy movie about people on an indeterminate path in life and trying to find identity in exotic lands and how this doesn't turn out as will as you hope. The light touch is much appreciated and the sense of intimacy of the family is evident from their physical interaction. The little girl strolls dressed in nothing but underpants to cuddle with Mom; later she slides up close to Mum making love with her Muslim lover.

At it's core a little disquieting but ultimately warm experience.

Kate Winslet and her young co-stars are charming in this film. The children have some priceless scenes which are faultlessly acted and leave you wishing that you could encounter such vibrant children in real life instead of the ones prone to throwing tantrums in crowded shopping malls.

The story drifts all over the place - more of a string of events meandering along in search of a purpose, much like Winslet's character. The scenery is stunning, the colours of Morrocco vibrant and the glimpse into another culture is well executed. A fine film to watch if you want visual stimulation, but don't wish to concentrate on a complex story.

It's 1972 Marrakesh. Julia (Kate Winslet) moves from London to Morocco with his young daughters Bea and Lucy. The girls' father has another woman in London. They struggle waiting for the father's check to come in. Julia falls for acrobat street performer Bilal (Saïd Taghmaoui). She goes to study in Algiers with Sufi mystic Ben Said.

There is a meandering pointlessness about this movie. It doesn't have enough exotic style. The movie doesn't tap into a child's wonder. It doesn't have tension of surviving in a foreign land. Kate Winslet looks downbeat which somewhat fits her character. She may want to be someone looking for spirituality but she strikes as someone self-obsessed running away from her troubled home. She's more about her love life than taking care of her children.