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Interesting movie based on a novel by Daniel Woodrell and professionally directed by Ang Lee . It deals with Jake Roedel (Tobey Maguire) and Jack Bull (Skeet Ulrich) , two friends living in Missouri when the Civil War bursts out . Jack Bull's dad is murdered by Jayhawkers , so the young men join the Bushwhackers to fight Union soldiers . Bushwhackers are irregulars loyal to the South led by Black John (Jim Caviezel) and the violent Pitt Mackeson (Jonathan Rhys Meyers) , besides George Clyde (Simon Baker). One of them is an African-American , Daniel Holt (Jeffrey Wright), beholden to the man who bought his freedom . They are a little-known band of Civil War fighters known as Bushwhackers . They skirmish then spend long hours hiding. Sue Lee (Jewel), a young widow , brings them supplies . She and Jack Bull become lovers and when he's grievously wounded , Jake escorts her south to a safe farm . Later on , there takes place the looting and burning of Lawrence , Kansas , actually occurred on 21 August 1863 also known as Quantrill's Raid . As his friends die one after another, Jake must decide where honor lies .

Exciting film based on historical events set during American Civil War (1861-1865) in which the Bushwhackers use guerrilla warfare to destroy Yankee targets and led by men set on revenge, make a raid into Kansas. The picture efficiently describes the atmosphere of violence in which Women and Blacks have few rights, confrontation among bands and bloody battles . Emotive and evocative musical score by Mychael Danna . Colorful and adequate cinematography by Frederick Elmes. Very good production design , including breathtaking attacks and battles ; the scenes of the Quantrill's Raid on Lawrence, Kansas were filmed in Pattonsburg, Missouri , Pattonsburg was flooded out during the great flood of 1993 and the town was relocated leaving many empty buildings and homes available . The motion picture was well directed by Ang Lee (Brokeback mountain , Sense and Sensibility , Hulk , Crouching tiger , hidden dragon).

The flick based on real deeds , these are the followings : The Lawrence Massacre, was a rebel guerrilla attack during the U.S. Civil War by Quantrill's Raiders, led by William Clarke Quantrill, on the pro-Union town of Lawrence, Kansas. The attack on August 21, 1863, targeted Lawrence due to the town's long support of abolition and its reputation as a center for Jayhawkers and Redlegs, which were free-state militia and vigilante groups known for attacking and destroying farms and plantations in Missouri's pro-slavery western counties .By 1863, Kansas had long been the center of strife and warfare over the admission of slave versus free states. In the summer of 1856, the first sacking of Lawrence sparked a guerrilla war in Kansas that lasted for months. John Brown might be the best known participant, but numerous groups fought for each side in Bleeding Kansas.By the beginning of the American Civil War, Lawrence, Kansas, was already a target for pro-slavery ire, having been seen as the anti-slavery stronghold in the state and more importantly, a staging area for Union and Jayhawker incursions into Missouri. Initially the town and surrounding area were extremely vigilant and reacted strongly to any rumors that enemy forces might be advancing on the town. However by the summer of 1863, as none of the threats had materialized, citizen fears had declined and defense preparations were relaxed.Quantrill himself said his motivation for the attack was, "To plunder, and destroy the town in retaliation for Osceola. That was a reference to the Union's attack on Osceola, Missouri in September 1861, led by Senator James H. Lane.The attack was the product of careful planning. Quantrill had been able to gain the confidence of many of the leaders of independent Bushwhacker groups, and chose the day and time of the attack well in advance. The different groups of Missouri riders approached Lawrence from the east in several independent columns, and converged with well-timed precision in the final miles before Lawrence during the pre-dawn hours of the chosen day. Many of the men had been riding for over 24 hours to make the rendezvous and had lashed themselves to their saddles to keep riding if they fell asleep. Almost all were armed with multiple six-shot revolvers.Lawrence in ruins as illustrated in Harper's WeeklyBetween three and four hundred riders arrived at the summit of Mount Oread, then descended on Lawrence in a fury. Over four hours, the raiders pillaged and set fire to the town and killed most of its male population. Quantrill's men burned to the ground a quarter of the buildings in Lawrence, including all but two businesses. They looted most of the banks and stores and killed between 185 and 200 men and boys .

Taiwanese director Ang Lee, whose previous films include 'Sense and Sensibility' and 'The Ice Storm', turned to the American Civil War for his latest feature. Based on a novel by Daniel Woodrell, it follows the exploits of a group of Southern guerrillas, known as bushwhackers, as they fight their Northern equivalents, the jayhawkers in the backwater of Missouri.

As one might expect, there is plenty of visceral action, but the focus is on the tension that the war put on the young men who fought it - many of whom were fighting against their former neighbours and even family. Jake Roedel (Tobey Maguire) is such a man, or rather, boy, as he is only seventeen when the war reaches Missouri. He is the son of a German immigrant, but instead of following his countrymen and becoming a Unionist, he joins his lifelong friend Jack Bull Chiles (Skeet Ulrich) and rides with the bushwhackers. Despite a lack of acceptance because of his ancestry and an unwillingness to participate in the murder of unarmed Union men, he remains loyal to the cause. So does his friend Daniel Holt (Jeffrey Wright), a black slave freed by another bushwhacker and so fighting for the South.

Lee handles the subject with aplomb, never rushing the deep introspection that the plot demands in favour of action and this lends the film a sense of the reality of war - long periods of boredom and waiting interposed with occasional flashes of intensely terrifying fighting. The action is unglamorised and admirably candid, recognising that both sides committed a great number of atrocities.

The performances are superb, with Maguire and Wright both courageous and dignified. Up-and-coming Irish actor Jonathan Rhys Meyers is particularly chilling as a cold-blooded killer, while Skeet Ulrich is enjoyably suave and arrogant. Lee never flinches from the reality of war, but his actors do an admirable job of showing the good that comes from it - the growth of friendship, the demonstration of courage and, on a wider scale, the emancipation of oppressed peoples. Ride With the Devil is a beautiful and deeply compassionate film that regularly shocks but always moves the audience.

I just got back from seeing "Ride with the Devil," and I still haven't caught my breath yet. It's a little on the long side, but somehow you don't mind because you grow very attached to the characters. I live in Kansas City, so we heard a lot about the filming last year, but it really struck me to hear characters talking about places and acting out events I've heard about my entire life.

One thing that really struck me was the harsh violence. The reviewer in the local paper said it reminded him of news reports about Bosnia. Watching this film, you get a real feel for the harshness, the unpredictability of warfare and how it changes the characters. Highly, highly recommended.

As someone interested in 19th century American history I had to get this movie on DVD. It took forever to arrive but was well worth the wait..... I think. The qualification is added because I found it ... odd. Appparently accurate, literate, well acted but most of all unpredictable. I shall resist the temptation to write "spoilers" but suffice it to say there were more obvious "Hollywood" ways of dealing with many of the plot twists. Put another way, this movie is very well written. As "Gods and Generals" dealt with this horrible war at the level of general officers, this movie deals with it at the level of privates and irregulars. Is it too much of a soap opera? Not really. Is it unsatisfying in its dealing with evil? No, but it is unexpected. Is this a great movie? I don't know, but it is a good one.

The War Between the States was perhaps the darkest hour in the history of America; a war that pitted brother against brother and family against family and left scars that even today have not yet healed, and in all probability never will. And, as in any story about any war, beyond any historical significance it is the personal discord behind the greater conflict that creates the emotional impetus that makes it involving. It is the human element that renders the context necessary to give it perspective, which is what director Ang Lee provides in `Ride With the Devil,' a Civil War drama in which he focuses on the personal travails within the broader depiction of the War itself, and along the way manages to include an examination of one of the bloodiest chapters of the War, the infamous raid on Lawrence, Kansas, by Quantrill and his raiders, which he succeeds in presenting quite objectively from the Confederate point-of-view.

In 1863, the Union influence predominates in the State of Kansas, and even across the border in neighboring Missouri, those with Confederate loyalties are finding it increasingly difficult to hold out against the encroaching Northerners, especially without the aid of what could be considered any `regular' Confederate troops. And when things begin to really heat up around their own town, Jack Bull Chiles (Skeet Ulrich) and Jake Roedel (Tobey Maguire) form a band of their own and join in the fray, doing damage to the Union cause wherever it is practicable. Jack Bull and Jake do not like the War and do not like killing; but they are standing up for what they believe to be right.

There are others, however, even among their own, men like the young Pitt Mackeson (Jonathan Rhys-Meyers), who will use the conflict as a vehicle for personal gain and as nothing more than an excuse to express their own violent nature through unnecessary brutality, perpetrated in many instances against innocent victims. And so, for Jack Bull and Jake, as well as many just like them, it becomes a time in which loyalty and moral judgments will be sorely tested; a time during which their souls will be tempered in blood. And they will have to ride with the very Devil himself, against seemingly insurmountable odds.

As with all of his films, director Ang Lee approaches his story through an incisive, yet subtle examination of the traditions, cultural aspects and moral attitudes of the people and times he is depicting. And in so doing, Lee provides his audience with at least some understanding of his subject that goes beyond the actual story and ultimately offers, perhaps, a deeper grasp of the motivations that propel his characters and the drama in which they are engaged. Whether it's the traditions and customs that account for the relationship between a father and his daughters (`Eat Drink Man Woman'), the effects of class distinction (`Sense and Sensibility'), the honor and code by which a warrior lives and dies (`Crouching Tiger, Hidden Dragon') or the moral ambiguities fostered by a lack of all of the above (`The Ice Storm'), Lee infuses his films with insights into the human condition that take them to a higher level. This film is no exception; and (as he does with all his films), Lee presents his story with the aid of breathtaking cinematography (in this film, by Frederick Elmes, who also did `The Ice Storm' brilliantly), which under his guidance is nothing less than visual poetry. It's that special Lee touch, and it adds a wistful, reflective sense to whatever story he is telling, which is one of the elements that make his films so memorable.

As Jake, Tobey Maguire initially brings a sense of youthful innocence to the film that contrasts so effectively with the maturity he conveys later on as the story develops, and his character along with it. Most importantly, Maguire convincingly and believably responds to the events that unfold around him, which adds to the credibility of the overall film and underscores the realism of the presentation: His stoic acceptance of death and the news of those `murdered' in the various skirmishes and battles; the moral propriety to which those he encounters adhere, even in such troubled times; the betrayal, which because of the nature of the conflict is almost commonplace; and the loyalty and beliefs to which he and his companions cling adamantly. It is all of this that Maguire achieves through his performance, and it is no small accomplishment. It is, however, the kind of studied, understated performance that is often taken for granted, which is unfortunate; work like this is worthy of acclaim, and should be recognized.

Skeet Ulrich is effective, as well, as Jack Bull, and Jewel (in her motion picture debut) turns in an engaging performance as Sue Lee Shelley. It is Jeffrey Wright, however, who stands out in a notable supporting role as Daniel Holt, as well as Jonathan Rhys-Meyers, who brings a chilling Christopher Walken-like menace to his role of Pitt. Also, in what amounts to a cameo role (one scene), Mark Ruffalo leaves an indelible impression with very little screen time.

The supporting cast includes James Caviezel (Black John), Simon Baker (George Clyde), Tom Guiry (Riley), Tom Wilkinson (Orton Brown), John Ales (Quantrill), John Judd (Otto Roedel) and Kathleen Warfel (Mrs. Chiles). The Civil War will forever be an open wound upon the nation; but hopefully, as time goes on, it will be through the objective contemplations of filmmakers like Ang Lee and films like `Ride With the Devil' that will ultimately help to close the schism and promote healing. In light of more recent events, it is something that is sorely needed, worldwide. Film is a powerful medium; it can be educational as well as entertaining, and perhaps in the future more filmmakers, like Ang Lee, will embrace and promote a sense of unity through the sensitive depiction of the events and attitudes that make us what we are. 8/10.