No final dos anos 1950, em Nova York, Tom Ripley, um jovem fracassado, é enviado à Itália para resgatar Dickie Greenleaf, um playboy milionário rico e mimado. Mas quando a missão falha, Ripl... Ler tudoNo final dos anos 1950, em Nova York, Tom Ripley, um jovem fracassado, é enviado à Itália para resgatar Dickie Greenleaf, um playboy milionário rico e mimado. Mas quando a missão falha, Ripley toma medidas extremas.No final dos anos 1950, em Nova York, Tom Ripley, um jovem fracassado, é enviado à Itália para resgatar Dickie Greenleaf, um playboy milionário rico e mimado. Mas quando a missão falha, Ripley toma medidas extremas.
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Tom Ripley (Matt Damon) is a struggling lower class bathroom attendant in 1950s Manhattan. He's mistaken for being in the world of the super wealthy when an upper crust man hires Tom to retrieve his wayward son Dickie Greenleaf (Jude Law) from Italy for $1000. He finds Dickie with his girlfriend Marge Sherwood (Gwyneth Paltrow) and is lured into the world of the leisure class. When Dickie gets tired of Tom, Tom does the unthinkable and uses his underhanded skills to hang on.
Director/writer Anthony Minghella has instilled a sense of dread and foreboding. The acting is top notch with the most important coming from Matt Damon and Jude Law. There are honorable mentions to Philip Seymour Hoffman, Gwyneth Paltrow and Cate Blanchett. I do wish they play up Tom Ripley's homosexual side with Dickie and intensify the creepiness. Other than that, this movie has the perfect tone and sense of doom. It is such a perverse movie that you almost root for the conniving Tom Ripley.
Director/writer Anthony Minghella has instilled a sense of dread and foreboding. The acting is top notch with the most important coming from Matt Damon and Jude Law. There are honorable mentions to Philip Seymour Hoffman, Gwyneth Paltrow and Cate Blanchett. I do wish they play up Tom Ripley's homosexual side with Dickie and intensify the creepiness. Other than that, this movie has the perfect tone and sense of doom. It is such a perverse movie that you almost root for the conniving Tom Ripley.
A talented cast leads this twisted film about identity and becoming someone else. I enjoyed this movie quite a bit. It makes you think and lingers with you long after the credits roll. Anthony Minghella fills the screen with gorgeous European visuals that really add to the atmosphere. It is a tad long and takes a little bit to get going, but the Talented Mr. Ripley is another great film from 1999.
A small-scale imposter / con man, making the rounds in 1950s New York, gets caught up in something much greater than his usual scam and decides to let it ride, if just to see where he winds up. In this case the answer is Italy, gorgeous vestige of the old world with just a few hints of the modern one, where he's tasked with convincing a flippant trust funder to return from a perpetual, fortune-draining holiday. That mission quickly goes by the wayside, just as soon as he realizes how much easier life is in the lap of luxury, and he merely exacerbates said money-letting as the wealthy playboy's new wingman. When things take a turn for the messy, though, his welcome worn thin and nothing to show for it but bittersweet memories, a panicked string of responses sends the entire comfortable lifestyle into a tailspin. At its root, Ripley is an example of how fear and rejection can press a normally smart, affable person over the brink into monstrosity, a surprise considering the playful tone of the first act. Matt Damon, still fresh from his breakout in 1997's Good Will Hunting, shows great versatility in the leading role (essential for such a complicated character), smoothly masking that twitch in his eye from all but the viewing audience. It's one of those films where you'll feel wrong about your rooting interest, knowing all along that the guy absolutely does not deserve a happy ending, with the final moments serving as your comeuppance.
I'll admit that I rented "The Talented Mr. Ripley" without the slightest clue about what the story entailed. However, this caused no problem as I soon became involved in the twisted and rather bizarre plot; I was immediately interested in the movie as it was unique and unusual right from the start.
Matt Damon portrays the mysterious Mr. Ripley, who, more or less, remains a mystery throughout the film. I was intrigued at how, when you first see him on screen, you are given the impression that he is nothing more than a shy, innocent, and intellectual young man who pretty much keeps to himself. However, this image is only visable for the first five minutes or so, and is virtually shattered once he accepts the offer to go to Italy in search of Mr. Greenleaf's son, Dickie. I was fascinated at how rapidly his personality altered, and suddenly I understood that he was rather odd, as he deceived Mr. Greenleaf in the first place by wearing a Princeton jacket and pretending that he knew Dickie. Now, I haven't explained this entirely, as those of you who have seen this film know, as I am not writing this to create a summary of the plot, but rather to give my comments. Basically, Mr. Greenleaf saw Ripley playing the piano at a wedding wearing a Princeton jacket, and since his son also went to Princeton, he asks Ripley if, by any chance, he knew Dickie. Of course, since Ripley never went to Princeton in the first place, he couldn't possibly have known Dickie. Despite this fact, however, Ripley says that he did know him, and that they were friends. As soon as he says this, he manages to get himself in a deep hole of trouble as Mr. Greenleaf asks him to go to Italy to try and retrieve his son, as he couldn't do it himself due to that fact that Dickie wouldn't listen to his father following a serries of arguments.
I thought that the acting was brilliant, especially that of Jude Law (Dickie) and Matt Damon. I was on the edge of my seat throughout most of the film, and I felt that all the characters were believable in their own ways. I believe this to be a splendidly clever story, which is well written and directed. I thought that the music playing during most of the film was excellent as it matched the strange, eerie atmosphere of the story beautifully.
I would like to conclude this review by saying that this is a very good movie with an unusually unpredictable ending; it's nice to see a movie that doesn't finish perfectly for a change.
Matt Damon portrays the mysterious Mr. Ripley, who, more or less, remains a mystery throughout the film. I was intrigued at how, when you first see him on screen, you are given the impression that he is nothing more than a shy, innocent, and intellectual young man who pretty much keeps to himself. However, this image is only visable for the first five minutes or so, and is virtually shattered once he accepts the offer to go to Italy in search of Mr. Greenleaf's son, Dickie. I was fascinated at how rapidly his personality altered, and suddenly I understood that he was rather odd, as he deceived Mr. Greenleaf in the first place by wearing a Princeton jacket and pretending that he knew Dickie. Now, I haven't explained this entirely, as those of you who have seen this film know, as I am not writing this to create a summary of the plot, but rather to give my comments. Basically, Mr. Greenleaf saw Ripley playing the piano at a wedding wearing a Princeton jacket, and since his son also went to Princeton, he asks Ripley if, by any chance, he knew Dickie. Of course, since Ripley never went to Princeton in the first place, he couldn't possibly have known Dickie. Despite this fact, however, Ripley says that he did know him, and that they were friends. As soon as he says this, he manages to get himself in a deep hole of trouble as Mr. Greenleaf asks him to go to Italy to try and retrieve his son, as he couldn't do it himself due to that fact that Dickie wouldn't listen to his father following a serries of arguments.
I thought that the acting was brilliant, especially that of Jude Law (Dickie) and Matt Damon. I was on the edge of my seat throughout most of the film, and I felt that all the characters were believable in their own ways. I believe this to be a splendidly clever story, which is well written and directed. I thought that the music playing during most of the film was excellent as it matched the strange, eerie atmosphere of the story beautifully.
I would like to conclude this review by saying that this is a very good movie with an unusually unpredictable ending; it's nice to see a movie that doesn't finish perfectly for a change.
The Talented Mr. Ripley is a psychological thriller film written and directed by Late Anthony Minghella. The film is based on Late Patricia Highsmith's 1955 novel of the same name. The film stars Matt Damon, Jude Law, Gwyneth Paltrow, Cate Blanchett, Jack Davenport, Late James Rebhorn and Late Philip Seymour Hoffman.
The strongest part of the film is probably it's strong casting with almost all the characters were aptly perfect for their roles and did a terrific work.
The screenplay of the film is slow but still will not deviate the attention of the viewers. The atmosphere of the Italy in the 50s is mesmerizing. The twists and turns at regular intervals of the film will keep the guessing game on and the film ends with a good climax.
The strongest part of the film is probably it's strong casting with almost all the characters were aptly perfect for their roles and did a terrific work.
The screenplay of the film is slow but still will not deviate the attention of the viewers. The atmosphere of the Italy in the 50s is mesmerizing. The twists and turns at regular intervals of the film will keep the guessing game on and the film ends with a good climax.
Você sabia?
- CuriosidadesJude Law learned to play the saxophone and Matt Damon learned to play the piano for this film. However while Damon's training enabled him to recreate the proper keyboard fingering, the music heard in the film is played by Sally Heath (the Bach) and Gabriel Yared (the Vivaldi).
- Erros de gravaçãoWhen Tom talks to Marge after he returned home from San Remo, the cover of a Miles Davis LP is visible in the background. It's the cover sleeve of "Tutu" which was released in 1986. However, the movie is set in 1958.
- Citações
Tom Ripley: I always thought it would be better to be a fake somebody than a real nobody.
- Cenas durante ou pós-créditosThe opening title uses all the adjectives of the complete title before cutting to the final "The Talented Mr. Ripley."
- Trilhas sonorasLullaby for Cain
Music by Gabriel Yared
Lyric by Anthony Minghella
Performed by Sinéad O'Connor
Produced by Anthony Minghella & Gabriel Yared
Sinéad O'Connor performs courtesy of Atlantic Recording Corporation
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- How long is The Talented Mr. Ripley?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- El impostor
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 81.298.265
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.738.237
- 26 de dez. de 1999
- Faturamento bruto mundial
- US$ 138.033.194
- Tempo de duração2 horas 19 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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