Em 1932, dois estranhos são condenados injustamente e desenvolvem uma forte amizade na prisão que dura ao longo do século XX.Em 1932, dois estranhos são condenados injustamente e desenvolvem uma forte amizade na prisão que dura ao longo do século XX.Em 1932, dois estranhos são condenados injustamente e desenvolvem uma forte amizade na prisão que dura ao longo do século XX.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 1 vitória e 6 indicações no total
- Goldmouth
- (as Michael 'Bear' Taliferro)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The movie begins in modern times, 1997, with the main characters' funerals. The movie then flashes back to 1932 to begin telling their story, and continues as they age in prison in Mississippi.
They were "petty criminals" but were sentenced to life in prison for a murder they did not commit. However, being black in 1930s Mississippi did them no favors. The story that unfolds is irreverent and funny and has enough twists along the way to keep things very interesting.
I can't understand why the average rating of this movie is below "6". I give it "8" of "10" for its overall entertainment value, plus a few "life's little lessons" thrown in. I think it is one of Eddie Murphy's best movies.
OCT 2020 edit: I just watched it again after 20 years, this time on DVD. While most of it was somewhat familiar I had forgotten the last scene in Yankee Stadium.
One of the most funniest films I have seen.
I have seen this so many times and I don't understand why it has only scored a 6/10!
I always think that story lines that cover a large chunk of the characters' lives are always very interesting as the audience gets to see how they evolve and change with age. All of the characters pull this off - over the years we see Ray (Eddie Murphy) change from a young confident individual who never gives up hope to a tired old grouchy man who is hard of hearing; but its never sad. Even when the characters are riddled with old age the humour is still fantastic.
Throughout their time there, their friendship is tested in various ways. From failed escape plots, constant antagonism by the warden and his self-hating guard, to bitterness on how they came to be in this awful position. During they sentence, they meet a befriend a colorful cast of characters.
Who knew Eddie Murphy and Martín Lawrence would make a great comedy duo? They play off each other well. Them and the supporting cast.
In regards to the commentary, there're some themes that still resonate today: Homophobia, racism, and resilience in the face of hopelessness and adversity. As funny as it is, it still has a great amount of heart and characters we grow to like too (most of them). I have to admit, they never came off as friend last as the film would like you to believe though. That's just my opinion.
Bottom line, this movie's underrated. Another film the critics got wrong. With that being said, check it out if you have time.
Você sabia?
- CuriosidadesWhen Ray and Claude are standing on a box of bottles, Claude mentions that a one of his toes has slipped into one of them. This actually happened during the take, but Martin Lawrence kept going, despite Eddie Murphy's laughing, which is genuine.
- Erros de gravaçãoWhen Ray and Claude are older in the superintendents house talking in their room. You can see that Ray is fixing his bodysuit. He is pulling down his stomach.
- Citações
Goldmouth: Maybe I oughta eat *your* cornbread.
Rayford Gibson: Motherfucker, you can't have my cornbread. That's for damn sure. Cause if you try and take my cornbread, Part 2 of my killing spree is gon' begin up in here on your ass, right now. You thinking about my cornbread, better get the taste out your mouth. That's for damn sure.
Claude Banks: Ray, chill out...
Rayford Gibson: No, fuck him. Fuck that, 'cause I'm from New York City, goddammit. Nobody take no cornbread from me. That goes for anyone of you motherfucking farmers who wanna start some shit. You fuck around with me, there's gonna be consequences and repercussions.
- Cenas durante ou pós-créditosBloopers are shown during the closing credits.
- ConexõesFeatured in Maxwell: Fortunate (1999)
- Trilhas sonorasWake Up Everybody
Written by Gene McFadden, John Whitehead, Victor Carstarphen
Produced by Wyclef Jean and Jerry 'Wonder' Duplessis
Performed by Robby Pardlo
Courtesy of Booga Basement Records
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Condenados a fugarse
- Locações de filme
- Locke, Sacramento, Califórnia, EUA('Natchez-under-the-Hill')
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 64.016.268
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.414.775
- 18 de abr. de 1999
- Faturamento bruto mundial
- US$ 73.475.268
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1