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A tremendous biography of a supermodel, Gia Carangi. Her beauty graced magazines profusely in the late 70's. She knew as a little girl just how attractive she was. Her short life dealt with defiance of authority, lesbianism, love/hate relationships, drug addiction and AIDS.
Angelina Jolie was excellent as Gia. Her profanity, nudity and lesbian love scenes scorch the screen. Ranking among the best on film. Also in this eye opener is Elizabeth Mitchell, Mercedes Ruehl and Faye Dunaway.
With all the violence, nudity and profanity; can not believe this is rated R instead of X. But I am not complaining. This is a tragic story about a complicated life. A very interesting bio.
Angelina Jolie was excellent as Gia. Her profanity, nudity and lesbian love scenes scorch the screen. Ranking among the best on film. Also in this eye opener is Elizabeth Mitchell, Mercedes Ruehl and Faye Dunaway.
With all the violence, nudity and profanity; can not believe this is rated R instead of X. But I am not complaining. This is a tragic story about a complicated life. A very interesting bio.
- michaelRokeefe
- 22 de abr. de 2000
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Gia Marie Carangi (Angelina Jolie, Mila Kunis) was born in 1960 Philadelphia and grew up in a broken home. Her mother (Mercedes Ruehl) left her combative relationship with her father. She's volatile and carries a switchblade. At 17, she meets top modeling agent Wilhelmina Cooper (Faye Dunaway). She moves to NYC with boyfriend T.J. but he goes back to Philly. She gets involved with straight-laced photo assistant Linda (Elizabeth Mitchell). She becomes a modeling star. However there is always a need in her that is eventually filled by drugs.
This is simply Angelina Jolie in all her glory. She solidifies herself as the most compelling sexually-volatile actress around at the time. The story isn't much and it doesn't have much drama. The movie has a little style but it is tethered to its TV roots. It is a showcase for Jolie and not much more.
This is simply Angelina Jolie in all her glory. She solidifies herself as the most compelling sexually-volatile actress around at the time. The story isn't much and it doesn't have much drama. The movie has a little style but it is tethered to its TV roots. It is a showcase for Jolie and not much more.
- SnoopyStyle
- 5 de ago. de 2015
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Angelina Jolie is a natural fit to play Gia Carangi.
Both were rebellious growing up. Gia was a punk teenager in Philadelphia who headed off to New York in the late 1970s and soon became a top fashion model under agent Wilhelmina Cooper (Faye Dunaway.)
Success was swift and in the heady days of the early 1980s. She became a supermodel, was openly lesbian/bisexual, did lots of drugs. Unfortunately she was one of the first famous women to die of Aids in 1986.
Co-writer and director Michael Cristofer gives this movie a docudrama approach. It has talking heads discussing aspects of Gia's life.
Gia was undoubtedly a brash woman, she had relationship issues with a girlfriend and a complex relationship with her mother.
Despite being artily shot, some nudity from Ms Jolie. It comes across as another rise and fall true life movie.
At times it just felt skin deep and a bit camp. Nothing about the pressures of the fashion industry where drug use is regarded as common.
The taboo aspects of Aids in the 1980s is dealt with. It should had been a movie that amounted to something more. Jolie certainly showed why she was regarded as a rising star.
Both were rebellious growing up. Gia was a punk teenager in Philadelphia who headed off to New York in the late 1970s and soon became a top fashion model under agent Wilhelmina Cooper (Faye Dunaway.)
Success was swift and in the heady days of the early 1980s. She became a supermodel, was openly lesbian/bisexual, did lots of drugs. Unfortunately she was one of the first famous women to die of Aids in 1986.
Co-writer and director Michael Cristofer gives this movie a docudrama approach. It has talking heads discussing aspects of Gia's life.
Gia was undoubtedly a brash woman, she had relationship issues with a girlfriend and a complex relationship with her mother.
Despite being artily shot, some nudity from Ms Jolie. It comes across as another rise and fall true life movie.
At times it just felt skin deep and a bit camp. Nothing about the pressures of the fashion industry where drug use is regarded as common.
The taboo aspects of Aids in the 1980s is dealt with. It should had been a movie that amounted to something more. Jolie certainly showed why she was regarded as a rising star.
- Prismark10
- 11 de jan. de 2021
- Link permanente
This movie turned out to be a very unexpected favorite of mine. Angelina Jolie stars as the late Gia Marie Carangi, an Italian American woman who rose from a humble Philidephian beginning to worldwide fame as the first known "supermodel", and whose short-lived career spanned from the late seventies to the early to mid eighties. Jolie is super-impressive as she portrays the highs and lows of Gia's fame: strutting through a crowd of admirers, the look on her face saying, "I'm GIA, and you're nobody!"; endulging in glamour drug of the moment, cocaine; fiercely proclaiming her love for Linda (Elizabeth Mitchell), right in front of Linda's boyfriend; tearfully begging her visiting mother (Mercedes Ruehl) to stay with her, then hurling obscenities at her while throwing her baggage out of the apartment; and quietly and gracefully accepting the most tragic news about her health, just as she's finally getting her life on track. This movie deals very frankly with Gia's sexuality and there is some nudity and scenes of sexuality, but looking past the sex and the drugs and the tough exterior she displayed (especially when someone took her knife away from her), you see a very lost, fragile person. Gia is almost childlike in her disillusionment about the fashion industry, and you feel it in the way she fantasizes about a "normal" life with children, the way she feels like people regard her as a "piece of meat" with no brains, and the way she is so truly hurt by a fellow model calling her hateful names in a jealous rage. I think this movie is something that should be seen by people of all ages, regardless of its sexual content, because it carries a strong anti-drug message as well as a touching story we can all identify with even if a lot of us are not blessed with the kind of glorious physical beauty Gia was blessed with.
- PeachHamBeach
- 14 de ago. de 1999
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Angelina Jolie has slogged her way through so much mediocre material, I can't even begin to understand how she has kept her love for acting. But it's undeniable... her talent and spirit are bottomless, and she could be a superstar if given the right movie role. 'Foxfire' wasn't it. 'Hackers' was a mess. And 'Gia' is well-intentioned exploitation at best. (I love sex scenes between women as much as the next guy, but the movie goes a little overboard..... there's a fine line between character growth and the Spice Channel, apparently.) A decent biography, I guess, and Jolie does as much as possible with the limited script. But if there's any justice in this world, Jolie will be in the Hollywood elite soon, rather than toiling away on hedonistic HBO works.
- Cragan
- 11 de fev. de 1999
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Not spoiling anything that isn't in the keywords, but you can guess the whole story from the keyword "drugs." All drug stories are the same, whether it's model, rock star, athlete, etc.
Drugs damage one's relationships, finances, career and ultimately health. This story is another rise-and-fall story with drugs as the culprit.
Don't expect much in terms of cinematography, soundtrack, etc. a it is a 90's TV movie. There's a lot of nudity, which was a big draw for some at the time.
It's just okay. If you have nothing better to watch or do. Not the one for a big movie night.
It's just okay. If you have nothing better to watch or do. Not the one for a big movie night.
- swedeandsour
- 26 de dez. de 2020
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I'm here to write a small human spin on the film Gia. As this film claims, Gia WAS different things to different people. I know because I met Gia in Philadelphia when we were both 16. I casually knew her from her father's hoagie shop because I went in there often to eat. When I chose to go to college in Philadelphia a few years later, I dropped in occasionally at the shop and I always said hello to Gia's dad to ask how she was doing as a model. He was so proud of her and what she was accomplishing in New York and all over the world. He always had that picture of her in Cosmopolitian above his cash register and he let me look at it. I just knew Gia would do well. Years pass, I move to the West coast. In 1982, I'm in New York and I heard she was right up the street from where I was, and I wanted to stop by to say "Hi" but never got the chance, I was too busy in meetings and never thought about it again. It wasn't until 1990 I heard she died, and the way she died and it tore me to pieces. So tragic to someone many of us thought from our generation, our backgrounds, our area "had made it." In 1998, this movie was done and I thought done as good as it could be. I know there were those closer to Gia that knew more and didn't appreciate it, but I did, and I miss her. Angelina Jolie did some very serious acting to bring this part of Gia's life to the screen. The movie was of theatrical quality and its a shame it didn't get that release. But thanks to this movie, there was a great deal of Gia's life I knew nothing about after 17 years old. But the ending was what touched me, because that is how I will remember Gia, and wish for everyone to remember her as well, even with the rough and gritty content contained in her life brought to screen. This is a hard must see for those who think a model's life is exciting, it can be, but they will also learn its nothing without the love of your parents, stable friends and relationships and the love of yourself - no matter what yourself may be.
- lambiepie-2
- 22 de out. de 2000
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I was kinda surprised how good and interesting this movie turned out to be.
The first thing that quite blew my mind was Jolie's performance. Maybe because i only associate her with cheesy flat actions or Lara Croft , which are not ... that good movies, but because of that i was surprised of how good her acting here is. From the crazy rebel-like start, to the mental unstable behaviour that pops up later on... It's a biopic movie, and afaik some things are not exactly true, it seems to be true to the spirit of the events. They managed to deliver the feeling at fullest.
The only negative i can say about this movie is the cinematography. Most of the times the cinematography is ok or even good. It's quite chaotic at times, but that actually fits the scenes, mood and topic perfectly. Even the weird angles are perfectly fine here. Buuuuuut the ugly repetitive shots (repetitive either with slightly altered camera angle, or slightly altered movements) are supid. I hate when they use this "trick" , it never looks good. They just stay cheap. Luckily - only 2-3 scenes have that, so it's not a big deal.
Good movie, good but tragic story, and the best Jolie performance i have seen. Which gives me the though of checking out other movies with her.
The first thing that quite blew my mind was Jolie's performance. Maybe because i only associate her with cheesy flat actions or Lara Croft , which are not ... that good movies, but because of that i was surprised of how good her acting here is. From the crazy rebel-like start, to the mental unstable behaviour that pops up later on... It's a biopic movie, and afaik some things are not exactly true, it seems to be true to the spirit of the events. They managed to deliver the feeling at fullest.
The only negative i can say about this movie is the cinematography. Most of the times the cinematography is ok or even good. It's quite chaotic at times, but that actually fits the scenes, mood and topic perfectly. Even the weird angles are perfectly fine here. Buuuuuut the ugly repetitive shots (repetitive either with slightly altered camera angle, or slightly altered movements) are supid. I hate when they use this "trick" , it never looks good. They just stay cheap. Luckily - only 2-3 scenes have that, so it's not a big deal.
Good movie, good but tragic story, and the best Jolie performance i have seen. Which gives me the though of checking out other movies with her.
- s_simov
- 23 de jul. de 2024
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An unforgettable film about a supermodel, named simply Gia. Stunning performance by Angelina Jolie as Gia and Faye Dunaway as her agent. The movie plays out like a documentary and is filled with interviews by those who knew her during her career as a model and the family who loved her. It's a fast paced film and exciting to see the underground world of modeling. It is based on Gia's often-poignant journal. It gives us a glimpse on the darker side of fame that we do not often look in on. It will be hard to watch at times and harder not to at others. It will make you thankful that if you are thirty or forty-something, that you made it through this difficult time in life, a time when no one knew about the painful consequences that would consume a life. Gia is a movie for the strong at heart or the weak who wish to be stronger. After watching the movie, I looked at her website and was eerily surprised that I recognized that face from one of my mom's Cosmopolitans. I am grateful her memory lives on through her journal and this under-rated film. Two-thumbs up!
- tigerkiss5
- 8 de mai. de 2005
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- Real_Review
- 7 de jul. de 2019
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- mysteriesfan
- 28 de dez. de 2007
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Gia's a great biographic film with a credible story, great cast and great presentation. Angelina Jolie's performance here is nothing less than incredible, in fact there was a short time when I thought she's really Gia herself and that she's really troubled...that's how convincing her act is. Mercedes R makes a great support role...and a mother as well.
There are so many things to learn here, like how fashion was in the 1970's and 1980's, Gia's lesbian crave, the drugs and the AIDS. The film is so realistic, you'll really care for the people and the events that unfold.
Definitely a must-view!
There are so many things to learn here, like how fashion was in the 1970's and 1980's, Gia's lesbian crave, the drugs and the AIDS. The film is so realistic, you'll really care for the people and the events that unfold.
Definitely a must-view!
- Sharkey360
- 12 de mar. de 2000
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Gia was raw, complex, unapologetic and vulnerable, which made her so fascinating even to this day. Well portrayed by AJ, but the film doesn't quite capture the real struggles and relationships of her life. 6 stars tops, the 7th is for Gia, who shone the brightest, most mesmerising and indelible light across the sky of fashion before hastily falling into God's embrace.
- kcreviews
- 26 de out. de 2020
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- deetdee12
- 6 de jun. de 2005
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I rented the unrated version from NetFlix.
Gia is a powerful movie. It is two stories intertwined into one: the life of a confused teenage girl, looking for love and acceptance, and of the modeling industry and its effect on the emotions and egos (no matter how large or small) of those in front of the camera. As a woman who worked within the industry several years ago, I could relate to the confusion that Gia felt.
Angelina Jolie gave the viewer an excellent portrayal of a lonely teenage girl who was trapped inside an adult woman, her only comfort being her lover and later, her drugs.
The performances of the actresses were on target; the message was clear. A haunting movie worth purchasing.
Gia is a powerful movie. It is two stories intertwined into one: the life of a confused teenage girl, looking for love and acceptance, and of the modeling industry and its effect on the emotions and egos (no matter how large or small) of those in front of the camera. As a woman who worked within the industry several years ago, I could relate to the confusion that Gia felt.
Angelina Jolie gave the viewer an excellent portrayal of a lonely teenage girl who was trapped inside an adult woman, her only comfort being her lover and later, her drugs.
The performances of the actresses were on target; the message was clear. A haunting movie worth purchasing.
- dont_blame_me
- 4 de out. de 2004
- Link permanente
I had never heard of Gia Carangi, so I don't know how much of this film reflects the truth. Since Oliver Stone was not involved, maybe a lot of it did.
I had not seen any of Angelina Jolie's work before. I was impressed. Mercedes Ruehl was very good, as always. Stealing the show, however, was Elizabeth Mitchell. Her down home beauty and acting range was shown to great effect. I am surprised she isn't more of a star.
The movie's plot, the life of Gia Carangi reminded me a bit of films in the days of the Hays Office, where negative behavior in a film always led to negative consequences. Gia's self-indulgent behavior is yet another example that very young people should never achieve great success. They rarely can handle it.
The film was badly over-directed, too much of the color to black-and-white and back transitions, too many jumpy action transitions, etc. It's like a film school project. It is also too long.
The movie is worth a look, though, in spite of its flaws.
I had not seen any of Angelina Jolie's work before. I was impressed. Mercedes Ruehl was very good, as always. Stealing the show, however, was Elizabeth Mitchell. Her down home beauty and acting range was shown to great effect. I am surprised she isn't more of a star.
The movie's plot, the life of Gia Carangi reminded me a bit of films in the days of the Hays Office, where negative behavior in a film always led to negative consequences. Gia's self-indulgent behavior is yet another example that very young people should never achieve great success. They rarely can handle it.
The film was badly over-directed, too much of the color to black-and-white and back transitions, too many jumpy action transitions, etc. It's like a film school project. It is also too long.
The movie is worth a look, though, in spite of its flaws.
- smatysia
- 4 de jan. de 2000
- Link permanente
angelina jolie pulls off a stunning performance. she lives, breathes the role of supermodel gia. the role is incredibly complex, and the essence of the role comes across in a very early line in the movie when gia says "You scare the s*** out of people so they can't see how scared you are."
angelina jolie is simply brilliant as the little girl in the grown-up bad bad world. she brings the loneliness and vulnerabilities underneath the tough outer cover to stark light. the director has done a smart piece of work with the characterisation. i suppose it is that much easier with a biopic. before the movie i had not heard of gia and was rather moved by the story.
the movie is sometimes too manipulative, with an obvious effort to make the audience cry. angelina jolie carries it off quite easily though. the other standout performance was from elizabeth mitchell as linda, gia's lover. she gives a very mature and understanding performance.
however, apart from these, the movie is not very gripping and quite often meanders on. a must watch for people who love sad movies. and jolie fans just cannot afford to miss this "t.v movie".
an angelina 7!!
angelina jolie is simply brilliant as the little girl in the grown-up bad bad world. she brings the loneliness and vulnerabilities underneath the tough outer cover to stark light. the director has done a smart piece of work with the characterisation. i suppose it is that much easier with a biopic. before the movie i had not heard of gia and was rather moved by the story.
the movie is sometimes too manipulative, with an obvious effort to make the audience cry. angelina jolie carries it off quite easily though. the other standout performance was from elizabeth mitchell as linda, gia's lover. she gives a very mature and understanding performance.
however, apart from these, the movie is not very gripping and quite often meanders on. a must watch for people who love sad movies. and jolie fans just cannot afford to miss this "t.v movie".
an angelina 7!!
- m_madhu
- 5 de jan. de 2002
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The acting, actresses, plot, interviews in between, it was all phenomenal. All the different emotions from Linda and Gia's relationship were made possible from the incredible acting. Highly recommended!
- cc0077
- 4 de dez. de 2021
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Hard to watch, lurid, middlebrow sexploitation; without the redeeming empathy necessary to engage more than one's salacious curiosity. Jolie was so happy to have such a good part, the character's sad decline was completely unconvincing, but the self-destructive, manic, drug-high scenes rocked.
- billr-3
- 8 de fev. de 1999
- Link permanente
When Cindy Crawford first entered the modeling world, she was dubbed, "Baby Gia." Her likeness to the model that was beyond perfection was what helped boost her career. Crawford, knew little about Carangi and her struggle.
When Stephen Fried published Thing of Beauty in 1993, he shed light on the exotic beauty known as Gia. He exposed the dark side of modeling, and showed the world the rise and fall of one of the most beautiful girls to ever live.
The movie Gia, is based of Fried's book. However, the movie takes several liberties. Gia's lover, "Linda", is based of Sandy Linter, a make-up artist in which Gia wooed and dated. Gia also dated a women by the name of Alyssa (she used the alias "Rochelle" in Fried's book). The writers combined these two loves, however, down played Alyssa's personality and character.
Gia's "journals" never existed. She did keep date books, too keep track of her appointments, and occasionally wrote things, but she never had an extensive amount of journals like the movie portrays. Gia's time in rehab is also downplayed.
Without a doubt, the movie is good, but if you want to know more about Gia, check out the book.
When Stephen Fried published Thing of Beauty in 1993, he shed light on the exotic beauty known as Gia. He exposed the dark side of modeling, and showed the world the rise and fall of one of the most beautiful girls to ever live.
The movie Gia, is based of Fried's book. However, the movie takes several liberties. Gia's lover, "Linda", is based of Sandy Linter, a make-up artist in which Gia wooed and dated. Gia also dated a women by the name of Alyssa (she used the alias "Rochelle" in Fried's book). The writers combined these two loves, however, down played Alyssa's personality and character.
Gia's "journals" never existed. She did keep date books, too keep track of her appointments, and occasionally wrote things, but she never had an extensive amount of journals like the movie portrays. Gia's time in rehab is also downplayed.
Without a doubt, the movie is good, but if you want to know more about Gia, check out the book.
- woahyourdumb
- 22 de nov. de 2005
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Gia leaves a mark on the viewer. I know nothing about the real Gia (pardon my ignorance) but I could feel her in Jolie. I think she has acted superbly, probably she identified with Gia. The interviews of people who knew Gia actually weren't enacted that well and seemed a little made up. But in Gia, one finds the traces of that wild -tender friend, which I guess we all have. The movie falls into the category (though at a lower rank) of 'Trainspotting' and 'Requiem for a Dream'. The portrayal of the female love and the way Gia wants to be the man is quite nicely shown. I just wish that the movie had no interview format and had let Gia to tell her own story.
- ankur-sardana
- 6 de set. de 2006
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- goforlaunch
- 8 de out. de 2005
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- wnterstar
- 6 de abr. de 2005
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Angelina Jolie playing Gia Carangi would be like, musically, if Jeff Beck played a concert celebrating Eric Clapton... while both Jolie and Carangi are knockouts, they're completely different kind of knockouts...
Gia was subtle, more cute-gorgeous while Angelia's... well... Angelina Jolie and, acting-wise, is quite good here, wielding the kind of energy that steals her own movie... yet it often feels more like a biopic set during the 1990's than the 1970's/1980's...
The director's partially to blame, making GIA seem a bit too much of exactly what it is: a risque cable movie (or one of those Don't Do Drugs Specials without any specific reasons behind her using) that sporadically almost-reaches big-screen potential (the documentary-style interview/interludes mirroring another doomed beauty flick, STAR 80)...
Meanwhile the lesbian scenes with Kim Dickens needed to evolve past cliche lipstick chic... although they did both have terrific chemistry in their build-up...
Overall, Jolie's almost too good here, not seeming like she's portraying an actual former niche-celebrity but embracing the fact she's on the verge of becoming a revered beauty-icon herself: Or like she's rebooting Gia's life rather than factually reliving it... which isn't too shabby, either way.
Gia was subtle, more cute-gorgeous while Angelia's... well... Angelina Jolie and, acting-wise, is quite good here, wielding the kind of energy that steals her own movie... yet it often feels more like a biopic set during the 1990's than the 1970's/1980's...
The director's partially to blame, making GIA seem a bit too much of exactly what it is: a risque cable movie (or one of those Don't Do Drugs Specials without any specific reasons behind her using) that sporadically almost-reaches big-screen potential (the documentary-style interview/interludes mirroring another doomed beauty flick, STAR 80)...
Meanwhile the lesbian scenes with Kim Dickens needed to evolve past cliche lipstick chic... although they did both have terrific chemistry in their build-up...
Overall, Jolie's almost too good here, not seeming like she's portraying an actual former niche-celebrity but embracing the fact she's on the verge of becoming a revered beauty-icon herself: Or like she's rebooting Gia's life rather than factually reliving it... which isn't too shabby, either way.
- TheFearmakers
- 12 de mai. de 2024
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- lisafordeay
- 25 de jul. de 2024
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