Cinema Anêmico

A mesmeric seven minutes of avant-garde animation in which spiralling patterns alternate with nonsensical prose.

I had previously watched 4 titles from Kino's 2-Disc AVANT-GARDE: EXPERIMENTAL CINEMA OF THE 1920s AND '30s; apart from this, I own multiple versions of a few of them. Anyway, having spent yesterday watching cartoons included in "Wonders In The Dark"'s 3000 All-Time Best Movies, I opted to follow it up with experimental shorts from the same poll, plus films by the same directors found in the afore-mentioned set. This one basically presents a progression of geometric forms shaped like a series of vaguely nonsensical quotes (in French) – one would think the constant revolving makes these hard to read but the eye actually adjusts to their alignment fairly quickly!

And what to think of it I am not sure. Basically it is made up of interchanging rotating spirals and rotating discs with text written on them in French. The text is short and in doesn't add up to much. Except for various kinds of dizziness there is nothing else here than what you can theorize around it.

It is a piece of dada-art where things were put out of context and therefore gains a new meaning or get incomprehensible. One example is Duchamps signed urinal and like that it almost requires to be put in a gallery to get meaning from it.

It is photographed by the great visualist Man Ray, but you cant notice as it is fixed in the same position for the whole duration of the movie (6 minutes).

I am sort of a fan of the Dada artists, their kind of work, but after seeing 'Anémic Cinéma' I have come to the conclusion that me being a fan does not apply when it comes to the visual art forms. When it comes to visuals, paintings or films, I am able to like strange things before my eyes but not the Dada kind. I mean, I enjoy surrealism a lot including Buñuel's 'Un Chien Andalou' and paintings from Salvador Dalí.

In a way I enjoyed this piece of cinema from famous Dada artist Marcel Duschamp, but only because I knew what kind of man was behind it. What we get to see is a spiral design spinning before our eyes and a disc with French phrases on it, also spinning. Duschamp cuts between these two images although the kind of spiral design and the French text changes after every cut. Interesting? Yes, but that's about it.

Well, what can one say about this? Seven minutes of spirals and circles and nonsensical sentences or sentence-fragments in French, an experiment in revolution I suppose you could say. Duchamp's only known film as director, obviously a conjunction of formalist exercise and dadaist nonsense. I won't say it wore out its welcome, but I'm also glad it wasn't any longer. Watched on YouTube in an OK copy but most with a real interest in the avant-garde will want to catch it on Kino's excellent "Avant-Garde #1 with other experimental works from the silent and early sound periods including works from Man Ray, Joris Ivens, etc.

Not really "rateable" I think, though I'm doing it anyway...