A Invasão 2

This time around Zane's Canadian step-brother--who's a wizard of a computer geek underneath that '80s looking hairdo--must pick up the pieces from where his distant, paranoid relative left off in a similar DIY investigative fashion for, that's right, humanity's sake. Except he's laid back, shows late for work and would rather run from a situation than get his hands dirty, especially about theories concerning covert extraterrestials. Yeah, those guys...and now gals.

The pacing is along the lines of a made-for-TV mystery with a few thrills to grease the wheels. Production expenses are tighter, so in turn, there are a number of scenes that are overdrawn. The acting isn't expected to be award winning but with the flow being at slower speeds than its predecessor, it makes what comes out of their mouths forced and far from giving the believable sense of actually being there in this state of looming danger. Not to mention the one-dimensional villains that are just shy of being animated over and turned into cartoon characters.

The first film, while not mind-blowing, was fresher with ideas. "The Arrival 2" retreads similar mechanics and the story meddles on with superficial attempts to personalize the experience with little quips, along with token love interests and by-now dated gizmos. Overall, this feels straightforward, anticlimactic and, aside from a few redeeming qualities to keep it afloat, a waste of a sequel.

After seeing the Arrival I was looking forward to this one. I notice that the studio claims proudly that they only spent a quarter of the budget on this film that they did on the first one. And it shows it. The casting was bad, the acting is laughable and the script was downright idiotic.

The premise here is that sometime after the end of the first film, Charlie Sheen's character is killed off. He leaves clues for his brother to find out what is going on. It is all down hill from there. The sfx were OK but that is about all. they really wasted five reels of Kodak film stock on this one. I'd safely say give it a miss, unless you are a glutton for punishment.

I liked "The Arrival," but this is a weak sequel. Lead actor Charlie Sheen is gone from the first movie and all that's left, except for Michael Sarrazin, are no-name actors. Actually, Sarrazin hasn't been seen much of in recent years, either.

The movie does have some decent special effects and good good suspense, both of which make it fairly interesting and fast-moving. The problem is weak dialog and generally unlikeable characters, the worst being the obnoxious reporter played by Jane Sibbett. She was just downright annoying, ruining some of the enjoyment of watching this. Patrick Muldoon's character is a bit too sleazy, too. Cahterine Blythe was involved in some gratuitous sex scene, which accounts for the "R" rating.

For people who liked "The Arrival," many of them (me included) got stuck with this one added to that on the double-featured DVD.

I am not sure which part of this movie was the most poorly done - the acting or the script. The acting was very superficial. I got the idea they took the first cut for a number of the scenes - unfortunately these were the ones the co-stars had to carry all by themselves - without special effects. I didn't believe a word or care about these people. Nor did I believe that the characters were experiencing what they portrayed. The script was even worse. Even if the acting was good I wouldn't believe the story. These characters made incredible jumps in logic. They could figure things out at the first look. Any computer programmer that was as good as "Jack" would never think their brother got the brains.

Even with the flaws it wasn't a total waste of time. It was another chapter in an ongoing story - not the second novel in a trilogy - just a few chapters. It should have been a TV series episode. And the special effects were nice in some places. I can see why this movie went right to cable and skipped the theaters.

Kevin Tenney's sequel to David Twoey's highly under-seen 1996 original that involved a secret alien invasion and starred Charlie Sheen is a low-budget, straight-to-video exercise that marginally manages to capture some of that mystery, paranoia and intrigue that engulfed the first feature. It does begin strongly (with most of the striking elements appearing then), but soon becomes routine and a little plain. Tenney's directorial methods keep things down-pat with only sudden ripples of fast paced thrills and brazen stunts in an on-the-run format. Nothing out of the ordinary and the suspense can be uneven, but the scenes are executed very well. However it's Bruno Philip's roaming cinematography that gives it a verve-like boost and Ned Bouhalassa's emphatic music score adds to the high octane bursts. The lack of anything really expansive shows its minimal barriers, but this doesn't stop the aspiring imagination and clever concepts that can be found in its drawn up story. It's probably not as thought-provoking, focused and eerie in the material like its predecessor, and the location-choices here don't have that same lasting effect. Still Tenney's old-fashion tailoring keeps it moving along without any real worries. The computer special effects (which do feature largely) look chintzy and formulate some flat images, but for the budget its stands-up. Well that's if you're willing to overlook it, which could be hard. Set-designs in many sequences can look dodgy and plastic, especially towards the climax. There are average performances with Patrick Muldoon and Jane Sibbett leading the way. Michael Sarrazin engages for a short while. A smoking hot Catharine Blythe and the imposable Mike Scherer get all the fun. Decent, but not a patch on the original.