Um ex-agente de inteligência autônomo dos EUA tenta rastrear um pacote misterioso que é procurado por irlandeses e russos.Um ex-agente de inteligência autônomo dos EUA tenta rastrear um pacote misterioso que é procurado por irlandeses e russos.Um ex-agente de inteligência autônomo dos EUA tenta rastrear um pacote misterioso que é procurado por irlandeses e russos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 4 indicações no total
Amidou
- Man at Exchange
- (as Amidou Ben Messaoud)
Avaliações em destaque
Ronin is a beautiful looking movie that utilizes its gritty depiction of Paris and Nice to its advantage. Watching this picture 26 years after it originally released, it paints a thoroughly nostalgic and unconventionally idyllic view of France. Laden with big leather jackets and a plethora of iconic European cars from the 90's, it is oozing with atmosphere and easily immerses you into its setting. That is by far this movie's biggest strength, along with its extremely entertaining (albeit sometimes clunky) car chase scenes.
The plot is... less great. It tells a very vague and mostly nonsensical heist story, where a group of international criminals meet up for the first time to do a job together, in a similar vein to Reservoir Dogs. The glaring difference between the two movies is that the person who's in charge of setting up the job in Ronin seems to have very little control over their hired criminals, who easily bully their handler into being given more information and money, as well as them being generally terrible at working in a group!
While the overall premise is little more than flimsy, the moment-to-moment banter between the group is decent, and the action scenes are well executed. The acting is also great in general, despite somewhat poor writing in a couple of scenes. It's a movie carried quite effortlessly by its aesthetics, to a point where you can ignore most of the plot's faults because of how easily you get immersed into the world the movie's created for itself. Ronin drags a bit towards the end, with a third segment that was not as entertaining as the rest of the movie, but it is overall a great, laidback watch.
The plot is... less great. It tells a very vague and mostly nonsensical heist story, where a group of international criminals meet up for the first time to do a job together, in a similar vein to Reservoir Dogs. The glaring difference between the two movies is that the person who's in charge of setting up the job in Ronin seems to have very little control over their hired criminals, who easily bully their handler into being given more information and money, as well as them being generally terrible at working in a group!
While the overall premise is little more than flimsy, the moment-to-moment banter between the group is decent, and the action scenes are well executed. The acting is also great in general, despite somewhat poor writing in a couple of scenes. It's a movie carried quite effortlessly by its aesthetics, to a point where you can ignore most of the plot's faults because of how easily you get immersed into the world the movie's created for itself. Ronin drags a bit towards the end, with a third segment that was not as entertaining as the rest of the movie, but it is overall a great, laidback watch.
Now THIS is what I call an action movie. Combine a brilliant cast (Robert De Niro + the underrated Jean Reno, Sean Bean amongst them) with brilliant action scenes - gun fights and car chases are both top notch here; in fact, they're some of the best that have been put on film ever, and stand the rest of time really well (watching in 2022g - with lots of exotic European locals, like Paris and Nice, and a touch of swirling intrigue thrown in for good measure and you have a really great film.
De Niro plays a no-nonsense American mercenary hired by someone shadowy to retrieve a case. He doesn't know much more than that, except the folks currently in control of it are willing to kill to keep it in their possession. Lots of sketchy actors on both sides, including Russians and Irish!
De Niro plays a no-nonsense American mercenary hired by someone shadowy to retrieve a case. He doesn't know much more than that, except the folks currently in control of it are willing to kill to keep it in their possession. Lots of sketchy actors on both sides, including Russians and Irish!
A pretty decent action outing for Robert De Niro and John Frankenheimer. Good photography of some of the seedier neighborhoods of Paris and other French cities. This film is quintessential De Niro, and he gets all the good lines. There is an interesting revelation at the end, which I will not reveal here. The case everyone is after, is a complete McGuffin, what Hitchcock called that plot device, the thing which everyone wants, and it doesn't really matter exactly what that is. I think that Frankenheimer may have been paying homage to Hitchcock on this, as what is in the case is never revealed. Apparently David Mamet was the script doctor on this film, and it ended up OK. I am of two minds on Mamet, having liked "The Untouchables" a lot, and disliked "Glengarry Glen Ross" and loathed "Oleanna". I also liked Natascha McElhone, who I had never heard of. She is a beautiful and accomplished actress. Some people complained about her brogue. OK, she's not Meryl Streep. But then again, who is? A lot of actors won't even try. I look forward to seeing more of her.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
Oh, yeah, and some of the car chases were really, really cool, almost McQueenian.
One of the best action films of the late '90s. A group of mercenaries deals with a job that from the beginning was expected to be difficult. An outstanding cast, with great interpretations by De Niro and Jean Reno. The narrative has the usual plot holes of a spy/conspiracy film, but apart from that, it is a lesson in how to make a good film within the genre, with well-crafted twists and intense and credible dialogues. 'Ronin' continues to have, in my opinion, one of the best car chase scenes ever. If you like the '70s and '80s classics, you will like this one as well.
This thriller from veteren John Frankenheimer is pure excellence, the script, acting and action are top draw. De Niro and Reno are brilliant in this as of course you would expect from two such excellent actors. The action scenes are pulse pounding and particularly excellent are the car chases, probably the best ever. Not only did the stunt guys risk their lives but the guys shooting the action captured some truly thrilling close up view from the cars as they speed along. The action also carries a certain degree of realism to it, the shootouts are sensible and the car chases and crashes seem very genuine no massive corkscrewing threw the air like most car chases or cars jumping 100 feet in the air like in Gone in 60 seconds, which is all very good but not for this sort of thriller. The pacing of the film was great and there was a constant chilling atmosphere. As I said before Robert De Niro and Jean Reno were exceptional particularly in their scenes together. The support cast are good too with a brief but excellent display from Sean Bean and Natasha Mchelhone and Jonathan Pryce are both good as Irish terrosists with comendable accents. All in all a very god way to spend a few hours.
Você sabia?
- CuriosidadesA total of 80 automobiles were destroyed during filming.
- Erros de gravaçãoJean-Pierre claims that "All 47 of them committed Seppuku," but in fact only 46 did. The 47th Ronin, Terasaka Kichiemon, had a different mission. He was later pardoned. When he died at 87, he was buried along with the other 46.
- ConexõesEdited into Ronin: Alternative Ending (1999)
- Trilhas sonorasTime To Say Goodbye (Con te partirò)
Composed by Francesco Sartori
Lyrics by Lucio Quarantotto
English lyrics by Frank Peterson
Performed by Sarah Brightman featuring Andrea Bocelli
Courtesy of Angel Records
Under license from EMI Music Special Markets
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Sát Thủ Tự Do
- Locações de filme
- Blue Sky, Rue des Trois-Frères, Paris 18, Paris, França(restaurant in opening sequence)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 41.616.262
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.697.641
- 27 de set. de 1998
- Faturamento bruto mundial
- US$ 41.616.262
- Tempo de duração
- 2 h 2 min(122 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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