Amor E Sedução

I had the misfortune of watching this film recently. I had no idea it starred Robert Gant from Queer as Folk who I think is a decent actor so I was shocked that he was in such a lame film. While the movie does feature Carrie Stevens, Gabriella Hall and Linda Hoffman (all very attractive females) in the buff. It doesn't make up for the poor script and lame story. The movie is about a single attractive girl who moves to a new city and her manipulative boss is trying to seduce her. While this is going she's having dreams about her boss's ex-lover who was murdered. I think I'd rather re-arrange my sock drawer than sit through this movie again.

Like another poster I only watched this because I'm a Queer as Folk fan and wanted to see Bobby Gant in something else. Also like the other reader I couldn't help thinking of Hal Sparks/Michael Novotny at certain points. Unlike the other reviewer, I luckily ordered this from Netflix and saved a few bucks...I also ff'd most of it, and didn't lose a single plot point. The movie was stilted and lame. The acting was bad. Sorry, Bobby...what could you do with that script?? Also unlike the other reviewer, I'd say if it's on late night, watch an infomercial. Or read a book! The rest of this review is written only to fill the required minimum IMDb length...there is nothing else to say about this not-quite-a-porn.

Kim Wolf (Linda Hoffman) takes an apartment on Jane Street that was arranged by her married, manipulative boss, Marshall Catlin (D.K. Kelly) and soon also becomes his lover. She tells Sarah (Carrie Stevens) her office friend about recurring dreams that she is having in which a girl named Danielle (Gabriella Hall) is threatened by drowning. Jay Lewis (Robert Grant) is a handyman around the apartment who tries to help Kim solve her dream mystery. The story constantly implies that Marshall or his wife Penelope (Terry Markwell) may have something to hide that is somehow related to Kim's dreams.

The movie had a good role for Playboy POM (Miss June, 1997) Carrie Stevens who usually gets only a couple of lines and then dies [e.g., Sins of Desire (1993)]. She played the role well and should be rewarded with more significant roles in the future.