Gary Cooper: American Life, American Legend

Exclusively for Coop's lovers, though Clint Eastwood very strong though unobtrusive presence is a great asset of this very good documentary film. It is a biography of Gary Cooper, based mainly on his filmography, but also on more private archives, which show him as a child, as a young man, as a family man, with some of his friends (Picasso, Hemingway, etc.), as an older man, finally as a sick and close-to-death man. After "the end", I did not have the feeling that I knew the man any much better. But I have spent a very good moment, re-viewing many of the best moments of his movies; and my respect for the very talented actor and great professional was increased tenfold. The film shows, most interestingly, how the career of Cooper can be paralleled with the evolution of USA society before and after WW2. Two of the great moments are the time when Cooper has to answer justice about communism in the movie world; and when James Stewart (a very great one, too) received an Award for Cooper one month before his death. I'm not a weeping pot, but... that was a close one! Watch it, if you can: it is so much worth while. ... If you love Cooper, that is. Or an older America...

I just saw this documentary, which appears on the otherwise superb 2- disc DVD set of "Sergeant York." I have to say that this documentary fails as a learning experience about the great Gary Cooper. There were three large flaws, two regarding the film clips. 1) While the film clips are many, not ONCE did the filmmaker identify on screen what film they were showing! It would have been so easy to put the title and the date at the bottom of the screen. Not ONCE did they do this. If you wanted to check out a film that looked interesting, you were basically out of luck. Clint Eastwood does sometimes mention what film he is taking about, but not always. 2) Regarding Clint Eastwood, his narration is DEADLY DULL, both in substance and in his offhanded attitude. It sounded like he was reading a very boring script. He recites information about Coop's life with absolutely NO EMOTION! Anyone could have done a better job. 3) Most if not all of the films mention and briefly shown have been restored. But EVERY SINGLE CLIP shown in this documentary is hazy and out of focus, and the color films have all deteriorated to the point that they almost look black-and-white! How lazy of the filmmaker not to use recently restored film elements. Definitely skip this inert documentary and just enjoy the great "Sergeant York."

GARY COOPER found his niche in westerns, never requiring a lot of talk but a lot of fast action and quick on the trigger in cowboy roles.

His likable and unpretentious manner of acting, combined with his natural good looks made him a natural for films, after attending college and thinking of a career as an artist. Once the public got a brief glimpse of him in WINGS, his career path was determined. He'd become an actor.

Described by the narrator as "one of the most romantic figures of the screen," we see a series of clips from his famous films, where he gradually attained stardom as the "everyman" in films like MR. DEEDS GOES TO TOWN and MEET JOHN DOE.

Off screen, he was hardly everyman. He and his wife and children lived in luxury, with a huge swimming pool as a playground and lots of skiing and target practice on shooting expeditions.

On the eve of WWII, Warner Bros. released SERGEANT YORK and Cooper's fine performance, playing his first real-life hero, won the Academy Award. While at Warners, his three-year romance with Patricia Neal is touched upon only briefly before we get to HIGH NOON and another award for Cooper's work.

The commentary by Clint Eastwood is not particularly illuminating and is delivered in the dry Eastwood manner and in a monotone. The story of Cooper's career concludes with an emotional James Stewart at the 1961 Oscars presenting Cooper with a special Oscar honoring his career while the actor was home terminally ill with cancer.

Summing up: Not really the most illuminating biography of the great star, nor does it overcome the notion that many have that Cooper was a star personality with a limited range of emotion. There's an almost wooden look to much of Cooper's underacting, in my opinion.

Richard Schickel's 1991 documentary about Gary Cooper - "Gary Cooper: American Life, American Legend" gives us a look at the tremendous, all-American star through his films and his life.

Narrated by Clint Eastwood, the theme is definitely "Gary Coooper, American" as we are taken through fast clips of his many appearances in westerns, and scenes from "Meet John Doe," "Mr. Deeds Goes to Town, and "Sgt. York."

The best part of the documentary is the home movies of Cooper and his family as well as his childhood photos, showing him as a beautiful blonde kid with the sunny smile he would have his entire life.

There is also a hilarious clip of Cooper on "The Jack Benny Show" doing the comeback on the number "Bird Dog" - and Benny loses it. The documentary also takes us briefly through his tumultuous affair with Patricia Neal, which nearly ruined both their lives.

There's a certain cohesiveness missing from this bio/retrospective - it jumps around a lot and has no footage of Cooper being interviewed, which would have added a lot.

Also, Clint Eastwood's narration was described as unobtrusive. What it was, was boring and monotone. Given that Cooper himself tended to be the strong, silent type on screen, we could have used a little animation.

On a personal note, Gary Cooper was one of the handsomest men who ever lived - there were some looks at him in his early films, but not nearly enough for this fan. That smile, those lips, that bone structure - he was handsome throughout his life, but in films like "Morocco" and "Desire," he is devastating.

Instead of sitting through a scene from one of his worst performances, as Howard Roark in "The Fountainhead," giving a speech that he admitted to the author he did not understand - a young, suave Cooper in a tux would have been a nice touch. This documentary, alas, was definitely produced by a man.

Gary Cooper: American Life, American Legend (1991)

** 1/2 (out of 4)

Clint Eastwood narrates this documentary that takes a look at the career of legend Gary Cooper. Calling this a documentary is a little unfair as the only person talking is Eastwood and he only casually drops in to say a few lines. The rest of the film pretty much just shows us clips from all his movies including WINGS, PRIDE OF THE YANKEES, SERGENT YORK, HIGH NOON and many other classics. There's really two ways to look at this and one is that if you haven't seen any of Cooper's great films then you should enjoy what you see here enough to where you'd want to go out and buy the films. On the other hand, if you've seen these movies already then you really don't learn too much. The only personal stuff really talked about is Cooper's disastrous affair with Patricia Neal and how he changed his life before his death. The Honorary Oscar award, which was accepted by James Stewart, is shown here and was quite touching. That footage makes this documentary worth sitting through, although a more complete one is certainly needed.