AVALIAÇÃO DA IMDb
6,6/10
66 mil
SUA AVALIAÇÃO
Um jovem descobre que precisa encontrar uma nave terrestre escondida antes de uma espécie alienígena inimiga, para garantir a sobrevivência da humanidade.Um jovem descobre que precisa encontrar uma nave terrestre escondida antes de uma espécie alienígena inimiga, para garantir a sobrevivência da humanidade.Um jovem descobre que precisa encontrar uma nave terrestre escondida antes de uma espécie alienígena inimiga, para garantir a sobrevivência da humanidade.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Matt Damon
- Cale
- (narração)
Drew Barrymore
- Akima
- (narração)
Bill Pullman
- Korso
- (narração)
Jim Breuer
- The Cook
- (narração)
Ken Hudson Campbell
- Po
- (narração)
- (as Ken Campbell)
Thomas A. Chantler
- Male Announcer
- (narração)
Elaine A. Clark
- Citizen
- (narração)
Roy Conrad
- Second Human
- (narração)
Jim Cummings
- Chowquin
- (narração)
Janeane Garofalo
- Stith
- (narração)
Leslie Hedger
- First Human
- (narração)
Roger Jackson
- First Alien
- (narração)
- (as Roger L. Jackson)
David L. Lander
- The Mayor
- (narração)
Nathan Lane
- Preed
- (narração)
John Leguizamo
- Gune
- (narração)
Alex D. Linz
- Young Cale
- (narração)
Avaliações em destaque
This can be a true revolutionary of all the animated films with its real eye-stunning graphics, a very imaginative sci-fi setting, more realistic-looking characters, and plenty of real action and yes, even some blood-spilling violence.
After years of churning out shots of sparkly-starry fantasy like Rock-A-Doodle-Doo, We're Back: A Dinosaur's Story, and Troll In The Central Park, Don Bluth's crew finally comes up with a very gritty, mature science fiction story all about humans being hunted down by the evil aliens who are out to destroy the planet Earth altogether. So a very brave young engineer grimly launched an enormous project that his little son was to carry on when he finally grew up. But it just wouldn't be a very easy path for the young hero to accomplish this great feat that would give a long ray of hope to all the innocent humans hiding out in the outer space. But with the help of a very spunky young female co-pilot, a group of bickering aliens, and a hardened space veteran, he just might...even with all those dread monsters hot on his very tail!
Beautifully made, this sweeping space odyssey really takes GIGANTIC steps to break from all the traditional aspects of an animated film to introduce mouth-droppingly MAGNIFICENT visions of the distant future as well as a more adult approach to storytelling and animation, so it may take awhile for the casual viewer to get used to it...and one day truly appreciate the great changes that is taking place in the whole animation industry.
After years of churning out shots of sparkly-starry fantasy like Rock-A-Doodle-Doo, We're Back: A Dinosaur's Story, and Troll In The Central Park, Don Bluth's crew finally comes up with a very gritty, mature science fiction story all about humans being hunted down by the evil aliens who are out to destroy the planet Earth altogether. So a very brave young engineer grimly launched an enormous project that his little son was to carry on when he finally grew up. But it just wouldn't be a very easy path for the young hero to accomplish this great feat that would give a long ray of hope to all the innocent humans hiding out in the outer space. But with the help of a very spunky young female co-pilot, a group of bickering aliens, and a hardened space veteran, he just might...even with all those dread monsters hot on his very tail!
Beautifully made, this sweeping space odyssey really takes GIGANTIC steps to break from all the traditional aspects of an animated film to introduce mouth-droppingly MAGNIFICENT visions of the distant future as well as a more adult approach to storytelling and animation, so it may take awhile for the casual viewer to get used to it...and one day truly appreciate the great changes that is taking place in the whole animation industry.
Titan A. E. was a tragic victim of 'studio sidelining' where a film is shafted in favour of a bigger and 'more viable' product; in this case, it seemed Fox was focusing its efforts on X-Men in getting adequate promos and licensing deals to make that movie soar at the box office. Titan A. E. was sporadically promoted besides the occasional tv spot, but the tie-in campaign proved very moot compared to tentpole Disney films at the time.
Titan A. E. also has the distinction of being Don Bluth's latest feature film, as his in-development Dragon's Lair film still hasn't been released. It sucks, because Don always had a knack for blending pathos in with slapstick comedy that few animators dared to balance as well as he did (with the likes of Secret of Nimh, American Tail, Land Before Time and All Dogs Go To Heaven); and it would have been nice seeing that trend continue into the 2000s and beyond. Sadly, it hasn't seen another film of his yet, and fans of Don Bluth are still waiting for Dragon's Lair to become a movie. Hopefully the day will come soon when Bluth graces the world with another of his feature films.
This movie was also a nice refreshing change of pace from all the musical animated films that were nigh-omniscient thanks to the Disney Renaissance still rubbing off on the competition. Science fiction has only gotten stronger representation in animation recently thanks to the Spider-Verse films, and films like them and Wall-E owe themselves to films like Titan A. E. and The Iron Giant daring to give audiences something different and high-concept escapism in a field dominated by Disney Princesses and talking animals.
2000s animation was something of a crazy and difficult time for theatrical toons; the technology evolved rapidly thanks to PIXAR's films and Dreamworks' Shrek, and traditional cel-animation still had a foothold on television when it was dying out at the movies. And Titan A. E. is a fascinating window into that time for the animation industry, where the demands of audiences were changing and becoming very complicated, and it seemed like a case of it being too ahead of its time (who knows how a film like this would have performed in the 2010s or 2020s in a post-Spider-Verse world?). Hindsight makes it impossible to know if a failure could have had a 'second chance' at success given the proper promotional material, or if it was always gonna play out the same way regardless.
7/10 IMDb points. 3.5/5 stars. Titan A. E. gives us a glance at a simpler time for animated cinema; and how sci-fi animation has continued to refine itself thanks to the likes of it and others daring to defy Disney.
Titan A. E. also has the distinction of being Don Bluth's latest feature film, as his in-development Dragon's Lair film still hasn't been released. It sucks, because Don always had a knack for blending pathos in with slapstick comedy that few animators dared to balance as well as he did (with the likes of Secret of Nimh, American Tail, Land Before Time and All Dogs Go To Heaven); and it would have been nice seeing that trend continue into the 2000s and beyond. Sadly, it hasn't seen another film of his yet, and fans of Don Bluth are still waiting for Dragon's Lair to become a movie. Hopefully the day will come soon when Bluth graces the world with another of his feature films.
This movie was also a nice refreshing change of pace from all the musical animated films that were nigh-omniscient thanks to the Disney Renaissance still rubbing off on the competition. Science fiction has only gotten stronger representation in animation recently thanks to the Spider-Verse films, and films like them and Wall-E owe themselves to films like Titan A. E. and The Iron Giant daring to give audiences something different and high-concept escapism in a field dominated by Disney Princesses and talking animals.
2000s animation was something of a crazy and difficult time for theatrical toons; the technology evolved rapidly thanks to PIXAR's films and Dreamworks' Shrek, and traditional cel-animation still had a foothold on television when it was dying out at the movies. And Titan A. E. is a fascinating window into that time for the animation industry, where the demands of audiences were changing and becoming very complicated, and it seemed like a case of it being too ahead of its time (who knows how a film like this would have performed in the 2010s or 2020s in a post-Spider-Verse world?). Hindsight makes it impossible to know if a failure could have had a 'second chance' at success given the proper promotional material, or if it was always gonna play out the same way regardless.
7/10 IMDb points. 3.5/5 stars. Titan A. E. gives us a glance at a simpler time for animated cinema; and how sci-fi animation has continued to refine itself thanks to the likes of it and others daring to defy Disney.
It's 3028 A.D. Earth is attacked by the Drej, aliens of pure energy. Hundreds of ships manage to escape before the earth is destroyed. Cale is separated from his father Professor Sam Tucker who saves the spaceship Titan. Sam gives him a ring which is a map to find Titan. Tucker was the lead researcher on Project Titan which is feared by the Drej. 15 years later, Cale is working on a salvage station with other aliens. Humanity is reduced to lower class citizens. Joseph Korso, captain of the Valkyrie, finds Cale and his ring to search for Titan, humanity's last hope.
The blend of traditional hand drawn animation and CGI works well mostly. The best is the ice crystal world. The hide-and-seek game inside the crystal is both exhilarating and visionary. In general, the story is a little too simplistic with questionable plot lines. Why would the father give the key to the ship to his son? Why couldn't the father do what the son ended up doing? If the father figure out how to build Titan, couldn't he build simple weapons against the Drej? Wouldn't it be simpler to build contraptions that sucks up Drej energy? The whole quest seems manufactured. The simple story has some rip-roaring fun. The characters are interesting. The evil aliens are formidable. The animation is interesting. I don't like the use of rock music. Overall it's a fun ride but not that compelling.
The blend of traditional hand drawn animation and CGI works well mostly. The best is the ice crystal world. The hide-and-seek game inside the crystal is both exhilarating and visionary. In general, the story is a little too simplistic with questionable plot lines. Why would the father give the key to the ship to his son? Why couldn't the father do what the son ended up doing? If the father figure out how to build Titan, couldn't he build simple weapons against the Drej? Wouldn't it be simpler to build contraptions that sucks up Drej energy? The whole quest seems manufactured. The simple story has some rip-roaring fun. The characters are interesting. The evil aliens are formidable. The animation is interesting. I don't like the use of rock music. Overall it's a fun ride but not that compelling.
After reading a number of negative reviews of this film, I went ahead and bought the DVD. I had read that, although the movie was mediocre, it was the kind of film that's great for showing off your DVD player.
I am thrilled to own this movie.
True enough, the story is cliched. Yet I didn't think about it for a second while I watched the film unfold. I was completely caught up in everything I saw on the screen. If it was a slow scene, I just gazed at the beautiful eye candy. And during the incredibly inventive action scenes, I was surprised to find myself at the edge of my seat.
There are some who say that the mix of 3d and traditional 2d animation didn't work. I couldn't disagree more. There are times when the two styles were a glaring contrast. Yet, as the movie progressed, the two became as one to my eyes. I have no problem calling this a revolutionary step forward in animation.
I loved A Bug's Life and Toy Story. But this trip, in my eyes blew those films away.
Finally, though I wouldn't consider this film 'adult' by any means, the slighter darker tone made it much more accessible as an adult viewer. Every year I sigh when I see a preview for another assembly line Disney film. (Hey, let's dumb down the gothic horror 'The Hunchback of Notre Dame' and give him cute sidekicks!) The look of Disney films hasn't changed in years. (If anything, they look more simple) This film, as cliched as the story was, was visually inspired.
The original Fantasia needed no story. It was an appreciation of music and animation. Let this be the new Fantasia. If you want to experience breathtaking and beautiful animation, I couldn't recommend this any more.
I am thrilled to own this movie.
True enough, the story is cliched. Yet I didn't think about it for a second while I watched the film unfold. I was completely caught up in everything I saw on the screen. If it was a slow scene, I just gazed at the beautiful eye candy. And during the incredibly inventive action scenes, I was surprised to find myself at the edge of my seat.
There are some who say that the mix of 3d and traditional 2d animation didn't work. I couldn't disagree more. There are times when the two styles were a glaring contrast. Yet, as the movie progressed, the two became as one to my eyes. I have no problem calling this a revolutionary step forward in animation.
I loved A Bug's Life and Toy Story. But this trip, in my eyes blew those films away.
Finally, though I wouldn't consider this film 'adult' by any means, the slighter darker tone made it much more accessible as an adult viewer. Every year I sigh when I see a preview for another assembly line Disney film. (Hey, let's dumb down the gothic horror 'The Hunchback of Notre Dame' and give him cute sidekicks!) The look of Disney films hasn't changed in years. (If anything, they look more simple) This film, as cliched as the story was, was visually inspired.
The original Fantasia needed no story. It was an appreciation of music and animation. Let this be the new Fantasia. If you want to experience breathtaking and beautiful animation, I couldn't recommend this any more.
Titan A.E is a story set in a post-earth era (hence the A.E: after earth, which i thought was a nice touch). Its about the son of a scientist who is thrust upon him the quest of finding the Titan, the greatest ship ever built, and is humanity's last chance.
The movie begins with an awesome scene of the evacuation of earth, and caught me nicely off guard with some great 3D rendering of the Titan (when launched), and the escape ships. The imagination that went into some scenes in the movie, especially the cruising alongside the wake angels, and the ice rinks were fantastic. And the plot, though a bit unrealistic in terms of modern science, was thoroughly refreshing in concept. And its got just the right balance of action to move it quickly from a kids film to a good sci-fi show for slightly older audiences.
Titan A.E is a great film. It has a story that's original and neatly executed. It brought about some great 3D rendering in a time where animation was primarily 2D. Its got good character development with a nice twist in the middle. And its also got a fine soundtrack, which I love to listen to.
Go watch this movie. You will not be disappointed.
The movie begins with an awesome scene of the evacuation of earth, and caught me nicely off guard with some great 3D rendering of the Titan (when launched), and the escape ships. The imagination that went into some scenes in the movie, especially the cruising alongside the wake angels, and the ice rinks were fantastic. And the plot, though a bit unrealistic in terms of modern science, was thoroughly refreshing in concept. And its got just the right balance of action to move it quickly from a kids film to a good sci-fi show for slightly older audiences.
Titan A.E is a great film. It has a story that's original and neatly executed. It brought about some great 3D rendering in a time where animation was primarily 2D. Its got good character development with a nice twist in the middle. And its also got a fine soundtrack, which I love to listen to.
Go watch this movie. You will not be disappointed.
Você sabia?
- CuriosidadesFor a preview screening on June 6, 2000 in Atlanta, this movie was transmitted in digital form from the studio, across the Internet, to the digital projector at the theater. It never once touched film, and was the first major Hollywood film to be publicly previewed that way.
- Erros de gravaçãoGune's speech patterns suddenly and inexplicably change for a handful of scenes in the middle of the movie. He goes from being completely articulate to pidgin English ("Why they not say goodbye to Gune?" etc.) By the end of the film he's speaking correctly again, just as suddenly and inexplicably. This shows the character's absent-minded personality.
- Cenas durante ou pós-créditosThe credits for the lead actors are each displayed as a computer readout displaying the actor's name, footage of the character played as well as vital statistics and personal data.
- Versões alternativasThe DVD includes deleted scenes, which, while some are still in pencil form, make the film more complete. They are as follows:
- "Green Drink" - This is a longer version of the scene where Cale and Korso discuss the Titan. It includes Cale fixing the broken machine and more dialogue about his father and the Titan.
- "Akima's Rescue" - This is another version of the scene where Korso and friends find Akima in the trade area. In this scene, she blows up an alarm and frees all the slaves.
- "Ice Crystals- Extended Version" - This is basically an extended version of the famous ice crystals scene. It includes more dialogue between Cale and Akima (in pencil form), and scenes in different angles.
- "Alternate Ending" - This is an extended ending where the Drej actually talk (not in subtitles) and more dialogue between Cale and Korso. Most of it is in pencil form, and it ends right after the Drej are destroyed.
- Trilhas sonorasOver My Head
Written by Jeremy Popoff
Performed by Lit
Produced by Glen Ballard and Lit
Lit performs courtesy of RCA/Dirty Martini Records Label
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Titan
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 75.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.753.426
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.376.845
- 18 de jun. de 2000
- Faturamento bruto mundial
- US$ 36.754.634
- Tempo de duração
- 1 h 34 min(94 min)
- Mixagem de som
- Proporção
- 2.39 : 1
- 2.55 : 1
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