A Nova Onda do Imperador

The Emperor's New Groove is enjoyable with plenty of laughs provided mainly by our villainess, Yzma, and her dim-witted sidekick, Kronk.

The comedy is also the movie's biggest strength along with its vocal cast. David Spade as emperor Kuzco gives this self-absorbed and bratty character a weird likability which is admirable. John Goodman as the peasant Pacha is pretty much your average John Goodman role, but he does that well. They are also good for some great laughs when they are together.

As I mentioned at first, Yzma and Kronk are simply hilarious. I slapped my thigh several times watching them. Eartha Kid and Patrick Warburton both do excellent voice-work.

Aside from the comedic proficiency I find it pretty average. The animation looks a lot like a Saturday afternoon show, but still better than the later 2D abomination of "Home On The Range" (2004).

The setting of the story is pretty original, but the story itself is kind of recycled, not bad, just an average "egotistical-asshole- learns-how-to-be-nice-to-others" story.

But what the hell. It works! The Emperor's New Groove is definitely worth your time.

How great is this? A movie about a talking lama. I absolutely love this movie, from beginning to end. I don't know how many times I have watched this movie, but I am guessing in the over 10 area. This is the only movie that I find funnier dubbed in Norwegian than in the original language. It is absolutely hilarious, I don't care what age you are. Although I think adults understands more of the jokes in the movie, but that doesn't mean that kids won't find it funny. The movie is a story of betrayal, friendship, love and lots and lots of humour. It doesn't seem like I can ever get tired of this movie. Why? Because it is absolutely fantastic! I am 24 years old, so there aren't any age boundaries here. I rate this movie 10/10

Although my affection for other Disney movies of the 1990s has decidedly waned, my love for "The Emperor's New Groove" is still as strong as ever. In fact, I'm now beginning to think it's a work of genius. It's clever, unpretentious, fast-paced, and- like "Lilo and Stitch"- you don't feel that the vision of the film was muddled up by the suits. The characters are not constantly breaking into song, and there is a welcome lack of cloying sentiment. No cutesy talking teacups here! The lightning- fast comic timing, sharp writing and constant loony non sequiturs (i.e. "For the last time, we did not order a giant trampoline!") improves upon each viewing, and the voice work is uniformly excellent, from David Spade's hilariously bratty emperor to Patrick Warburton's dim boy-toy Kronk to Eartha Kitt's Yzma (an over-the-top screeching Erte-style villainess with an alleged "secret lab" who is also "scary beyond all reason"). You get the impression that everyone involved had lots of fun making this. The art direction, with its whirling cartoon Inca motifs, is simultaneously goofy and gorgeous- and it shows what marvels can be done with nary a pixel in sight. I even love all the local L.A. humor, with even Bob's Big Boy making an appearance. Although I was initially dismayed when I heard that the project, originally entitled, "The Kingdom of the the Sun," was to be changed to "The Emperor's New Groove," I think in the end the changes were a good thing. Did the world really need yet another bombastic Disney musical?

No, I didn't think so either.

"The Emperor's New Groove" is stylistically a break from Disney tradition - it's closer in tone to the Genie in "Aladdin" or some of their TV shows than most of their movies, making a refreshing change. In fact, you could be forgiven for thinking that this isn't a Disney movie at all... the only talking animal has a good excuse for yapping in the voice of David Spade, the only romantic relationship is that between Pacha and his wife (and even there it's more the sign of a happily married couple), and apart from the Emperor's Theme Song Guy ("He's the hippest cat in creation...") - and Sting over the end credits, but we'll forgive that - no one bursts into song. Plus the emphasis is more on Warner Bros-type energetic humour than usual. No wonder it was a disappointment at the box office; not your traditional Disney movie.

Then again, "The Rescuers Down Under" was an underrated pleasure as well.

The story isn't particularly different - you've got the ruler who has to change externally before he can change internally ("Beauty and the Beast"), Kronk, the good-hearted sidekick of the villain (Yzma) who can't bring himself to kill the hero ("Snow White and the Seven Dwarfs"), and so on - but as is often the case it's not so much what the plot is as how it's handled. Although the movie suffers from "Is-that...?" syndrome - it's too hard not to see Finch from "Just Shoot Me!" every time Kuzco speaks (strangely enough, even though Pacha's wife has the voice of Wendie Malick from the same show, I never pictured Nina Van Horn... which isn't the case with "Fillmore!", where Miss Malick voices Principal Folsom. Go figure) - the movie's speed, energy and high humour rate make it easy to forgive, with Kuzco and the bad guy's sidekick as standouts. The movie's also a bit more self-reverential than other Disney movies, notably in our hero's narration (plus at one point Yzma and Kronk notice they're leaving a blue trail behind them, which turns out to be the trail they leave on the map to the palace illustrating the race between them and our heroes).

The surprising thing is that it even works with character - though the Emperor is enough of a self-absorbed hedonist (to a prospective wife: "Let me guess - you've got a really great personality") to turn off Paris and Nicky Hilton, he and Pacha have a believable relationship throughout the movie, so that by the end we're rooting for him to get turned back into a human. Too bad Marc Shaiman's score was thrown out (he'd have been a natural, as opposed to John Debney), but no sense whining over what might have been. An adventure, a comedy and a drama all in one, "The Emperor's New Groove" has everything that was notably absent from DreamWorks' own South American-set cartoon "The Road to El Dorado" (charm, interest, no Elton John overdose and so on) and is the funniest movie from the House of Mouse since "Aladdin." It's easier to forgive them for giving the world "Dinosaur" in 2000 as well.

Why DOES she have that lever, anyway?

When most people think of fantastic Disney movies people often let this one slip by. This is by far one of my favorite Disney movies. 18 years after release and multiple viewings I can still laugh at the jokes, as they still are fresh to this day. Kids will love this and adults too. Just do yourself a favor and watch this and prepare to laugh yourself out of your seat.