Os agentes do FBI Fox Mulder e Dana Scully lutam contra uma misteriosa organização infiltrada dentro do governo dos EUA que atua nas sombras para criar as condições ideais para uma colonizaç... Ler tudoOs agentes do FBI Fox Mulder e Dana Scully lutam contra uma misteriosa organização infiltrada dentro do governo dos EUA que atua nas sombras para criar as condições ideais para uma colonização da Terra por alienígenas.Os agentes do FBI Fox Mulder e Dana Scully lutam contra uma misteriosa organização infiltrada dentro do governo dos EUA que atua nas sombras para criar as condições ideais para uma colonização da Terra por alienígenas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 11 indicações no total
- Bronschweig
- (as Jeffrey De Munn)
- 2nd Boy
- (as Chris Fennell)
Avaliações em destaque
Mulder and Scully are on the case again after they learn of a deadly "virus" that is killing off the planet. Of course the government is covering it up, making it seem like it's more of a terrorist or a horrible flu. Mulder wants to make the truth known, but Scully has just given up, that is until she is attacked by a bug carrying the virus and Mulder will not give up on her. He saves her, but she needs more strength if they are to make it out of this situation alive.
The X-Files the movie is a cool sci fi film, if you are not a fan or didn't watch the series, there is a small chance you'll get into the film. But this was a definite treat for the fans, this is the film they wanted and as much as I hate this saying, The X-Files is just an extended episode with a bigger budget, but it's still a cool film. I liked it, Mulder and Scully always provide perfect entertainment and I just love Mulder going into his infamous speeches of "the truth is out there", so over dramatic, but you gotta love his passion in it. The X-Files is worth the look, it's a fun film and is cool sci-fi.
7/10
Scully and Mulder, the two FBI Agents (I think) from the famous television show of the same name, make their big-screen debut in a feature-length, theatrical film release that plays much more like a clever science fiction film than a stupid one. I do not claim to be a huge fan of the science-fiction genre -- I like softer sci-fi such as "The Terminator" -- but I admire the hard sci-fi films that make an effort to reach those of us who many not be the most enthusastic sci-fi geeks. "The X-Files" has a harder task -- it has to reach those who not only have never seen the show, but also those who may not love sci-fi too much, and it does a good job. I admire it above all else for being able to do this.
It strikes a chord that good sci-fi films have struck in the past. It gets down to the meaty bits, although sometimes the plot left me in the dark and the ending started to get a bit crazy, which lowered my overall pleasure regarding the film. It's like a mystery set in the world of UFOs and alien encounters. It is, at times, quite chilling in a subtle way, and at other times quite humorous and fun and thrilling.
It starts off with a boy falling into a pit and being attacked by hundreds of small, slug-like creatures that crawl into his eye sockets and over his eyes (don't bring the kids to this one). More people enter into the pit in an ill-fated attempt to rescue the boy, and they wind up being knocked unconscious (or put into a deep sleep) like the boy. The bodies are all transported to a hospital, and that same hospital later blows up after Scully (Gillian Anderson) and Mulder (David Duchovny) are unable to stop an implanted terrorist bomb from detonating inside a coke maching.
But then Mulder is told by a mysterious man outside a bar (Martin Landau) that the bomb was never attempted to be defused. It was all an elaborate cover-up to hide the bodies of the pit victims. Mulder shrugs off the old man at first before he realizes that the man used to be a friend of his father's, and that he has some interesting true stories to tell.
"The X-Files" intrigued me, kept me interested for the most part, and gave me a few good chill sequences, and yet I haven't seen a single full-length episode of the FOX TV show (only little tidbits here and there). From what I can tell from my short experiences with the television show, this film carries a much more "mainstream" feel to it. I don't really take an interest in TV shows because I find them pretty corny. But "The X-Files" movie wasn't that corny.
The sight of the aliens themselves is only touched lightly, and the secret promised to be revealed by the trailers and ads isn't. (I assume most people thought it would be in regards to Mulder's alien-abducted sister from his childhood.) But Duchovny is very interesting and often humorous in his role, and I would like to see him in more films than he is in. Gillian Anderson is a bit weak in her role -- in fact, my mother saw her on stage in London and reported back to me that she was so bored by her dull, lifeless performance that she nearly left the theater. But Duchovny carries along the film by himself, and the film has some good sequences. Overall, even people who have never laid eyes on the TV show will be able to appreciate this.
3.5/5 stars.
- John Ulmer
It helps that it's entirely controlled by the people behind the series, and that the programme had cinematic qualities in the first place. On repeat viewings, however, the story is revealed to be thin, and lacking in incident. Its need to tie into events of the series makes it not wholly satisfying as a stand-alone vehicle, though it should still be understandable to those that have never seen an episode.
David Duchovny as Mulder seems surprisingly at ease in his limited way, while Martin Landau is good as far as plot devices go. Gillian Anderson is unfortunately encouraged to overstate her lines, particularly in the beginning, while a cameo by The Lone Gunmen is perhaps the only indulgence that would be lost on non-fans.
There are inevitable concessions to the cinema format, of course. Not the touted mild use of expletives, which happened from time to time on TV anyway. But the alien presence that mutates to owe a debt to Ridley Scott's Alien, or the near-kiss between the two leads. Thankfully, the first point actually makes a logical sense and carries the story forward. The second is something that was also long overdue, and silly that it took so long. For two people who obviously feel about each other the way Mulder and Scully do, to go five years without even kissing is stretching credulity.
Ultimately, though, it lacks any clear focus for a casual film audience, and flits repetitively from action sequence to sloppy exposition and back again throughout its duration. Creator Chris Carter, like Gene Roddenberry with Star Trek before him, is not the smoothest writer of his own series, though he does adequately most of the time. Worst example is the opening Mulder/Scully scene which is laughably trite, and there are plenty more examples of Carter's trademark purple prose. Yet it does have a beginning, middle and end, and can be watched back-to-back with a TV episode with no noticeable jumps in style. In that sense, then, it is a most successful big-screen adaptation of a television series.
Hard-core X-File fans will be inclined to award an extra mark to the total, then. But for a non-committal audience, this is a "6" as they would have no idea from watching this that the frail, fag-smoking pensioner is the series' major villain.
Você sabia?
- CuriosidadesChris Carter originally wanted to end the television series after the fifth season, and continue the show mythology with a series of films, beginning with this one. The Fox Network, however, saw the series as too profitable, and forced Carter to write this film as a tie-in between two seasons of the show, a task which he found very daunting.
- Erros de gravaçãoAs Mulder and Scully are climbing down the rocks above the corn field, she is wearing flat-soled shoes. When they enter the beehive, she has high heels. (And not a scratch on them either!)
- Citações
Special Agent Dana Scully: I need this building evacuated and cleared out in ten minutes! I want you to call the fire department and have them block off the city center in a one mile radius around the building.
Security Guard: Ten minutes?
Special Agent Dana Scully: DON'T THINK! JUST PICK UP THAT PHONE AND MAKE IT HAPPEN.
- Versões alternativasThe video release has additional footage not shown in the theatrical release:
- In the opening scene you now see more of the alien. In the theatrical release we see it fight off one of the cavemen, killing it, and the other caveman gets up to see it lying on the ground draining out the black blood (or what fans know as black oil). In the video release, we see it run off after it kills one of the cavemen, and when the other caveman gets up, he tracks it down and then kills it using the broken end of his torch.
- In the scene with Mulder talking to the Well Manicured Man in the car, he reveals to Mulder that Samantha, Mulder's sister, was abducted by aliens at the request of her father, William Mulder, so she could be part of the colonization project, thus ensuring her survival in the colonization of Earth by the visitors. Also revealed is that when plans went awry, Mulder was intended, by his father, to seek the truth and reveal what had been done.
- There is also an added scene in the video release with Mulder running down the street after the hospital scene.
- Trilhas sonorasCrystal Ship
Written by Jim Morrison, Ray Manzarek, John Densmore and Robby Krieger
Performed by X
Produced by Ray Manzarek
[plays in the background while Mulder is sitting at the bar complaining about his life to the female barista]
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Los expedientes secretos X: Combate al futuro
- Locações de filme
- Whistler, Columbia Britânica, Canadá(snow scenes beginning and end of movie)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 66.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 83.898.313
- Fim de semana de estreia nos EUA e Canadá
- US$ 30.138.758
- 21 de jun. de 1998
- Faturamento bruto mundial
- US$ 189.176.423
- Tempo de duração2 horas 1 minuto
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1