As Loucas Aventuras de James West

If you don't take it too seriously, Its a fun and entertaining film. I don't understand why people hate it so much!

According to all the bad reviews I had read on the Internet, I had to check this movie out for myself. Well, I have a sense of humor and I found this movie to be OK. Indeed, I agree with those Internet critics who gave this movie a favorable review.

Some Internet critics complained about the technological sophistication; but according to more in depth reviews of history I found the tech' portrayals in the movie to be thoroughly accurate. For example, our mechanical knowledge as a society has not dramatically improved since then, and the flying bicycle! Well, the plane "as we know it took form shortly there after. As well, there were no complaints about the gadgetry of the original 'Wild, Wild West'

On the other hand, I do believe some people may have gotten offended by some of the blunt language that people in America used publicly at that time, as well the portrayal of prostitution.

I do think Will Smith gave a more comedic and mature performance in this movie than in 'Men in Black' and 'Enemy of the State.'

So much potential and ALL of it wasted!

We have:

1) A good director, Barry Sonnenfeld, with two great comedies to his name ("The Addams Family" and "Addams Family Values");

2) An Oscar-winning actor, Kevin Kline, well-known for his comedic work ("A Fish Called Wanda", "Soapdish") as well as dramatic ("Sophie's Choice", "The Ice Storm");

3) Another Oscar nominee, Kenneth Branagh ("Hamlet", "Henry V"), famous for directing, as well as writing and acting

AND THIS IS THE BEST THEY COULD DO !?!?!?! What gives?

First and foremost, it should be noted that just because Will Smith is popular, that doesn't mean he's good. There's something about him when he acts that makes him appear as more of a "ham" than an actor, a scene-stealer who's insecure with being the star of a film so he overacts to conceal (albeit unsuccessfully) the limitations of his acting abilities.

And for Kevin Kline and Kenneth Branagh to play second fiddle to HIM? Absolutely criminal. What's next? Jack Nicholson playing a supporting role to Pauly Shore?

Then there's the storyline - are we really supposed to believe that James West (as played by Smith, a black man) is a hero of the Civil War? Of course, the casting of Smith serves primarily as a set-up for all the racial humor (which gets old fast). Logically, though, it's an asinine premise, a fact which audiences obviously picked up on given the tepid reaction to Smith's so-called "star power" in this weak take-off on a really good television series.

Who's responsible for this mess? Maybe it's the fault of all the writers (a total of 6) for writing it, or Sonnenfeld's mess for directing it, or Jon Peters' (and Sonnenfeld's) mess for producing it, or Warner Bros.' mess for distributing it? Whose ever it is, it should just be shelved and forgotten as an embarrassing mistake.

Back in the 60s, The Wild, Wild West, staring Robert Conrad and Russ Martin was one of the best shows of it's time, a interesting mixture of Science Fiction, Fantasy, Gadget Spy films, and light hearted satire. A favorite of mine, I've long enjoyed the show. So naturally, I was looking forward to the big screen adaption, even though it did star Will Smith (Sorry, Will, but you're no Robert Conrad.)

The movie had all the ingredients needed to make a good film: An excellent cast (Kevin Klein, Ken Branaugh, Selma Hayek, even Smith,) an excellent, proven director in Barry Sonnefeld, and a proven genre... Rather, it had all the ingredients that it needed except one... It had the worst script possible.

I've always been wary of any project that was written by committee, and this film is one project that proves why. The excellent cast, crew, and effects of this film were wasted on one of the worst screenplays I've ever seen. The clever (if pulp inspired) stories of the original series are replaced by tepid attempts at comedy which even Smith, who normally is very funny, can't pull off. Kenneth Branaugh succeeds at nothing other than managing to eat the scenery, unable to do anything else, since his lines are so bad. Klein is saddled with the role of Smith's straight man, something that he's just too damn funny to be. As for the effects, like I said, they were spectacular, but the problem is that they seem to be the 'be all and end all' of the movie, instead of working for the story (such as there was in this case.) The simple fact is that they overpower the film.

I guess, if you are a die hard Will Smith fan who has never seen the original series, you might like this one. But for fans of the old series, avoid it, and watch reruns, or else one of the two other shows in the genre, 'Legend' or 'The Adventures of Brisco County Junior.'

The opening credits of this film were highly entertaining, and the closing credits featuring Will's WWW rap was fun as well. Everything in between was a pure, unadulterated, steaming pile of crud! I sat and marveled at the drek that was being spewed out on the screen from this supposedly Summer Blockbuster movie and was totally stupefied. I've seen bad movies before, and I've certainly seen my share of big-budget, special-effects money machines - but none was as poorly conceived as this. What makes it even more amazing is that we had actors with at least a proven track record of success. We had a director (Barry Sonnenfeld) who has managed to put together his share of successful movies. And if this weren't enough, there was a pant load of big explosions and digital effects! So what went wrong?

The script, the script, the script. It boggles my mind that this screenplay actually made it to production. The dialogue was atrocious. The attempts at humor were pathetic. The characters had about as much depth as the screen they were being projected on. Hayek's character was completely pointless, and had less than no reason to be there. The repeated exchange of racial/disabled insults between the black Jim West and the legless Dr. Loveless was shameful. It seemed that about every twenty minutes Kline's character launched into a diatribe reiterating the plot, and articulating what they were doing and why. I can only assume this was intended for the audience members who had just woken up and needed to get caught up with the "action."

My biggest regret in seeing this film is that wish I could have warned you earlier not to see it. I'm sure there are several movie fans out there right now who unwittingly fell victim to this movie, and are at this moment still lying in bed with the covers pulled over their heads, swearing they'll never go to the theater again as long as they live. Don't go see this movie, don't let your kids see this movie, don't even recommend it to people you truly despise. If, on the other hand, you have a morbid fascination with the continuing devolution of Hollywood and aren't afraid to face definitive evidence that our culture is moments away from claiming creative bankruptcy, this one is a must see.