Morte a Sangue Frio

This is the movie that brings you into the world of the ordinary hit man, well not the machine gun tottling Mafioso gunmen we're so used to watching in the big gangster movies. But the ordinary hit man who does his job as a necessary means to a living. The job is fine but there's no pot of gold at the end of the rainbow. The art of doing well is to kill with nonchalance. It is a hazardous occupation -- you go on as long as you can but don't know if you'll be a target yourself one day. There are no fancy trenchcoats or big cigars. The hit men work as used car salesmen, wipe windows in the lot when free and pay for their own movie tickets. They supply their income by knocking off their assigned victims. A respectable year for Tom means usually getting about two to three contracts done. Need to dismember the body after a murder? They go for a cheap K-mart chainsaw instead of the more renowned Black and Decker brand, and get frustrated when they find that it doesn't work at first try. Young Jerry (Sam Rockwell) learns the ropes from Tom (Joe Mantegna) and witnesses his first murder in the front seat of a car. Jerry's induction is every bit as abhorrent as one would normally react to seeing a man killed. But he learns to like what he does and becomes as cold and merciless as his mentor is. In fact Jerry gets to be as ruthless as Tom, to the point that he even takes sadistic pleasure when whacking off his victims. Tom's professional detachment is his strength and hallmark. But this trait unfortunately is never learnt by his protégé and the latter's intractability proves to be his undoing. Apart from a very entertaining script, what makes the movie an excellent watch is the top-notch performances from the cast, especially Joe Mantegna, Sam Rockwell, Maury Chaykin and Charles Durning. And of course the wonderful cameos by William Macy and Ted Danson. The brutality of the killings is shocking but any darkness in the movie is balanced by the humorous edge throughout. This is about ordinary hit men getting their contracts done. There are no recriminations and regrets. The movie starts and ends on a sardonic note, the very tone that first-time director Saul Rubinek wanted to create. I'm sure if this was a bigger name director with a bigger budget JERRY AND TOM would have been a screamer at the box office. This was a movie I thoroughly enjoyed and it comes highly recommended. Ten out of 10 from me.

A tedious, dialogue-intensive story about the vicissitudes of a mentor/protege hitman team, "Jerry & Tom" is a study in understatement with a pointless plot and an ending which may make you want to "whack" yourself for having watched the whole thing.

One has to have a morbid sense of humor to enjoy this wry black comedy about two used car salesmen who moonlight as contract killers. The comedy is very tongue in cheek as these two miscreants matter-of-factly whack a dozen or so marked men while bickering over trivialities.

The gag is funny at first, but wears thin as we are treated to minor variations on the same theme for an hour and a half. Other than some innovative scene transitions, the direction by veteran TV director Saul Rubinek was nothing special, except I suppose he made good use of a very limited budget. The story was taken from a play by Rick Cleveland, (`The West Wing' TV series) and Rubinek maintained the theatrical feel using simple sets and concentrating mainly on the actors.

Joe Mantegna is an excellent tough-guy character actor and conjures another terrific mobster. He is a tough but practical murderer who takes the task as strictly business and longs to get out of the game. Sam Rockwell is also good as his dim-witted cohort, who begins to like his work a bit too much. Charles Durning gives a droll performance as an over-the-hill hit man who wants to write a book about his targets. There are also cameos by William Macy, Ted Danson and Peter Riegert.

This is a better than average B movie with some acting performances that are worth seeing. I rated it a 6/10. It is funny in a perverse way, and Mantegna's performance is a treat.

Though forgettable in the long run, while it lasts "Jerry and Tom" is very enjoyable. Never has a movie about two ruthless hitmen had less on screen violence. Neither has brutal killing has ever been executed with such taste. While the humor is decidedly black, it's not morbid. There are many funny moments, but the overall effect is somewhat slight.

What makes it work is the Joe Mantegna/Sam Rockwell duo. They are both fine team players, especially when paired up with an unlikely other half. Rockwell has in the past partnered a variety of characters from uptight John Turturro in "Box of Moonlight" to precocious child Micha Barton in "Lawn Dogs" and always with much subtle off beat humor.

Mantegna is basically a one role actor. It's a turn he does extremely well, but we have seen it all before. Still, watching these two in "Jerry and Tom" is great fun and there's good support from Charles Durning, Ted Danson and Maury Chaykin.

There is a nice sense of whackiness about it all, not only in the dialog and characterization but also in the strange and unique manner in which some of the scenes smoothly segue into each other with unexpected camera moves.

This was so far out in left field that the turf touched the sky; so flaky that Post cereals could produce enough Wheaties to feed the Arizona Diamondbacks indefinitely. The film was ultra violent and bizarre with oddly interesting dialogue and an even stranger storyline. I loved the way the camera would slink from the old into the new scene without any definable break in the order of events. It took me a few minutes to realize I was not into a standard movie and a while longer to understand I was being entertained by a very offbeat experience. J&T was black comedy at it's most midnight shade: funny, spooky, creepy, but above all a real gas. 4 stars.