Tarzan

This is a great film, it moves right along fast, has great characters, action, voice, music is just right, great animation, you name it. Lives up to the Tarzan heritage and then some. I highly recommend this one.

Definitely something to jump up and down about.

I found this surprisingly good because not only was animation well done - which they all seem to be in the past decade - but an involving, action-packed story that was interesting start-to-finish. The action is not overdone, however. The color in here is magnificent and it looks spectacular on DVD.

The film turned out to be a good combination of drama, action, comedy and romance. I would think this would be a little too frightening, however, for little kids, for those wondering about that. The only negative I had was listening to the grating voice of Rose O'Donnell. That, and her New York City, accent, is definitely not appealing. Otherwise, I have nothing but good things to say about this film.

Imagine six 50-something and 60-something men and women watching this version of "Tarzan" (Disney, animated)on DVD and at the end, some of them saying "that is the best movie I have ever seen." Well, I can't personally say it was *the best* I've ever seen, but for sheer entertainment there haven't been many better.

The story is very familiar to most of us, and this version sticks to the tried and true (!) very well. The novelty are in the eye-popping Disney animation, the humorous script, and the "delivery" of the lines by the various celebrity voices. I bought the DVD because I want to watch it periodically, and also with my grandchildren as they grow up.

The "extras" on the DVD are really fine. Recording of the "Trashing the Camp" music is featured, plus a few other equally interesting features. The best being a film "short" of the animated Disney feature "Dinosaur" slated for release in May 2000. I'm going to buy that one too!

I gave this movie a solid "9" of "10" for sheer enjoyment.

Well, being the big animation fan that I am, I went to see Tarzan this afternoon. Wow.

When I first heard that Disney was doing a version of the Tarzan story, I was hesitant. I mean who wants to hear an ape man spouting out show tunes? Hakuna Matata! The only songs are some of the best work Phil Collins has done in many years. He ventures into the Peter Gabriel territory, but does a great job especially with the rhythms since he IS a drummer. The open number (and sequence) is best albeit Lion King-esque. It seems he was very inspired by the material and has rediscovered his love of music. It's very uplifting. Don't misunderstand me, the characters do sing, but it's more Rosie O'Donnell doing scat with the other apes as they destroy a camp and a very welcome singing cameo by Glenn Close doing the beginning of a lullaby that Phil takes over.

As for the picture itself: wow! This is the most beautiful Disney animation ever: lush, detailed, quick and smooth. Tarzan moves like liquid, filling the screen with gymnastic ease especially the scene where he fights a leopard to save his ape family.

And family is what this film is all about. Disney's Tarzan makes a different decision that Edgar Rice Burroughs' and I think it works better, but it's the decision I would make in the same situation. Some of the situations are a little contrived, but it is mostly Disney sticking with a winning formula. (Tarzan does have nipples unlike Aladdin). :-) What surprised me was the dramatic tilt of the film. Rosie O'Donnell's ape and the elephant are the only comic relief and don't have much of it. The film is very skewed towards adults; HOWEVER, as I was surrounded by a mob of kids there was dead silence right after the main gorillas lose their baby and Tarzan loses his parents to the leopard at the beginning. All the questioning ceased and I got to enjoy the film in complete "adult-like" silence. The kids were just as wrapped up in the movie as the adults.

The voice talent was well cast, too. Minnie Driver is great as the strong, yet proper British lady of the time. Her father is a stereotypical egghead professor who is as clumsy as he is smart. And then there is Brian Blessed as the villain, Clayton. Man, do I love his voice! It's the Voice of God! The deep, rich tones always give me a chill. I wish he worked in more films other then Kenneth Kenneth Branagh's Shakespeare films, but alas.... (well, I guess he WAS in The Phantom Menace)

This truly is one of Disney's classics. I felt the same way walking out of this one as I did from Beauty and the Beast and The Lion King.

Oh, look for a cameo from Mrs. Potts and Chip from Beauty and the Beast! I thought it was funny, but I don't think anyone else in the theater got it since I seemed to be the only one laughing. I always embarrass myself at the movies it seems.

... or no, a 15, maybe.

This is right up there with 'The Lion King' and 'Mulan'. I had the treat to see this last night, and through it all, even the toddlers in the theater loved it! People have said this is a breakthrough animation-wise, but story-wise, this is like mind-blowing. Tarzan himself is the first truly deep Disney male character since ... I can't think of a really deep Disney male character, except perhaps Simba from The Lion King. Tarzan has everything that makes you realize that, though he's raised by apes, he's truly human, and even his upbringing can't hide that (C'mon, if you were raised your whole life thinking you were an ape, and then suddenly find out you're really something else, wouldn't you also be disturbed?)

From the first to the last scene was awesome. Tarzan and the ape Kala's backgrounds were told briefly, poignantly, and emotionfully. There's (intelligent) humor and love, which only add to the film, and there's an obvious love between Tarzan and Jane. Someone here said they're not in love, that it's obvious, but I have to strongly disagree. The scenes between them are funny and give you a feeling that there's a strong attraction (and not just because Jane's interested in studying apes). And even Jane's father, though he's a small background character, he helps the plot along, and while you'd describe him as "dithering", he has his own funny bone (When Jane is describing Tarzan to him by drawing a picture on a blackboard, she starts to go on about his 'wonderful eyes', and in the midst of her daydream, her father comments, "Would you like me to give you and the blackboard some private time?" Riot!).

No, Clayton's not a Jafar or a Gaston, but he's not really the enemy here; he's just an antagonist to help along Tarzan's inner conflict. The real enemy would be Tarzan's battling against his 'true' world (the one with humans) and the one he's grown up with (the one with apes). Clayton just resembles a threat to Tarzan's ape family. In the past, villains were a direct challenge to the hero; here, he is a threat, sure, but he's not the whole movie here. I like it better this way. In real life, there's rarely a big evil soul against you, and Clayton seems like a realistic greedy, nasty guy, rather than the cliche megolamincal weirdos of most animated features.

I loved Phil Collins. And while it's great hearing Ariel sing, I think background music was better for this particular movie. I couldn't see Jane or Tarzan singing; it makes the whole thing almost unrealistic.

Tarzan himself was wonderful! Charismatic, emotional, outgoing, and at the same time, goofy and boyish. The scenes between him and his ape mother, Kala, were so tender. I haven't seen such wonderful emotions in live-action movies. And even Kerchak ... let me tell you something about him. Even my mom said he was real. I don't think he was too mean. He felt threatened by Tarzan's presence. It wasn't out of superiority. When Kala first shows baby Tarzan to him, Kerchak is worried about the existence of other humans in the jungle, which might endanger his family of apes. He only worries about his family, too, and I suspect that, while he keeps a stoic face over the death of his own baby ape in the beginning of the movie, he's not ready to adopt another baby (if one of your kids died, would you be so willing to adopt another right away? I know I wouldn't).

The Lion King, Mulan, and Tarzan all have the same thing in common; they all show true emotion and character, unlike the basic fairy tale fluff like Cinderella and Bambi (nothing against fairy tales, but I like to see true-to-life stuff, you know?).

This is a must-see. If Disney keeps this up, adults may start to change their views of animated stuff. It ain't just for lil' kids anymore! :)